to us when we were younger. It was only in the Seniors, really, we’d started to appreciate her brisk style.
“You were saying something,” I said to Tommy. “Something about Miss Lucy telling you it was all right not to be creative.”
“She did say something like that. She said I shouldn’t worry. Not mind what other people were saying. A couple of months ago now. Maybe longer.”
Over at the house, a few Juniors had stopped at one of the upstairs windows and were watching us. But I now crouched down in front of Tommy, no longer pretending anything.
“Tommy, that’s a funny thing for her to say. Are you sure you got it right?”
“Of course I got it right.” His voice lowered suddenly. “She didn’t just say it once. We were in her room and she gave me a whole talk about it.”
When she’d first asked him to come to her study after Art Appreciation, Tommy explained, he’d expected yet another lecture about how he should try harder—the sort of thing he’d had already from various guardians, including Miss Emily herself. But as they were walking from the house towards the Orangery—where the guardians had their living quarters—Tommy began to get an inkling this was something different. Then, once he was seated in Miss Lucy’s easy chair—she’d remained standing by the window—she asked him to tell her the whole story, as he saw it, of what had been happening to him. So Tommy had begun going through it all. But before he was even half way she’d suddenly broken in and started to talk herself. She’d known a lot of students, she’d said, who’d for a long time found it very difficult to be creative: painting, drawing, poetry, none of it going right for years. Then one day they’d turned a corner and blossomed. It was quite possible Tommy was one of these.
Tommy had heard all of this before, but there was something about Miss Lucy’s manner that made him keep listening hard.
“I could tell,” he told me, “she was leading up to something. Something different.”
Sure enough, she was soon saying things Tommy found difficult to follow. But she kept repeating it until eventually he began to understand. If Tommy had genuinely tried, she was saying, but he just couldn’t be very creative, then that was quite all right, he wasn’t to worry about it. It was wrong for anyone, whether they were students or guardians, to punish him for it, or put pressure on him in any way. It simply wasn’t his fault. And when Tommy had protested it was all very well Miss Lucy saying this, but everyone
“It may not help you much. But just you remember this. There’s at least one person here at Hailsham who believes otherwise. At least one person who believes you’re a very good student, as good as any she’s ever come across, never mind how creative you are.”
“She wasn’t having you on, was she?” I asked Tommy. “It wasn’t some clever way of telling you off?”
“It definitely wasn’t anything like that. Anyway…” For the first time he seemed worried about being overheard and glanced over his shoulder towards the house. The Juniors at the window had lost interest and gone; some girls from our year were walking towards the pavilion, but they were still a good way off. Tommy turned back to me and said almost in a whisper:
“Anyway, when she said all this, she was
“What do you mean, shaking?”
“Shaking. With rage. I could see her. She was furious. But furious deep inside.”
“Who at?”
“I wasn’t sure. Not at me anyway, that was the most important thing!” He gave a laugh, then became serious again. “I don’t know who she was angry with. But she was angry all right.”
I stood up again because my calves were aching. “It’s pretty weird, Tommy.”
“Funny thing is, this talk with her, it did help. Helped a lot. When you were saying earlier on, about how things seemed better for me now. Well, it’s because of that. Because afterwards, thinking about what she’d said, I realised she was right, that it wasn’t my fault. Okay, I hadn’t handled it well. But deep down, it wasn’t my fault. That’s what made the difference. And whenever I felt rocky about it, I’d catch sight of her walking about, or I’d be in one of her lessons, and she wouldn’t say anything about our talk, but I’d look at her, and she’d sometimes see me and give me a little nod. And that’s all I needed. You were asking earlier if something had happened. Well, that’s what happened. But Kath, listen, don’t breathe a word to anyone about this, right?”
I nodded, but asked: “Did she make you promise that?”
“No, no, she didn’t make me promise anything. But you’re not to breathe a word. You’ve got to really promise.”
“All right.” The girls heading for the pavilion had spotted me and were waving and calling. I waved back and said to Tommy: “I’d better go. We can talk more about it soon.”
But Tommy ignored this. “There’s something else,” he went on. “Something else she said I can’t quite figure out. I was going to ask you about it. She said we weren’t being taught enough, something like that.”
“Taught enough? You mean she thinks we should be studying even harder than we are?”
“No, I don’t think she meant that. What she was talking about was, you know, about
“But we
Tommy thought for a moment, then shook his head. “I don’t think she meant it like that. She just thinks we aren’t taught about it enough. Because she said she’d a good mind to talk to us about it herself.”
“About what exactly?”
“I’m not sure. Maybe I got it all wrong, Kath, I don’t know. Maybe she was meaning something else completely, something else to do with me not being creative. I don’t really understand it.”
Tommy was looking at me as though he expected me to come up with an answer. I went on thinking for a few seconds, then said:
“Tommy, think back carefully. You said she got angry…”
“Well, that’s what it looked like. She was quiet, but she was shaking.”
“All right, whatever. Let’s say she got angry. Was it when she got angry she started to say this other stuff? About how we weren’t taught enough about donations and the rest of it?”
“I suppose so…”
“Now, Tommy, think. Why did she bring it up? She’s talking about you and you not creating. Then suddenly she starts up about this other stuff. What’s the link? Why did she bring up donations? What’s that got to do with you being creative?”
“I don’t know. There must have been some reason, I suppose. Maybe one thing reminded her of the other. Kath, you’re getting really worked up about this yourself now.”
I laughed, because he was right: I’d been frowning, completely lost in my thoughts. The fact was, my mind was going in various directions at once. And Tommy’s account of his talk with Miss Lucy had reminded me of something, perhaps a whole series of things, little incidents from the past to do with Miss Lucy that had puzzled me at the time.
“It’s just that…” I stopped and sighed. “I can’t quite put it right, not even to myself. But all this, what you’re saying, it sort of fits with a lot of other things that are puzzling. I keep thinking about all these things. Like why Madame comes and takes away our best pictures. What’s that for exactly?”
“It’s for the Gallery.”
“But what
“Maybe she sells them. Outside, out there, they sell everything.”
I shook my head. “That can’t be it. It’s got something to do with what Miss Lucy said to you. About us, about how one day we’ll start giving donations. I don’t know why, but I’ve had this feeling for some time now, that it’s all linked in, though I can’t figure out how. I’ll have to go now, Tommy. Let’s not tell anyone yet, about what we’ve been saying.”
“No. And don’t tell anyone about Miss Lucy.”
“But will you tell me if she says anything else to you like that?”
Tommy nodded, then glanced around him again. “Like you say, you’d better go, Kath. Someone’s going to