Alastiar Reynolds

I’d like to see it.
note 103
But the man unplugged his compad and led the way, shuffling sideways in a crablike manner. Skade followed him. They moved from one hideaway to another, occasionally having to inch through constrictions caused by protruding elements of the machinery. It was all around them, exerting its subtle but undeniable effect on the very space-time in which they were embedded.
No one, not even Skade, really understood quite how the machinery worked. There were guesses, some of them very scholarly and plausible, but at heart there remained a gaping chasm of conceptual ignorance. Much of what Skade knew about the machinery consisted only of documented cause and effect, with little understanding of the physical mechanisms underpinning its behaviour. She knew that when the machinery was functioning it tended to settle into several discrete states, each of which was associated with a measurable change in the local metric… but the states were not rigidly isolated, and it had been known for the device to oscillate wildly between them. Then there was the associated problem of the various field geometries, and the tortuously complex way they fed back into the state stability…
State two, you said? Exactly what mode were you in before the accident?
note 104
What was it this time? Heart failure, like the last one?
note 105
Skade and the technician pushed ahead, wriggling through a tight elbow between adjoining chunks of the machinery. The field was in state zero at the moment, for which there were no measurable physiological effects, but Skade could not entirely shake a feeling of wrongness, a nagging sense that the world had been skewed minutely away from normality. It was illusory; she would have needed highly sensitive quantum-vacuum probes to detect the device’s influence. But the feeling was there all the same.
note 106
Skade looked around. They had emerged into one of the larger open spaces in the bowels of the device. It was a scalloped black-walled chamber just large enough to stand up in. Numerous compad input sockets woodwormed the walls.
This is where it happened?
note 107
I’m not seeing a body.
note 108
She followed his gaze. He was focusing on a particular part of the wall. Skade moved over and touched the wall with the gloved tips of her fingers. What had looked like the same gloss-black as the rest of the chamber revealed itself to be scarlet and cloying. There was perhaps a quarter of an inch of something glued to most of the wall on one side of the chamber.
Please tell me this isn’t what I think it is.
note 109
Skade stirred her hand through the red substance. The covering had enough adhesion to form a single sticky mass, even in zero gravity. Now and then she felt something harder — a shard of bone or machinery — but nothing larger than a thumbnail had remained in one piece.
Tell me what happened.
note 110
How fast was he moving?
note 111
It would have been painless, I suppose. Did you feel him hit?
note 112
Skade willed her gloves to clean themselves. The residue flowed back on to the wall. She thought of Clavain, wishing that she had some of his tolerance for sights like this. Clavain had seen horrid things during his time as a soldier, enough that he had developed the necessary mental armour to cope. With one or two exceptions, Skade had fought all her battles at a distance.
note 113
Her crest must have reflected her discomposure. Don’t worry about me. Just try to find out what went wrong, and make sure it doesn’t happen again .
note 114
The programme continues, of course. Now get this mess cleaned up.

Felka floated in another chamber of her quiet residential spar. Where tools had been tethered to her waist earlier many small metal cages now orbited her, clacking gently against each other when she moved. Each cage contained a clutch of white mice, scratching and sniffing at their constraints. Felka paid them no attention; they had not been caged for long, they were well fed and shortly they would all enjoy a sort of freedom.
She squinted into gloom. The only source of light was the faint radiance of the adjacent room, separated from this one by a twisting throat of highly polished wood the colour of burned caramel. She found the UV lamp attached to one wall and flicked it on.
One side of the chamber — Felka had never bothered deciding which way was up — was sheeted over with bottle-green glass. Behind the glass was something that at first glance resembled a convoluted wooden plumbing system, a palimpsest of pipes and channels, gaskets and valves and pumps. Diagonals and doglegs of wood spanned the maze, bridging different regions, their function initially unclear. The pipes and channels had only three wooden sides, with the glass forming the fourth wall so that whatever flowed or scurried along them would be visible.
Felka had already introduced about a dozen mice to the system via one-way doors near the edge of the glass. They had quickly taken divergent paths at the first few junctions and were now metres apart, nosing through their own regions of the labyrinth. The lack of gravity did riot bother them at all; they could obtain enough traction against the wood to scamper freely in any direction. The more experienced mice, in fact, eventually learned the art of coasting down pipes, minimising the frictional area