The Emperor's Tomb

FIFTY-SIX

TANG SURVEYED THE INTERIOR OF THE TUMBLED-DOWN SHANTY into which Ni Yong had disappeared. Earlier, he’d watched on the closed-circuit monitor as Ni entered through the door, but now his nemesis was nowhere to be seen.

“He went out there,” Viktor said, pointing to the collapsed rear wall.

Two other men were with him, more brothers of the Ba, eunuchs like himself and the two he’d left in Pit 3, all pledged by oath to do as he commanded. More of his forethought, which he silently applauded himself for having, especially given the way things were progressing.

The rain had eased, though the moist air reeked. His gaze locked on the wall, wattled and plastered, broken in a gash that exposed the bamboo beneath. He stepped across the damp floor, past rusted implements and broken pottery, and fled the building.

The others followed.

Outside was thick with shadows, the ashen sky blocked by a canopy of wet limbs and leaves. The first violets of the season bloomed beneath the trees. The fence that encircled the site stood fifty meters away, intact. Ni could have scaled it, but where would he have gone?

A well caught his eye and he approached.

Not unusual. The whole area was dotted with them. In fact, the digging of one in 1974 had led to the discovery of the terra-cotta army. But an iron plate plugged the opening.

Where had Ni gone?

He glanced around at the wet terrain, thick with trees, toward where the mound began its rise upward.

Ni had come here for a reason.

He’d learned that the fence had been erected in the early 1990s, on orders from Beijing, and that the area had remained off limits. Why? No one knew. Viktor had reported that Pau Wen had told Malone and Vitt that he knew a way into Qin Shi’s tomb. Pau had then gone straight to the recently found imperial library and made good on his promise, locating two underground passages, one of which Vitt, Malone, and Pau had disappeared into.

“Minister,” Viktor said.

His mind snapped back to the moment.

Viktor pointed inside the well. “See the scarp marks on the side. They’re fresh. That plate was removed, then replaced.”

The observation was correct. The yellowish white lichen had clearly been disturbed. He ordered the two brothers to lift the plate away and the top of a wooden ladder came into view.

They’d driven over in a museum security vehicle. “See if the car carries any flashlights,” he ordered. One of the men ran off.

“Where does it go?” Viktor asked.

Tang knew. “Into the tomb. Where Ni Yong awaits.”

MALONE APPROACHED THE BACKLIT DOORWAY, STAYING TO one side of the partially open portal while Cassiopeia stayed to the other. They’d switched off the flashlights and replaced them in their pockets. Both held their weapons.

He noticed L-shaped bronze clamps affixed to their side of the door, another to the left and right of the jamb. A thick cut of timber rested against the wall, standing upright. Easy to determine its use. Once it was dropped into the clamps, there would have been no way to open the door from the other side.

What had Pau read to them?

Concubines without sons were ordered to follow the emperor in death, and of the artisans and workers not one was allowed to emerge alive.

He peered around the edge into the lit space beyond.

The underground chamber stretched nearly the length of a football field. The rounded ceiling was thirty to forty feet high, held aloft by arches that stretched its width and columns that dotted the rectangular hall. Tripod lights had been placed every twenty feet or so on all four sides, casting upward a yellow-orange glow that illuminated what appeared to be a ceiling of crystals, pearls, and gems arranged as stars in a night sky. The floor was fashioned as a massive three-dimensional topographic map with rivers, lakes, oceans, mountains, valleys, temples, palaces, and towns.

“Holy crap,” Cassiopeia muttered.

He agreed. Sima Qian’s account seemed relatively accurate.

The constellations of the heavens were reproduced above and the regions of the earth below.

He noticed a glistening silvery hue from the representations of water.

Mercury.

Using quicksilver, they made the hundred rivers of the land, the Yellow and Yangtse, and the wide sea, and machines kept the waters in motion.

He cringed, but recalled what Pau had said. Preventive measures. He hoped the SOB had at least told the truth about that.

No one was in sight. So who’d switched on the lights? Pau Wen?

He risked another look and determined they were inside the short wall of the rectangle, at the opposite end of what appeared to be the main entrance. All four walls were polished stone alive with carved animal heads and otherworldly images bursting from the lustrous surface. He spotted a tiger, a prone horse, a toad, a frog, a fish, and an ox. Color abounded. Yellow-glazed pillars and arches, vermillion walls, a purple-black ceiling.

At the center stood an elaborate plinth, wider at the bottom than the top, fashioned of what appeared to be jade. Two lights illuminated exquisite carvings that dotted its sides. Nothing lay atop. Bare, like the rest of the chamber. Stone pedestals adorned the four walls, spaced every twenty feet or so, about ten feet off the floor. He realized what they had once held.

Torches were made of oil to burn for a long time.

But not a single lamp could be seen.

Inside Qin’s tomb are hundreds of lamps, all filled with oil. I even lit one.

Another of Pau Wen’s lies.

He’d read enough about Chinese imperial tombs to know that they were designed as symbolic representations of an emperor’s world. Not a monument, but an analogue of life through which the emperor eternally perpetuated his authority. Which meant the hall should be loaded with stuff.

He glanced over at Cassiopeia. Her eyes agreed on their next move.

He stepped from the darkened recess into the lit space. The floor represented the extreme southwestern fringes of Qin Shi’s empire, showing what he knew to be mountain ranges carved of jade. A flat expanse to the north delineated desert, which stretched east toward the heart of the empire. Many meters away were more open plains, plateaus, blankets of trees, mountains, and valleys. Palaces, temples, villages, and towns, all fashioned of gemstone and bronze, sprouted everywhere, connected by what appeared to be a system of roads.

He noticed that the stone panel, which blocked the portal once closed, would have dissolved cleanly into the ornamented wall. An entrance capable of being seen and opened only from the outside. Coiled dragons, humanoid faces, and crested, long-tailed birds sprang from the adjacent walls.

He motioned toward the center with his gun and they threaded their way across the floor, careful to find smooth areas on which to step. He was still worried about the mercury, concerned about vapors, so he bent down close to one of the rivers and saw that the carved channel, maybe a foot wide and a few inches deep, flowed with mercury.

But there was something else, on top. Clear. Oily. He tapped the glistening surface with the tip of the gun and ripples spread. He examined the gun’s end and risked a smell, catching a hint of petroleum.

Then he knew.

“Mineral oil,” he whispered. “Pau coated the mercury with it to hold in the vapors.”

He’d done the same once himself, in a basement floor drain trap, floating the oil on top of the water to slow