I
I COULDN’T TELL YOU the first time I saw Jack Ellery, but it would have to have been during the couple of years I spent in the Bronx. We were a class apart at the same grammar school, so I’d have seen him in the halls or outside at recess, or playing stickball or stoopball after school let out. We got to know each other well enough to call each other by our last names, in the curious manner of boys. If you’d asked me then about Jack Ellery, I’d have said he was all right, and I suppose he’d have said the same about me. But that’s as much as either of us would have been likely to say, because that’s as well as we knew each other.
Then my father’s business tailed off and he closed the store and we moved, and I didn’t see Jack Ellery again for more than twenty years. I thought he looked familiar, but I couldn’t place him right away. I don’t know whether he would have recognized me, because he didn’t get to see me. I was looking at him through one-way glass.
This would have been in 1970 or ’71. I’d had my gold shield for a couple of years, and I was a detective assigned to the Sixth Precinct in Greenwich Village when the prewar building on Charles Street still served as the station house. It wasn’t long after that they moved us to new quarters on West Tenth, and some enterprising fellow bought our old house and turned it into a co-op or condo, and tipped his hat to history by calling it Le Gendarme.
Years later, when One Police Plaza went up, they did essentially the same thing with the old police headquarters on Centre Street.
But this was on the second floor at the old place on Charles Street, where Jack Ellery was wearing number four in a lineup of five male Caucasians in their late thirties and early forties. They ranged between five-nine and six-one, were dressed alike in jeans and open-necked sport shirts, and stood waiting for a woman they couldn’t see to pick out the one who had held her at gunpoint while his partner emptied the cash register.
She was a stout woman, maybe fifty, and she was badly miscast as the co-owner of a mom-and-pop housewares store. If she’d taught school, all her pupils would have been terrified of her. I was there as a casual spectator, because it wasn’t my case. A plainclothes cop named Lonergan was the arresting officer, and I was standing next to him. There was an assistant DA in the room, next to the woman, and there was a tall skinny kid in a bad suit who pretty much had to be the Legal Aid lawyer.
When I was wearing a uniform in Brooklyn, they had me partnered with an older man named Vince Mahaffey, and one of the few hundred things he taught me was to catch a lineup any time I had the chance. It was, he told me, a much better way to familiarize yourself with the local bad guys than going through books of mug shots. You got to watch their faces and their body language, you got a sense of them that would stick in your mind. Besides, he said, it was a free show, so why not enjoy it?
So I got in the habit of viewing lineups at the Sixth, and this particular afternoon I studied the men in turn while the ADA told the woman to take her time. “No, I know who it is,” she said, and Lonergan looked happy. “It’s Number Three.”
The ADA asked her if she was positive, in a voice that suggested she might want to rethink the whole thing, and the Legal Aid kid cleared his throat, as if preparing to offer an objection.
No need. “I’m a hundred percent positive,” she said. “That’s the son of a bitch who robbed me, and I’ll say so in front of you and God and everybody.”
Lonergan had stopped looking happy as soon as she’d announced her choice. He and I stayed in the room while the others filed out. I asked him what he knew about Number Three.
“He’s an assistant manager at the market on Hudson,” he said. “Hell of a nice guy, always glad to do us a favor, but I’ve got to stop using him in lineups. This is the third time somebody’s picked him out, and he’s the kind of guy, he finds a dime in a pay phone, he puts it back.”
“He’s got a kind of a crooked look to him,” I said.