The Last Word

With a sympathetic shake of her head, Dixie whispered, “She’d make a helluva ghost. There she is, a livin’ and breathin’ young girl, but she already looks like she’s got a foot in the next world. She’s grabbin’ on to that porch post like her life depends on it. Her face is pinched like she hasn’t eaten for days, and her eyes, they’re so . . .” She trailed off, searching for the perfect adjective.

“Haunted,” Olivia completed the thought.

Dixie swallowed hard. “That’s it. That poor girl is haunted.”

Chapter 9

A divorce is like an amputation: you survive it, but there’s less of you.

—MARGARET ATWOOD

Olivia stopped by both of her eateries before going home to prepare for the meeting of the Bayside Book Writers. She collected the printouts of the deeds for Harris’s house and pages of background check documents on the residents. Like Millay, she’d found nothing unusual about them, but her picture of the White family was incomplete. One of the genealogy sites she’d used to search for more information on Evelyn White and her parents indicated that the forms she’d requested would be e-mailed to her as a PDF file by the end of the day on Monday at the earliest. Until then, she’d have to wait.

This was frustrating because she’d been hoping to have a tangible lead to share with her fellow writers. Now, she not only had nothing of interest to impart, but she’d found herself absorbed in another and even more obscure mystery than Nick Plumley’s murder: the story behind the beautiful and troubled Miss White.

Laurel and Millay hadn’t come across any useful data either. Facing a deadline and a visit from her in-laws, Laurel had turned the assignment over to Millay. She’d spent hours searching through book after book of bound newspapers, but the Gazette archives revealed no other photographs of the house or its occupants other than the images from the relocation and the impromptu church service held when the tractor-trailer broke down on Main Street.

As Millay adeptly decanted the bottle of wine on the cottage’s countertop, she declared that someone owed her a hot stone massage. She then poured a glass for Laurel, knowing that Olivia would see to her own cocktail.

“I hope Harris has had more luck,” Laurel said with a weary sigh.

Millay handed her the glass of wine. “Take a slug of this and relax. You look wrecked.”

“I am,” Laurel confessed. “I thought the energy I’d need to be a mom and a career woman would be my biggest challenge, but it turns out that I can handle that just fine. What I can’t handle is that Steve and his parents make me feel like a stranger in my own house.”

Olivia fixed herself a drink and then took a seat across from Laurel. “Steve still doesn’t support your decision to be a journalist?”

Laurel shrugged. “In front of company he does, but if it’s just us, and he finds so much as a dirty dish in the sink, he points out that our family was in better shape before I decided to go all ‘Clark Kent.’ ” She drank half of the fruity zinfandel blend in one gulp.

Millay frowned in disapproval. “I know his hands are delicate instruments and all, but come on. Make him do the dishes.”

“I doubt that would solve the problem,” Olivia remarked as Millay pulled a bottle of beer from the fridge. “Is it possible he’s jealous of you, Laurel?”

“That would be a first,” Laurel replied wryly.

Using the shark-shaped opener that hung from her keychain, Millay popped the cap off the Heineken bottle and tossed it in the trash can in one fluid motion. “Olivia might be onto something. Your man has always been the Big Cheese at home. Mr. Breadwinner. Mr. Head of the Family. Then you go and land your dream job, instantly becoming a local celeb. Stevie Boy probably doesn’t feel as macho as he did before.” She sank gratefully onto the sofa and pointed at Laurel with her beer. “He needs a testosterone jumpstart.”

“Maybe you’re right.” Laurel sipped at her wine, her gaze fixed on the glasslike ocean beyond the windows of the lighthouse keeper’s cottage. “He’s been keeping really long hours at the office. He probably feels like we’re in some kind of competition.” She blinked and her face seemed to regain a fraction of its customary brightness. “At least having a double income means that our piggy bank is getting nice and fat.”

“Those are two words I’ve never heard a woman use together before,” Harris stated as he entered the room. He headed straight for the refrigerator and helped himself to a beer. Flopping onto the sofa next to Millay, he spread out his long arms and let his head sink into the cushions. “What . . . a . . . week.”

Millay prodded him with the toe of her black boot. “Don’t play coy. Did you dig up anything important on Plumley or what?”

He pointed at her footwear. “Do you sleep in those things?”

“Wouldn’t you like to know.” She gave her bootlace a saucy twirl.

It took Harris a moment to break eye contact and turn his attention to his laptop case. He placed his iBook on the coffee table and pointed at the document on the screen. “I learned quite a few interesting things about Plumley, but most of the data I came across in my cyber search focused on his post-publication years. Biographically speaking, it’s like he didn’t exist before The Barbed Wire Flower.”

“Is Nick Plumley a nom de plume?” Olivia asked.

Harris shrugged. “It must be, but if that’s the case, I can’t find his real name anywhere. However, I discovered that he lives, ah, lived, in Beaufort.”

Laurel looked confused. “But that’s so close. Why would he want to move here when he already had a home in a quaint seaside town?”

Recalling Plumley’s declaration that he’d come to Oyster Bay in search of anonymity, Olivia repeated the conversation she’d had with the author in Grumpy’s. “At the time I believed him.”

“I don’t buy that explanation for a second,” Harris said. “I had to jump through a dozen cyber hoops locating the guy’s permanent residence, and I know how to find people on the Internet. Nick spent so many days of the year on tour, both here and in Europe, that he was rarely in Beaufort. In fact, more than one state claims him as one of their resident authors. Trust me, he was not getting hounded by the paparazzi in Beaufort, North Carolina.”

Examining the diminished ice cubes at the bottom of her glass, Olivia walked into the kitchen to fix herself a second drink. “In my opinion, this strengthens the theory that he came to town in search of your painting, Harris.”

“I still haven’t seen this masterpiece,” Laurel said with a pretty sulk. “And I don’t get why he wanted it so badly.”

Harris shook his head. “I’m stumped on that question too. Obviously, Nick was interested in the connection between the artist, Heinrich Kamler, and the New Bern prison camp. Oyster Bay’s at least twenty miles away from New Bern, so he didn’t pick our town because of its proximity to the POW camp. There’s got to be something we’re not seeing clearly. If only I had his laptop. There must be a clue embedded in his manuscript.”

“I’d let you see every file on Mr. Plumley’s computer,” a deep voice stated from the doorway. “If only we’d found one.”

Chief Rawlings smiled at the writers. “It’s my dinner break. I decided that discussing certain elements of the case with you four would be more productive than staring at the ME’s report for the hundredth time while choking down a burger.”

“Nick’s laptop was stolen?” Harris looked stricken. He, Millay, and Laurel began to exchange thoughts as to where else Plumley might have backed up his work while Olivia watched Rawlings assemble a sandwich from the platter of sliced rolls, meats, and cheeses she’d picked up from The Boot Top’s walk-in fridge earlier that