WAYNE
(Shouting)
No you ain’t!
Cut to…
INTERIOR. THE TV CONTROL TRUCK. DAY.
Chief Cornell and the others are watching Wayne on the screens. Fast jagged, staccato zoom on to Wayne ’s image on one of the screens. Mid two shot of Cornell and the SWAT commander.
CHIEF CORNELL
Take him.
EXTERIOR. THE ROOF OF THE MANSION. DAY.
SWAT officers blast their way through.
Jump cut to…
EXTERIOR. A WINDOW OF THE MANSION. DAY.
SWAT officers swing through windows on abseiling ropes, smashing glass.
Jump cut to…
INTERIOR. OUTSIDE THE LOUNGE DOOR AT THE TOP OF THE STAIRWAY INSIDE THE MANSION. DAY.
SWAT officers smash door down.
Jump cut to…
INTERIOR. THE LOUNGE. DAY
Extreme wide shot. Wayne and Scout at centre.
Mute sound. Slow motion.
SWAT officers burst through the windows and doors. Wayne and Scout open fire.
A little later the room was filled with strange green figures. Green jump suits, green rubber boots and gloves, green face masks. The green figures were tracing the outlines of the dead. One of them tried to draw a line around Wayne. The chalk made little impression on the sticky swamp of congealing blood in which his body lay. The green man tried using some white tape but nothing much sticks to blood soaked shag pile.
The whole room was alive with flashing light, the effect was almost stroboscopic. Hundreds and hundreds of photographs were being taken for further analysis. The contorted features of the corpses flickered in brief moments of glorious illumination. Their grotesquely twisted limbs seemed almost to twitch in the jaggedly pulsating light.
Hundreds of bullets and cartridge cases were being tweezered from the floor, more prized from the walls. Hairs were plucked from clothing, bloodied thumb prints carefully preserved. The green men and women missed nothing. A pair of pink Doc Martens, freckled with a few spots of blood, were photographed where they lay then placed in a plastic bag marked LAPD. Lab. Likewise a can of hair mousse, a pair of panty hose, a tiny glass, miraculously still upright and containing a splash of
There was little point in this forensic zeal. Everyone knew who’d killed whom, who had died and who had survived. The whole thing had been captured on television and would shortly be available on video in all good stores.
There is however a process and the green figures had a job to do. A full inquiry into the events of that terrible Oscar night had already been promised. The authorities were anxious to show that, despite everything, they remained in control.
Outside Bruce’s house the survivors were carried away in screaming ambulances. Other ambulances waited for the dead.
Epilogue
Bruce survived Wayne and Scout’s bloody confrontation with the officers of the law but his career never recovered from the terrible events for which many felt he was partly responsible. He now makes tired, cynical movies in France. He has written a book about the night Wayne and Scout entered his life, called
Brooke died of her wounds. Her parents subsequently claimed that by pursuing a selfish debate, rather than making the simple statement Wayne had asked him to make, Bruce denied Brooke proper medical care for the vital period in which she could have been saved. They hold him responsible and are in the process of suing him.
Bill and Kirsten both died in the police assault. Their families now claim that as they were both employees of the television companies there was a duty of care and that the companies are therefore responsible for their deaths. Both families are currently suing the networks. They are also suing the police, whom they hold responsible for not intervening earlier. In a separate claim they are again suing the police, whom they also hold responsible for intervening when they did.
Velvet was also killed in the crossfire. During a memorial service at her school, her principal reminded the congregation that society had a responsibility to protect young people like Velvet and had failed to do so. Her grandparents are investigating the possibility of suing the estates of Wayne and Scout. In the largest single claim in history, they are also suing the millions of people who did not turn off their TVs, who they feel are also responsible.
Many of the people who did not turn off their TVs have formed themselves into action groups, claiming that they have experienced anxiety, stress and mental torment as a result of the terrible moral dilemma that the TV companies allowed them to be put in. They hold the TV companies responsible and are pursuing claims for damages.
The TV companies are currently lobbying for more specific guidelines on how to act under similar
