bubbling…”
“Don’t!” the beautiful woman said, feeling Moth’s pain. “Don’t torment yourself. You ran. I understand why you ran. There was nothing you could do.”
“No one knew I had had the choice. I stood outside and watched, and once I saw a face at one of the windows. It was wrapped in flames, an old man, his long hair burning. It was ghastly, terrible, I couldn’t bear it. I cried and screamed up at them, and the ones who had escaped, some of the orderlies tried to get back up there, and one of
“No,” the woman with the pale hair reassured him, “no. You would have been burned alive, too. And there had been the cat. No one ever need know.”
“But
“You survived. That’s what counts.”
“The pain. The knowledge, the pain.”
“It will pass.”
“No. Never.”
One of the two men moved again to light her cigarette. She put the cigarette and the holder on the table. Moth shook himself as if awakening from a nightmare, and stood up. He turned away from the woman and her silent companions. The light in her eyes faded.
Moth walked through the lounge.
The gigantic vessel plowed on through the roiling megaflow jelly, bound for the end of appreciable space, asymptotically struggling toward the verge of time, pulling itself forward inexorably to the precipice of measurable thought. The voyage included only three stops: embarkation, principal debarkation and over the edge. The voyagers sat dull and silent, occasionally sipping off drinks that had been ordered through the punchbutton system on each chair. The only sounds in the lounge were the susurrations as the panels in the tables opened to allow drinks to rise to the surface, the random sounds of fingernails or teeth on glass, and the ever-present hiss of the megaflow as it rampaged past the vessel. Voices could be heard in the boiling jelly, carried through the hull of the vessel, like voices of the dead, whispering for their final hearing, their day in the court of judgment. But no coherent thoughts came with those voices, no actual words, no messages from the beyond that could be of any use to the voyagers within.
Entombed outside time and space and thought, the voyagers sat silently within their trip ship, facing in any direction they chose. Direction did not matter. The vessel only traveled in one direction. And they, within, entombed.
Moth wandered through the lounge, sitting here for a few moments to tell a fat man of how he had taken a girl who worked for him as a secretary away from her husband and children, had set her up in an expensive apartment, and then, weary of her, had left her with the unbreakable lease and no funds, even without a job because it simply isn’t good business to be having an affair with someone who works for you. particularly not with a woman who is so suicide-prone. And he told the fat man how he had set up a trust fund for the children after it was over, after the girl who had worked for him as a secretary had become a self-fulfilling prophecy. Wandered through the lounge, sitting there for a long time confessing to an old woman with many rings how he had mercilessly used his’ age and illness to bind his sons and daughters to him till long past the time when they could find joyful lives for themselves, with no intention of
And each person, as he walked away leaving them to their secret thoughts, flickered for a moment with life in the eyes, and then the lights died and they were once again alone.
He came to a table where a thin, plain-looking young woman sat alone, biting her thumbnail.
“I’d like to sit down and discuss something with you,” he said. She shrugged as if she didn’t care, and he sat.
“I’ve come to realize we’re all alone,” he said.
She did not reply. Merely stared at him.
“No matter how many people love us or care for us or want to ease our burden in this life,” Moth said, “we are all, all of us, always alone. Something Aldous Huxley once said, I’m not sure I know it exactly. I’ve looked and looked and can’t find the quote, but I remember part of it. He said: ‘We are, each of us, an island universe in a sea of space.’ I think that was it.”
She looked at him without expression. Her face was thin and without remarkable features. No engaging smile, no intricate intriguing bone structure, no sudden dimple or angle that revealed her as even momentarily attractive. The look she gave him was the one she had perfected. Neutral.
“My life has always been sad music,” Moth said, with enormous sincerity. “Like a long symphony played all in minors. Wind in trees and conversations heard through walls at night. No one looked at me, no one wanted to know. But I maintained; that’s all there is. There’s one day, and the end of it, and night, and sleep that comes slowly, and then another day. Until there are as many behind as there are ahead. No questions, no answers, alone. But I maintain. I don’t let it bend me. And the song continues.”
The unprepossessing young woman smiled faintly.
She reached across and touched his hand.
Moth’s eyes sparkled for a moment.
Then the gigantic vessel began to slow.
They sat that way, her hand on his, until the tambour windows rolled up and they were encysted totally. And soon the gigantic vessel ceased its movement. They had arrived at the edge, at the point of debarkation.
Everyone rose to leave.
Moth stood and walked away from them. He walked back through the lounge and no one spoke to him, no one touched him. He came to the door to his stateroom and he turned.
“Excuse me,” he said. They watched, silently.
“Is there anyone here who will change places with me, please? Anyone who will take my place for the rest of the voyage?” He looked out at them from his white makeup, and he waited a decent time.
No one answered, though the unremarkable young woman seemed to want to say something. But she didn’t.
Moth smiled. “I thought not,” he said softly.
Then he turned and the door to his stateroom rolled up and he went inside. The door rolled down and everyone left the gigantic vessel quietly.
After a moment the debarkation port irised shut, and the gigantic vessel began to move again. On into final darkness, from which there was no return.
All the Birds Come Home to Roost
In twenty-five years as a professional writer, I’ve had the kind of Olympian, enriching experience with an editor, mythologized by the career of Maxwell Perkins in relation to Wolfe, Fitzgerald, Hemingway, Ring Lardner
