Vittoria held the gun out in front of her with both hands. Langdon checked his watch: 8:04 P.M.
Vittoria looked harrowed as she scanned the church. "So," she whispered. "Where is this Chigi Chapel?"
Langdon gazed through the dusky ghostliness toward the back of the cathedral and studied the outer walls. Contrary to common perception, Renaissance cathedrals invariably contained
"It could be any of those draped recesses," Langdon said. "No way to know which is the Chigi without looking inside every one. Could be a good reason to wait for Oliv—"
"Which is the secondary left apse?" she asked.
Langdon studied her, surprised by her command of architectural terminology. "Secondary left apse? "
Vittoria pointed at the wall behind him. A decorative tile was embedded in the stone. It was engraved with the same symbol they had seen outside—a pyramid beneath a shining star. The grime-covered plaque beside it read:
Langdon nodded.
"What?"
"Never mind. I—"
A piece of metal clattered to the floor only yards away. The clang echoed through the entire church. Langdon pulled Vittoria behind a pillar as she whipped the gun toward the sound and held it there. Silence. They waited. Again there was sound, this time a rustling. Langdon held his breath.
"
Beside the pillar, dragging a half-eaten sandwich in paper, was an enormous rat. The creature paused when it saw them, staring a long moment down the barrel of Vittoria’s weapon, and then, apparently unmoved, continued dragging its prize off to the recesses of the church.
"Son of a…" Langdon gasped, his heart racing.
Vittoria lowered the gun, quickly regaining her composure. Langdon peered around the side of the column to see a workman’s lunchbox splayed on the floor, apparently knocked off a sawhorse by the resourceful rodent.
Langdon scanned the basilica for movement and whispered, "If this guy’s here, he sure as hell heard
"Secondary left apse," Vittoria repeated. "Where is it?"
Reluctantly Langdon turned and tried to get his bearings. Cathedral terminology was like stage directions— totally counterintuitive. He faced the main altar.
They both turned and looked where he was pointing.
It seemed the Chigi Chapel was located in the third of four recessed alcoves to their right. The good news was that Langdon and Vittoria were on the correct
"Wait," Langdon said. "I’ll go first."
"Forget it."
"I’m the one who screwed up at the Pantheon."
She turned. "But I’m the one with the gun."
In her eyes Langdon could see what she was really thinking…
Langdon sensed the futility and let her go. He moved beside her, cautiously, down the east side of the basilica. As they passed the first shrouded alcove, Langdon felt taut, like a contestant on some surreal game show.
The church was quiet, the thick stone walls blocking out all hints of the outside world. As they hurried past one chapel after the other, pale humanoid forms wavered like ghosts behind the rustling plastic.
They passed the second apse, ominous in the slowly darkening cathedral. Night seemed to be falling quickly now, accentuated by the musty tint of the stained-glass windows. As they pressed on, the plastic curtain beside them billowed suddenly, as if caught in a draft. Langdon wondered if someone somewhere had opened a door.
Vittoria slowed as the third niche loomed before them. She held the gun before her, motioning with her head to the stele beside the apse. Carved in the granite block were two words:
Langdon nodded. Without a sound they moved to the corner of the opening, positioning themselves behind a wide pillar. Vittoria leveled the gun around a corner at the plastic. Then she signaled for Langdon to pull back the shroud.
For a moment, neither one of them breathed.
"Empty," Vittoria finally said, lowering the gun. "We’re too late."
Langdon did not hear. He was in awe, transported for an instant to another world. In his life, he had never imagined a chapel that looked like this. Finished entirely in chestnut marble, the Chigi Chapel was breathtaking. Langdon’s trained eye devoured it in gulps. It was as
Overhead, the domed cupola shone with a field of illuminated stars and the seven astronomical planets. Below that the twelve signs of the zodiac—pagan, earthly symbols rooted in astronomy. The zodiac was also tied directly to Earth, Air, Fire, Water… the quadrants representing power, intellect, ardor, emotion.
Farther down the wall, Langdon saw tributes to the Earth’s four temporal seasons—
"I don’t see a cardinal," Vittoria whispered. "Or an assassin." She pulled aside the plastic and stepped in.