3.
ELLIS PLUNGED DOWN a ramp into interstate traffic, merged left, and was moving with the great flows of red and white lights when his phone rang and Heather asked from it, ‘Where are you?’
‘I’m coming.’
‘Are you going to be late?’
‘I won’t miss the start,’ he said, although, when he glanced at the glowing digits of the clock in the instrument panel, he wondered. ‘I have my ticket. You and Boggs can go in.’
‘John isn’t here either. His plane was delayed.’
‘Then why are you yelling at me?’
‘I’m not yelling. It’s only that I hoped to see you first.’
‘OK. I’m sorry. I’m sorry.’
As they hung up, he came off the interstate and when traffic slowed he made himself keep away from the bumper of the car ahead. Over the right side of the road floated an enormous sepia-toned semicircle moon. Chekhov. Ellis didn’t care about the play, and he didn’t like this arrangement – his sense of guilt was curling itself tight at the prospect of seeing Boggs and Heather together. But Heather had re-expressed that she wanted him to come, and when he thought of skipping the event entirely his guilt wrapped around and urged him onward. He approached down into the city on a road with two lanes in either direction, and he drove in the left lane. Passing clusters of houses and apartment buildings made orangey by sodium lamps, his phone rang, and he thought it would be Heather again, but when he looked at the screen he frowned. On the third ring he answered. ‘Boggs, are you with Heather?’
‘She’s already at the theatre,’ Boggs said. ‘We drove separately. My connecting flight was late. Actually, I think she probably could have given me a ride, but she said she wanted to stop at the store.’
‘I could’ve picked you up. I can’t believe we’re all driving to the same place in separate cars.’
‘Welcome to America. Where are you?’
‘I’m just passing University Street.’ He had almost reached the theatre, but he would have to circle past to reach the parking lot. ‘Should I be wearing a tie for this?’
‘I hope not. I’m not wearing one. You’re running a little behind me. Look for us in the lobby.’
‘Sure.’
‘Bye.’
‘Yeah.’
‘Oh, wait, wait, Ellis,’ Boggs said.
The light turned yellow, and in front of Ellis an older model C/K 1500 pickup began braking. Ellis cursed under his breath and glanced to the right lane for an opening. Mud was spattered over the rear of the pickup, so that the brake lamps glowed a strange, irregular pattern through clumps of earth. Then the driver changed his mind, and the pickup accelerated. Ellis, muttering again, followed through the intersection as the light went to red.
‘What are you mumbling about?’
‘Traffic,’ Ellis said.
‘On the Matteson job,’ Boggs said, ‘I was asked if we can calculate the Volvo’s speed at the time he passed that thing, the warning sign -’
In later memory the instants now began to stretch apart, as if someone had touched a finger on a turning phonograph. On either side of the street people moved along the sidewalks, and, although Ellis didn’t see Boggs’s tall shape, through the phone he heard vehicles passing near Boggs. The columned face of the theatre imposed itself into view on the right. The mottled brake lamps of the pickup lit again. Ellis grunted, ‘Turn signal, jerk.’ He glanced over his shoulder and swung into the right lane to pass. His car hesitated for a few tenths of a second before it gave a rush of acceleration. In the left lane the pickup continued to slow, and Ellis glimpsed an unusual motion ahead. Unsure of what he had seen, of size or shape or location or direction, he lifted off the gas.
‘- with the flashing -’ Boggs said. Traffic noise cut sharply behind his words.
Ellis still trailed to the right of the pickup when the motion appeared again, ahead and on the left, nearer now, on the edge of the pattern of pale light cast by his headlamps, a moving object, a figure, hunched, walking rapidly into Ellis’s lane. A sudden sensation of hopeless drowning seized Ellis – he fumbled for the brake pedal, turned the wheel to the right, not too hard, aware of people on the sidewalk. He could see that he didn’t have nearly enough distance to stop. But there remained a chance, if the shape in the street stepped back.
But the figure moved, head down, with deliberate speed. A tall, thick male figure in dark clothing.
