Fifty-to-One

And four stories up, the windows start. Windows into offices, and unlike nightclubs, offices have people in them at two in the afternoon. You pray they’ll be empty or if, when you glance in, they’re not, you pray the people inside will leave quickly. Or if they don’t, you pray they won’t look your way.

And you keep climbing. Praying and climbing. And your fingers cry out with pain and stiffness, and your back and shoulders, and your ears from the tunneling wind of the airshaft around you, and your head’s about to burst, and your bladder too because you didn’t bother to actually use the toilet before climbing on top of it—and then you realize with a start that you’ve made it.

And then the real fun begins.

I reached into my jacket pocket and took out the fist-sized stone I’d picked up on the way downtown. No fancy devices for me. I smashed it into the window, used it to knock out some particularly nasty shards of glass, then dropped it down the airshaft. I had to grope for a second before I found the latch. Raising the window from the position I was in turned out to be harder than I’d expected, but once it was open I had no trouble climbing inside. I took a moment to let my eyes get used to the darkness of the room and my breathing return to normal. I flexed my fingers inside the gloves, tried to work out the kinks.

Then I made my way to the door.

The room I was in was the storage room behind the kitchen. Boxes of canned food and bottled beer were stacked from floor to ceiling, like in a warehouse. I pulled down one of the boxes and started taking bottles out of it, stacking them on the floor.

I carried the empty box with me into the kitchen.

Here, the remnants of the morning’s work were tidied up: rows of metal pots and saucepans, washed and lined up face-down to dry; sacks of kitchen whites that were headed to the laundry because after a night of cooking they weren’t so white anymore; wooden packing boxes like the one I was carrying, some broken down for disposal and others filled with empty bottles or other trash and stacked by the dumbwaiter for pick-up. I set the box down and tugged at the dumbwaiter rope till the little compartment surfaced, then tied the rope off so it couldn’t go down again.

I listened at the swinging doors to the main dining room, heard the labored wheeze of a carpet sweeper being pushed back and forth, back and forth, back and forth. I knew the girl pushing it, a scarred twenty-year-old Belgian by the name of Heaven LaCroix whom all the other girls on the cleaning crew—bohunks and Slavs, every one of them, and none too attractive themselves—made a point of calling ‘Heavy’ to her face. So she was carrying a few pounds—what business was it of theirs? Looked like it was all muscle anyway, the sorts of labor they had her doing.

I glanced at her through the circular window in the kitchen door, then ducked when she turned in my direction. I’d figured she’d be finished with the dining room by now, but it looked like she still had plenty to go. I’d have to take the long way around.

Hefting the box, I picked my way to the far side of the kitchen, past the cold storage room where steaks and butter and ice were kept, past the grills and deep industrial sinks, past the trestle table where the dancers and musicians bolted their suppers between shows, to the door that led backstage. This door was locked overnight but everyone who worked at the Sun knew where the key was kept. I pried up the cover of the light switch with one fingernail, fished out the key, and used it to open the lock. The area beyond ran behind the orchestra platform and the dance floor, past the wings, and to a corridor that, during working hours, always had a man in it, someone to keep any straying patrons—or employees, for that matter—from straying too far. This time of day it was empty. I made my way to the far end.

And here I faced another locked door.

This was the one that counted.

It could all end here. Or it could all begin.

I knelt in front of the keyhole. From the inside pocket of my coat I took a rolled-up square of felt, cinched around the middle with twine. I drew the knot open and unrolled the cloth. It clanked lightly against the floor.

There were three narrow pockets, and from two of them I drew a machinist’s hammer and a broad-edged chisel. The head of the hammer was a barrel-shaped slug of metal and heavy as hell. I wedged the chisel point into the groove where the shaft of the doorknob met the wooden surface of the door, then swung the hammer down, hard.

It took four blows before the knob came off. I paused after each, certain the clang of metal against metal had been heard. But this deep into the floor the place was silent and still. I went back to work like some ghostly blacksmith, hammering and pausing and hammering again in the darkness until the metal shaft bent and then snapped off, its counterpart falling to the floor on the other side of the door.

With the knob off, I had an opening into which I could insert the third of my tools, which I drew from its pocket now, a tapered hacksaw. Only its long, narrow nose could fit into the hole, but that was enough. I began the process of cutting a squared-off horseshoe shape into the wood around the latch.

I had a bad moment when the blade caught and I couldn’t get it free. I was scared to pull too hard and maybe break the blade. For half a minute, while precious seconds ticked away, I knelt staring at it and did nothing. Then I began easing the blade slowly back and forth. After a tense minute I was able to dislodge it. I wiped my forehead on my sleeve. I started sawing again. Coming back at the same point from underneath, I was able to break through.

I was breathing heavily when the door finally swung open. The luminous dial of my wristwatch showed I’d taken almost an hour at my task. It was 3PM now and it wasn’t unheard of for some of the staff to show up to work before 4. I had to move more quickly.

Or else—

Or else I’d be making the trip back down the airshaft without benefit of handholds and toeholds.

I picked up the broken halves of the doorknob, wrapped them up along with my tools in the felt square, and deposited the bundle in one corner of the empty box. Once inside the counting room, I closed the door and walked up to the safe.

It was the height of a man—a taller man than me. The dial was almost the size of a captain’s wheel from an old schooner, only made of cast iron rather than wood. There were eight stubby metal arms you could use to turn the thing and numbers painted onto the rim in white, zero through 99. No hacksaw or chisel would get you into this beauty. Nothing short of knowing the combination would.

So it was a good thing that I did.

I turned the dial clockwise to 75.

Sal Nicolazzo—Zio Nicolazzo, as he liked to call himself, Uncle Nick—was a sentimental man. A mean bastard, sure, a vicious man, a gambler who’d wager on anything anytime, the bloodier the better—all true. But he fancied himself a good family man who took care of his own. He had family members by birth and marriage on his payroll and even the ones who didn’t work for him he sent money to now and then, a little present when they needed it to keep them in the black.

I spun the dial back the other way to 23.

There was one relative, though, that he couldn’t send presents to, except for flowers once a week, regular as clockwork, to dress her headstone. Her name had been Adelaide Barrone and she’d been his kid sister’s younger daughter. Born in the U.S.A., served in the U.S. Army, died of malaria in North Africa in 1945. She’d been a WAC, and her dogtag number had been A-752344.

I turned the dial to 44.

The door to the safe swung open.

Sentimental bastard. I almost felt sorry for him.

Almost.

The dough was stacked neatly and it took me only ten minutes to transfer it to the box. I stopped when the box was full and the safe was empty, a happy coincidence. I didn’t know how much I’d gotten. There’d be time to count it later.

If there was a later.

A grunt escaped my throat as I lifted the box. I felt a muscle spasm in my back, but didn’t put it down again. No time. I could buy all the heating pads I wanted when I got home.

I retraced my steps as quickly as I could, one lurching step at a time.

Corridor. Backstage. Kitchen.