She moved her walker forward, on the other side of the cart. “And I don’t want to talk anymore.”

She didn’t let herself look back as she slowly made her way down the hall. Imagine if she could walk without a walker, without pain.

Imagine if she could live longer than her father, who had died when he was ninety-eight. She wasn’t ready to give up living yet. Some days she felt as if she had only just started.

When she reached her own door, she stopped and looked back at Karl’s. Once she had believed in Karl and his miracles. She did no longer.

The world has reduced itself to the ball clutched in Pete’s hand.

“Throw it straight,” Chucky yells.

Pete spits. Nell barely notices. She watches that ball, knowing that when he throws it she will hit it with all her strength. Time seems to slow down as the ball whizzes toward her. She knows how the ball will fly, where it will end up, and she swings the bat down to meet it. There is a satisfying crack as they hit and time speeds up again.

“Holy cow!” Chucky cries, but Nell ignores him as she drops the bat. Out of the corner of her eye, she sees the ball sail over the creek.

She runs as fast as she can. Her right foot hits first base, and she keeps going, flying, like the ball. It disappears into the weeds behind the creek as her left foot hits second. Her glasses bounce off her nose between second and third, and she is navigating according to color.

Her lungs are burning as her left foot hits the rock that is third base.

“Go, Nelly! Go!”

She runs toward the blurred shapes behind home. There is a stitch in her side and her entire body aches, but she keeps moving. She leaps on home base and her team cheers, but she can’t stop. She has run too hard to stop right away, and she crashes into Chucky, who hugs her.

“Great!” he says. “That was great!”

She stands there, savoring the moment. Karl would have been proud of her. But Karl would never know. She wipes the sweat off her forehead and says, “I lost my glasses.”

As Chucky trudges out to retrieve them, she realizes she can get no higher than this; her tiny girl’s body, for all its batting accuracy, will prevent her from going on. But she doesn’t care. If she can’t play on a real team, she will hit home runs until she is a hundred, long after these boys are dead.

“That was great, Nelly,” Chucky says as he hands her her glasses.

“Really great.”

She checks the lenses, which haven’t cracked, and then bends the frame back into shape. “Not bad for a girl,” she says with a glance at T.J. Then she goes over to the grass and sits at the end of the line, hoping that she’ll get another chance at bat.

The sound of running feet woke Nell up. She had heard that sound before. Someone had died or was dying and they wanted to get him out before the other residents knew.

She grabbed her glasses and got out of bed, carefully making her way to the door. They were gathered in front of Karl’s room. Two men wheeled a stretcher out. The body was strapped in and the face was covered. Quickly they pushed him out of sight.

She crossed the empty hallway. The tile beneath her feet felt cold and gritty. They had left Karl’s door open, and she stopped just outside it, catching the smell of death under the scent of ink and books.

“Nell?” One of the nurses started down the hall toward her.

“Is he dead?” she asked.

“Mr. Krupp? I’m afraid so. I’m sorry if it disturbed you.”

“No, not really,” Nell said. She drew her nightgown closely about her chest. She was getting cold.

“He probably shouldn’t have been in this household,” the nurse said. “He was much too sick, but his family wanted him to have a private room.”

Nell wondered how the nurse expected her to believe that.

One glance inside Karl’s room made it obvious that he hadn’t been bedridden. Nell surveyed the room once more. The desk top was bare and the vials were gone, but otherwise it looked the same.

The nurse finally reached her side. Nell recognized her as the round-faced one who usually gave her her medicine, Dana, LPN.

“How did you get out here?” Dana LPN asked.

“Walked,” Nell said.

Dana LPN shot her a perplexed look. “Well, let’s get you back to bed, shall we?”

She put her arm around Nell’s waist and helped her back to the room. The support wasn’t necessary until they reached the door.

When Nell saw her walker in its usual place beside the bed, her knees buckled.

“Nell?”

Nell straightened herself and pushed out of the nurse’s grasp. She made her way to the side of the bed and lightly touched her walker.

“I’m fine,” she said.

She climbed into the bed and lay there until she heard the nurse’s footsteps echo down the hall. Then she got up and walked slowly around her room.

You’re strong, Nelly, he had said. The power of your mind is amazing.

She walked to the door and stared at Karl’s empty room across the hall. The drawing was still there, its spirals twisting like a mal-formed ladder. Beneath the stunned joy that she was feeling, frustration beat at her stomach. She would never know if it was her own determination or Karl’s bitter medicine that made her legs work again, just as she would never know if he had actually killed her sister or if he had been lying. She wanted to believe that it was the power of her own mind, but her mind’s healing took time. She had started to walk within days of receiving the medication.

Nell went back to the bed and sat down, wondering what Anna would say when she learned that her mother could walk again.

Then Nell decided that it didn’t matter. What mattered was that her feet which had run bases, chased two children, and carried her through decades of living worked again. Once she had vowed to hit home runs until she was a hundred. And maybe, just maybe, she would.

A Predatory Woman

SHARYN McCRUMB

Sharyn McCrumb (b. 1948), who holds degrees from the University of North Carolina and Virginia Tech, lives in Virginia’s Blue Ridge Mountains but travels the United States and the world lecturing on her work, most recently leading a writer’s workshop in Paris in summer 2001.

McCrumb’s Ballad series, beginning with If Ever I Return, Pretty Peggy-O (1990), has won her numerous honors, including the Appalachian Writers Association’s Award for Outstanding Contribution to Appalachian Literature and several listings as New York Times and Los Angeles Times notable books. In the introduction to her short-story collection Foggy Mountain Breakdown and Other Stories (1997), she details the family history in North Carolina and Tennessee that contributed to her Appalachian fiction. One of the continuing characters, Sheriff Spencer Arrowood, takes his surname from ancestors on her father’s side, while Frankie Silver (“the first woman hanged for murder in the state of North Carolina”), whose story McCrumb would incorporate in The Ballad of Frankie Silver (1998), was a distant cousin. “My books are like Appalachian quilts,” she writes. “I take brightly colored scraps of legends, ballads, fragments of rural life, and local tragedy, and I place them together into a complex whole that tells not only a story, but also a deeper truth about the nature of the mountain south.” The sixth and most recent title in the series, The Songcatcher, appeared in summer

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