‘- light -’ Boggs said.
‘Boggs!’ Ellis screamed into his phone, as he at last was able to get his foot down on the brake pedal. The pace of the pedestrian in the street faltered, his head turning, his mouth glinting. ABS kicked the brake pedal up against the pressure of Ellis’s foot. He dropped his phone reaching to put both hands on the steering wheel and fought down against the ABS. The figure in the street leaned back the way he had come, but nothing could be done now. Ellis already could not see the man’s feet, obscured by the hood of the car.
With a crack of breaking bone and plastic and a slight shudder of the car – amid the continuing ABS-driven stutter and squall of the tyres – the pedestrian swung sideways, pivoting unnaturally at knee height, and came down on the hood, striking sheet metal with hip, elbow, shoulder, a calamitous metallic noise, and he balanced there an instant that went long, one leg up in the air, ribs and shoulder on the hood, an arm thrown out, his head approaching the windshield. Then Ellis shut his eyes. He also began to scream. But over his own scream he heard the violent pop of the windshield, chased by the patter of glass on his hands and chest. A shard bounced off the closed lid of one eye. An impact sounded on the roof.
He looked. He could see ahead only through a vertical area of unbroken glass on the left and a small, sagging, jagged hole where the pedestrian’s head had struck, and there the pedestrian pin-wheeled through the space lit by the headlamps, hair on end, pant legs and jacket aflutter, flinging dark blood from a wound in the knee. The legs came down against the road one after the other and crumpled, and then he was out of sight. Cool air streamed through the gap in the windshield, and Ellis felt a painful straining of his leg against the brake pedal and the shape of the pedal underfoot while it jerked with animal movements, then chattered a last time, and the car lurched and halted. Ellis sat gasping, hands still on the steering wheel, foot still hard on the brake pedal. Through the hole in the windshield he saw that he had stopped at an angle, with his right front wheel against the kerb. When he closed his mouth, he gagged. He coughed, worked a chip of glass forward, and spit it. ‘Boggs?’ he said.
He reached into his mouth to drag out another fragment and looked at the shape of it – a tiny shining cube on the end of his finger – with a sense of incomplete comprehension. He thought: Boggs Boggs Boggs.
A horn droned. He unbuckled his seat belt and stood out of the car. An SUV had struck the rear of the muddy pickup, and presumably the interminable horn was the SUV’s. The SUV had begun to turn in an attempt to avoid the pickup, and it sat at perhaps a thirty-five-degree angle to the lane lines. That collision didn’t look very severe. Vehicles were stopping behind the SUV, while in the opposite lanes cars moved by slowly. Ellis saw all of this in a glance, as well as the many stark lights along the roadway, the shining jewels of tempered glass at his feet, and on the sidewalk an elderly man who gazed at him with an expression of curiosity. A stranger, who had just witnessed an accident. Ellis watched the man watch him, until he recalled again what had happened – the figure in the street, the sound of traffic behind Boggs’s voice on the phone. He moved forward. At first he saw nothing, only open lane, and he had a surge of hope, that perhaps he had somehow imagined matters to be much worse than they actually were.
But then he looked further ahead. He hadn’t understood how far the pedestrian had been propelled by the collision. The man lay beside the kerb, on his side, in a shadowy interval between the overhead lights, alone, his legs inhumanly twisted. Centrifugal effects had thrown his shoes from him and pulled his socks halfway off. Ellis approached at a staggering run. Looking now at the man and his clothes, he began for the first time to understand that this might not be Boggs. The dark made it difficult to be certain, but the man’s hair appeared lighter than Boggs’s, he looked thinner through the trunk of the body, and Ellis hoped, Let it not be Boggs. This was the only thing he wanted. The man’s face pressed the street. Ellis fell to his knees. The man had a beard, but more trim and again of lighter colour than Boggs’s. Greyed. This man was probably twenty or thirty years older than Boggs, and Ellis nearly laughed.
A woman crouched beside him. She had round spectacles and small fat hands. Ellis said to her, ‘I think he’s dead.’
