Vittoria held the gun out in front of her with both hands. Langdon checked his watch: 8:04 P.M. We’re crazy to be in here, he thought. It’s too dangerous. Still he knew if the killer were inside, the man could leave through any door he wanted, making a one-gun outside stakeout totally fruitless. Catching him inside was the only way… that was, if he was even still here. Langdon felt guilt-ridden over the blunder that had cost everyone their chance at the Pantheon. He was in no position to insist on precaution now; he was the one who had backed them into this corner.

Vittoria looked harrowed as she scanned the church. "So," she whispered. "Where is this Chigi Chapel?"

Langdon gazed through the dusky ghostliness toward the back of the cathedral and studied the outer walls. Contrary to common perception, Renaissance cathedrals invariably contained multiple chapels, huge cathedrals like Notre Dame having dozens. Chapels were less rooms than they were hollows—semicircular niches holding tombs around a church’s perimeter wall.

Bad news, Langdon thought, seeing the four recesses on each side wall. There were eight chapels in all. Although eight was not a particularly overwhelming number, all eight openings were covered with huge sheets of clear polyurethane due to the construction, the translucent curtains apparently intended to keep dust off the tombs inside the alcoves.

"It could be any of those draped recesses," Langdon said. "No way to know which is the Chigi without looking inside every one. Could be a good reason to wait for Oliv—"

"Which is the secondary left apse?" she asked.

Langdon studied her, surprised by her command of architectural terminology. "Secondary left apse? "

Vittoria pointed at the wall behind him. A decorative tile was embedded in the stone. It was engraved with the same symbol they had seen outside—a pyramid beneath a shining star. The grime-covered plaque beside it read:

Coat of arms of Alexander Chigi whose tomb is located in the secondary left apse of this Cathedral

Langdon nodded. Chigi’s coat of arms was a pyramid and star? He suddenly found himself wondering if the wealthy patron Chigi had been an Illuminatus. He nodded to Vittoria. "Nice work, Nancy Drew."

"What?"

"Never mind. I—"

A piece of metal clattered to the floor only yards away. The clang echoed through the entire church. Langdon pulled Vittoria behind a pillar as she whipped the gun toward the sound and held it there. Silence. They waited. Again there was sound, this time a rustling. Langdon held his breath. I never should have let us come in here! The sound moved closer, an intermittent scuffling, like a man with a limp. Suddenly around the base of the pillar, an object came into view.

"Figlio di puttana!" Vittoria cursed under her breath, jumping back. Langdon fell back with her.

Beside the pillar, dragging a half-eaten sandwich in paper, was an enormous rat. The creature paused when it saw them, staring a long moment down the barrel of Vittoria’s weapon, and then, apparently unmoved, continued dragging its prize off to the recesses of the church.

"Son of a…" Langdon gasped, his heart racing.

Vittoria lowered the gun, quickly regaining her composure. Langdon peered around the side of the column to see a workman’s lunchbox splayed on the floor, apparently knocked off a sawhorse by the resourceful rodent.

Langdon scanned the basilica for movement and whispered, "If this guy’s here, he sure as hell heard that. You sure you don’t want to wait for Olivetti?"

"Secondary left apse," Vittoria repeated. "Where is it?"

Reluctantly Langdon turned and tried to get his bearings. Cathedral terminology was like stage directions— totally counterintuitive. He faced the main altar. Stage center. Then he pointed with his thumb backward over his shoulder.

They both turned and looked where he was pointing.

It seemed the Chigi Chapel was located in the third of four recessed alcoves to their right. The good news was that Langdon and Vittoria were on the correct side of the church. The bad news was that they were at the wrong end. They would have to traverse the length of the cathedral, passing three other chapels, each of them, like the Chigi Chapel, covered with translucent plastic shrouds.

"Wait," Langdon said. "I’ll go first."

"Forget it."

"I’m the one who screwed up at the Pantheon."

She turned. "But I’m the one with the gun."

In her eyes Langdon could see what she was really thinking… I’m the one who lost my father. I’m the one who helped build a weapon of mass destruction. This guy’s kneecaps are mine

Langdon sensed the futility and let her go. He moved beside her, cautiously, down the east side of the basilica. As they passed the first shrouded alcove, Langdon felt taut, like a contestant on some surreal game show. I’ll take curtain number three, he thought.

The church was quiet, the thick stone walls blocking out all hints of the outside world. As they hurried past one chapel after the other, pale humanoid forms wavered like ghosts behind the rustling plastic. Carved marble, Langdon told himself, hoping he was right. It was 8:06 P.M. Had the killer been punctual and slipped out before Langdon and Vittoria had entered? Or was he still here? Langdon was unsure which scenario he preferred.

They passed the second apse, ominous in the slowly darkening cathedral. Night seemed to be falling quickly now, accentuated by the musty tint of the stained-glass windows. As they pressed on, the plastic curtain beside them billowed suddenly, as if caught in a draft. Langdon wondered if someone somewhere had opened a door.

Vittoria slowed as the third niche loomed before them. She held the gun before her, motioning with her head to the stele beside the apse. Carved in the granite block were two words:

Capella Chigi

Langdon nodded. Without a sound they moved to the corner of the opening, positioning themselves behind a wide pillar. Vittoria leveled the gun around a corner at the plastic. Then she signaled for Langdon to pull back the shroud.

A good time to start praying, he thought. Reluctantly, he reached over her shoulder. As carefully as possible, he began to pull the plastic aside. It moved an inch and then crinkled loudly. They both froze. Silence. After a moment, moving in slow motion, Vittoria leaned forward and peered through the narrow slit. Langdon looked over her shoulder.

For a moment, neither one of them breathed.

"Empty," Vittoria finally said, lowering the gun. "We’re too late."

Langdon did not hear. He was in awe, transported for an instant to another world. In his life, he had never imagined a chapel that looked like this. Finished entirely in chestnut marble, the Chigi Chapel was breathtaking. Langdon’s trained eye devoured it in gulps. It was as earthly a chapel as Langdon could fathom, almost as if Galileo and the Illuminati had designed it themselves.

Overhead, the domed cupola shone with a field of illuminated stars and the seven astronomical planets. Below that the twelve signs of the zodiac—pagan, earthly symbols rooted in astronomy. The zodiac was also tied directly to Earth, Air, Fire, Water… the quadrants representing power, intellect, ardor, emotion. Earth is for power, Langdon recalled.

Farther down the wall, Langdon saw tributes to the Earth’s four temporal seasons—primavera, estate, autunno, invйrno. But far more incredible than any of this were the two huge structures dominating the room. Langdon stared at them in silent wonder. It can’t be, he thought. It just can’t be! But it was. On either side of the chapel, in perfect symmetry, were two ten-foot-high marble pyramids.

"I don’t see a cardinal," Vittoria whispered. "Or an assassin." She pulled aside the plastic and stepped in.

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