Elaine never seems to leave the building. Scudder comes and goes, the black man comes and goes, but he never sees Scudder and the black man together anymore. It is hard to be certain, he doesn’t spend twenty-four hours a day observing the building’s entrance, but it seems to him as though at least one of the two men is always inside the building. Scudder never leaves until the black man has come to take his place at her side.

Which suggests to him that they’re guarding her. Keeping her inside where no one can get at her, and standing by to protect her in the event that he might manage to get inside the building.

And if he were to go away?

The idea intrigues him. He wants to think about it. He pays for his meal, leaves the coffee shop, and walks.

.

.

.

246

Lawrence Block

He could just disappear. That’s what he always does, sooner or later. He walks away from the life he’s been living like a snake shedding its skin. He goes somewhere else, becomes someone else.

And does the things he does.

And if he were to do so now? Not, as he’d planned, after he’d finished his business with Mr. and Mrs. Scudder. Suppose he were to leave his business unfinished and simply vanish? He could go south or west, he could go anywhere, with his darker hair and his reshaped hairline and his eyeglasses, and no one would know him.

And the Scudders could remain here, waiting for the other shoe to drop. Keeping their guard up, with the woman afraid to leave the building and the man afraid to leave her alone, both of them chained by their terror, while he, the cause of that terror, is nowhere to be found. Gone, vanished, absent without leave, but they in their ignorance are unable to relax, unable to live their lives.

Like the whole country, he thinks. They’ll have their own personal equivalent of long lines at airport security, they’ll cower for the blow that never comes, while he’s thousands of miles away.

He has the great advantage of patience. He’s lived for years with unfinished business, ever since Scudder drove him out of this city. It’s never eaten at him, never preyed on his mind. It’s always been an item on the agenda, something to take care of sooner or later, when the time is right.

Suppose he returns it to the back burner. And suppose he’s gone for a few more years, and the Scudders return to their ordinary lives, and time passes. Thoughts of him, unbidden and unwelcome, will trouble them from time to time. They’ll know he’s out there, they’ll be aware that he might come back. But every month will make that threat a little less urgent, and they’ll reach a point where they’ve relaxed entirely.

And then he’ll return. Oh, he won’t have this particular knife in his pocket when he does. He’ll have let it go somewhere, for one reason or another. But he’ll have another knife, and perhaps he’ll like the new one even better.

And when the time is right he’ll get to use it.

But he ought to do something before he goes. So that they don’t forget him too soon.

32

It was late morning when Mark Sussman called. Had I caught the item about the rush-hour subway stabbing in Queens? The victim was a male, sixteen years old, who’d earlier been in a shoving match with two other teenage males on the subway platform. The killing was assumed to have grown out of that argument, although no one had seen it occur; the bodies of the other passengers kept the youth’s body upright until the train reached a station and the crowd thinned enough for him to fall down.

“They figured gang-related,” he said, “but I thought about it, and then I thought about that woman killed a couple of days ago here in Manhattan. Miles apart, but it’s the same train, and both times it’s a stabbing and nobody saw it happen. Two different boroughs and two different medical examiners, so who’s going to look at both of them at once, you know?”

He’d talked to the right people, and he was waiting for them to compare notes and get back to him. “What I want to hear,” he said, “is it’s two different knives, two different kinds of wounds, two different everything. But you know what I think it is.” He said he’d let me know as soon as he heard one way or the other.

An hour or so later the phone rang and I thought it was him, but it wasn’t. It was Mick Ballou.

“That picture you showed me,” he said. “Didn’t I tell you he looked familiar? I’ve tried to place him, and late last night it came to me.” 248

Lawrence Block

“You saw him at Grogan’s?”

“I did not. ’Twas years ago I saw him, and then only for a moment.

Do you recall when you had me go to a house on West Seventy-fourth Street? There was a girl there you thought might be in harm’s way.”

“Kristin Hollander.”

“And a very nice young woman she was. He came to the door, your man in the drawing. Of course I’d no idea who he might be. I opened the door and told him to piss off, and he pissed off. I barely looked at him, but I’ve a fine old memory, haven’t I? It was the same man.”

“Oh, God,” I said. “I never even thought of her. I don’t know what the hell’s the matter with me. Listen, I’ll have to get off the line so I can arrange police protection for her. Assuming she’s all right, assuming he hasn’t already paid her a visit. Christ, if he’s got to her, if he’s killed her—”

“No one’s touched a hair on her head.”

“How do you know?”

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