Whispers Under Ground

For a long moment I thought I was still unconscious but the long stripe of pain on my thigh changed my mind. Once I noticed that pain, all its friends queued up to say hello, including a particularly worrying throbbing patch on the back of my head. I tried to reach up to touch it with my hand, only to find that I literally didn’t have enough elbow room to bend my arm. And that, as they say, is when the claustrophobia really starts.

I didn’t call for help because I was fairly certain that once I started screaming I probably wouldn’t stop for quite a long time.

The ground had opened up and I’d fallen into it. Which meant there might not be too much rubble above me. I thought it might even be possible to dig myself out, or at the very least make myself some more breathing room.

So I yelled for help and, just as I suspected, it turned into a scream.

Dust fell into my mouth – cutting me off. I spat it out and weirdly that calmed me down.

I listened for a while in the hope that all that noise had attracted some attention. Consciously keeping my breathing slow, I tried to think of everything I knew about being buried alive that might be relevant.

Thrashing around is not helpful, hyperventilation is not your friend, and it’s possible to become disorientated in the darkness. There were documented cases of survivors digging themselves deeper into the ground when they thought they were going up. There’s a happy thought.

However, I did have a major advantage over run-of-the-mill victims – I could do magic.

I made myself a little werelight, floated it over my stomach and had a look around. With a visual reference re-established, my inner ear informed me that I was lying, feet down, at something like a forty-five-degree angle – so at least I was pointing in the right direction.

Five centimetres in front of my face was a concrete wall, the imprint of the wooden forms it had set in clearly visible on its surface. The clearance narrowed towards my feet reaching a bottleneck over my knees. I gently moved my feet around – I had more room there.

Hard up against my left was a wall of what looked like compressed earth and to my right was a space blocked by a portcullis made of rebar that, had it been half a metre closer, would have neatly bisected me. Then, presumably, I could have been pickled, put into a glass case and displayed at the Tate Modern. Brit Art’s loss was my gain, but it did mean I couldn’t wriggle that way. As far as I could tell, I was currently lying inside a sort of concrete tent with no visible way out.

I extinguished the werelight – they burn underwater but I didn’t know yet whether they burned oxygen or not, and I decided it was better safe than sorry. In the renewed darkness I considered my options. I could try and use impello to dig myself out, but that would always run the risk of collapsing the rubble on top of me. I had to assume that a rescue attempt would be made. Even if Reynolds had been a casualty, Kumar had been further down the platform – he knew I was here. In fact, there had to be CCTV footage of the whole thing from the feed into the station control room. I bet it was spectacular and even now was probably finding its way to the news company with the biggest chequebook.

Any rescue attempt would involve people clumping around in big boots, yelling at each other and operating heavy equipment. Chances were that I would hear them long before they could hear me. My most sensible course of action would be to lie still and wait for rescue.

It was remarkably quiet. I could hear my heartbeat and I was in danger of starting to think about my breathing again, so I made myself think about something else. Like who the hell our pale-faced hoodie Earthbender was. Now, you could literally fill two whole libraries, complete with card files, reference sections and a brass ladder thing that whooshes around on rails, with everything I don’t know about magic. But I think, had it been at all common, Nightingale might have mentioned a technique for gouging great big holes in solid cement.

Nightingale aside, the only practitioner that skilled who I’d ever met was the Faceless Man – who could catch fireballs, deflect flying chimney stacks and also, possibly, leap moderately sized buildings in a single bound. I knew this hadn’t been the Faceless Man himself because the Earthbender’s body shape and posture had been all wrong. Could he have been an acolyte or a Little Crocodile or possibly one of the Faceless Man’s chimeras?

Lots of possibilities, not a lot of facts.

