2
Warped and woven there spun we
Arms and legs and flaming hair,
Like a whirlwind on the sea.
WILLIAM BELL SCOTT, ‘The Witch’s Ballad’
James McLevy awoke with a snort of fear, hair standing on end as he shot bolt upright in his lumpy bed. Of late his dreams had been giving him hell and this was no exception.
Now was he truly out of the Land of Nod? As a policeman he would demand of his senses proof. Pain. Pain is a great indicator of the conscious state. A pin. A pin would be irrefutable, stuck into the back of the hand, but where do you find a pin in the pitch dark?
He scrabbled for a phosphorous match, struck it up and lit a squat dismal candle that had its place by his bed on a small rickety table. As the candle coughed its way towards a feeble luminosity, McLevy regarded the still burning match.
Caught yet by the wild fancy of the dream, what followed made perfect sense to him. He extended his thumb and wafted it over the flame. A howl of pain followed, the match was blown out, and the inspector then stuck the fleshly digit into his mouth to suck upon it like a distraught child.
A foul nightmare. Buried alive.
He had found himself in a cavernous long passage that wriggled ahead like a worm, having been led there by a female form that he might only observe from the back; the presence was shrouded in a long scarlet cloak with the hood pulled up as to obliterate all recognition.
How he’d got there he had no idea but it was surely connected to a previous fantastick episode where he’d been dancing naked round a fire; no, not naked, not him, he was in coat and low-brimmed bowler, in his heavy boots, the rest were naked or damned adjacent –
Was Jean Brash one of them? Surely not. She was a bawdy-hoose keeper with a fine taste in coffee, not one of these loose-lipped, loose-limbed wanton creatures capering round the flames. Their bosoms bounced with no regard for modest gravity and their rounded bellies heaved and shone through the draped shreds of discoloured linen that shook in ribald accompaniment to all this gallivantation.
The inspector should have arrested the sprawl where they pranced but what was he doing dancing in tune?
Then it was as if someone had drawn a curtain and the scene was blacked out.
And he was in the narrow tunnel, following the Red Figure – was it fatal? Had Edgar Allan Poe, a man McLevy found close to his own dark imagination, not penned
The effigy did not look back and the passage became even more confined, with a glutinous creamy scum hanging from the curved walls.
He remembered thinking that at the time and then the figure vanished from sight and he was left to stumble alone into the uncharted murky orifice insinuating onwards.
McLevy found himself upon his hands and knees, crawling like a Jerusalem traveller, the roof pressing down, the surface below a dismal brown claylike substance that clogged and sucked as he squelched forward. The creamy scum wasn’t much help either and some instinct told him that if any of that landed upon bare skin, it would scald a hole like hot fat through a stretched membrane.
His lungs were shuddering from lack of air as if a clawed hand were reaching through the wall of his chest and an impulse flashed into his head that he’d better get to hell out of this rat’s nest.
At the end of the passage was a small chink of light where an egg-shaped hole, too meagre for a man of his bulk to negotiate, indicated a possible source of succour. But how was he to squeeze through?
He jammed his arm and head in but that was as far as he could get, no chance of his big backside following