The Earthbender had been travelling east, back into the West End, and had got off at Oxford Circus, a station less than a kilometre from the original Strip Club of Doctor Moreau. After we’d closed the club down, me and Nightingale had speculated that the Faceless Man’s new base of operations couldn’t be very far from Soho. He might be faceless but his chimeras, his poor little cat-girls and tiger-boys, weren’t exactly inconspicuous – hard for them to move around unnoticed and most sightings of them had been in the area. When I was chasing after the Pale Lady she’d headed for Piccadilly Station as if it was a safe haven. But they certainly weren’t getting around on the tube, with its ubiquitous CCTV cameras and the ever-vigilant Sergeant Kumar.

Now I knew there were other tunnels, secret tunnels and who knew what else, all going who knew where. Perhaps the Faceless Man knew where. Perhaps the Earthbender was helping him build more. A subterranean secret base in the fashion of a James Bond villain. The Faceless Man had the accent for it, true, but did he have a cat? I had a flash of him sitting in a swivel chair with a full-size cat-girl called Sharon perched on his lap while she’s talking to her BFF on her mobile. ‘And then he’s like “Do you expect me to talk” and the master’s all “No I expect you to die!” and he’s … What? I’m just telling Trace about last night.’ The thought made me giggle, which was nice – you need a bit of humour when you’re buried under a ton of rubble.

I reckoned the sly fucker had built his new lair under cover of the Crossrail construction work. Why not? The project had been sinking random holes into the ground for years and wasn’t even expected to be completed for at least another five – you could have stuck a whole hollowed-out volcano adjacent to Tottenham Court Road station without the public noticing.

But not without the contractors noticing or Health and Safety for that matter, I thought, and then I remembered a cool autumn night and coming across the Murder Team closing off a crime scene at the top of Dean Street. Had that been Graham Beale’s little brother? A top sub-contractor on Crossrail and a tunnelling specialist, as their family had been for more than one hundred and sixty years.

Could he have been done in by the Faceless Man to cover up his new base?

In which case it didn’t work, did it? I thought. Because now I know where to start looking for you, you freaky faceless phantom you.

I laughed out loud. It felt good, even if it did cause dust to fall into my mouth. I tried to spit it out, but as I turned my head to the side I starting giggling again. A little warning bell in my head went off and I remembered that euphoria is one of the warning signs of hypoxia.

Along with impaired judgement – which might explain what happened next.

I conjured a second werelight and had another look around my concrete coffin. To maximise my chances of getting some air I wanted to punch a hole upwards, but not so close to me that if I brought the roof down I would be under it. I chose the top corner on my right on the far side of the rebar portcullis and ran through my impello variations in my head. Impello, like Lux, is what Nightingale calls a formae cotidianae, meaning that generations of Newtonian wizards have poked and prodded and experimented and found lots of fun variations which they then pass on to their apprentices who pass them on to theirs. The hardest thing to learn about magic is that it’s not about wishful thinking. You don’t make an invisible pneumatic drill by picturing it in your mind. You do it by shaping the correct variation of impello, lining it up in the right direction and then essentially turning it on and off as fast as you can.

No doubt there was a fourth-order spell, of elegant construction, which would have served. But I didn’t know it, and when you’re buried under the ground and running out of air you go with what you’ve got.

I took a deep breath, which didn’t satisfy the way it should have, and smacked my drill into the corner. It made a satisfyingly loud thumping sound. I did it again, then again, trying to get a rhythm going. Dust spurted with each impact, falling slowly as a haze in the still air. I stopped after about twenty strikes to check progress and realised that there was no way of measuring it.

So I started banging away again as dust thickened and my breathing got shorter, and then suddenly there was a thud just behind my right eye and everything went dark. Sweat broke out on my face and back and I was suddenly terrified that I’d done something irreparable. Had I just pushed myself into a stroke? Had I gone blind or had my werelight gone out? In the pitch dark it was impossible to tell.

I didn’t dare conjure another werelight for fear that I’d give myself another stroke – if that’s what had happened. I lay still and pulled funny faces in the darkness – there didn’t seem to be anything wrong with either