Vie-Gorgon, who decided to make the announcement to her guests herself.
“Ladies and gentlemen,” she began, her voice full of emotion that Skinner could not help but think was spurious. While she was no expert on the subject of Emilia Vie-Gorgon and her many modes of expression, Skinner was fairly certain that she’d never heard the young woman sound so moved about anything. “I have an… unfortunate. A terribly unfortunate announcement. It seems that His Royal Majesty…” here she pronounced the word “majesty” in such a way as to suggest that it was so thoroughly distasteful that she regretted requiring her tongue to say it at all, “…may the Word bless him,” pure sarcasm there, “…has found something objectionable in the content of our play.” How she managed to say this while sounding completely innocent of purposefully commissioning the most objectionable play imaginable was a mystery to Skinner. “He has, just today, announced that, in his position as head of the Church Royal, he has added
There were acid chuckles at this, followed by pronouncements of both consternation and indignation, that Skinner suspected were for show. Here in the safe, warm circle of Emilia Vie-Gorgon’s attention, critically lambasting the Emperor was acceptable, even expected. Just calling him a petty name or making lewd comments about his mother was likely to garner appreciative snorts of laughter, regardless of how seriously the joker took it. There were no spies for the emperor among Emilia’s circle of friends, that was for sure, unless they were Emilia’s own spies, placed to evaluate just how much her friends valued her.
But whatever the case, in the cold light of morning, when the assorted Committees of Loyalty and Compliance and Modest Behavior roamed the streets once more, even the most fervent comedian would quell his tongue, and say “Word bless the Emperor, and keep him,” and mumble such other obsequies as might satisfy the harsh and demanding eye of the Empire. The more she came to know them, the more Skinner found the Esteemed Families to be peopled entirely by cowards. Emilia, so far as Skinner knew, was the only one that had ever troubled to dare anything.
“You think the Emperor is stupid?” Skinner asked, sipping at her punch.
“No, my cousin. She knew this would get closed down. She’s baiting him. It’s like…she’s waving a red flag in front of a bull. Provoking.”
“I thought the Raithower Vie-Gorgons were largely unassailable, even by the Emperor.”
“Huh. Maybe. I wouldn’t bet on it, though. We…they, anyway, don’t have an army of marines and lobstermen to deploy against the dissidents. Sure, shutting down the trains for a few weeks would be a hassle, but it’s not like no one else
“Hm.” Skinner said, noncommittally. With Emilia’s announcement, she’d begun to grow a little worried. The play was done and done for, now, so what would be the point of continuing to employ the playwright? Emilia, Skinner had no doubt, had known precisely that
“Oh, there she goes with Nora, again.” Valentine said. “I wonder what she’s up to?”
“Where?”
“By the stairs. Uh. Three o’clock, about ten yards.”
Skinner let her clairaudience drift in the direction Valentine had indicated until it caught up with the two young women. “-it?” Emilia was saying.
“Yes. By
“I’ve given up trying to guess. He’s certainly clever.”
“More clever than we are,” Nora Feathersmith snorted.
Emilia cleared her throat.
“Fine, more clever than I am, anyway. I assume you’ll want to burn it?”
“Not at all,” Emilia said. “It’s hardly a crime to be
“Doesn’t that seem a little risky?”
The women had moved into a study, now, and one of them-Emilia, probably-was opening a desk drawer. “I don’t think so. The privilege of being unable to be responsible for anything is that we are equally unlikely to be held accountable for anything. We are, after all, only women. Surely we could not have devised such a devious plot on our own?”
“Hah. The next step, then?”
Emilia or Nora activated a baffler, then, and Skinner found her hearing clouded with incomprehensible echoes. Not for the first time in the last few years, she cursed the man that had invented it. “Valentine,” she said, letting her perception return to her body, and cutting off the young coroner in the middle of an impassioned speech about why playwrights ought not to be censored by anyone.
“-just that, what? What is it?”
“Emilia and Nora are about to come down those stairs,” Skinner told him. “I need you to distract them.”
“All right. For how long?”
“As long as possible,” she said. “I need you to occupy their full attention. There’s…something upstairs I need to check on.”
“Ah,” Valentine said, excited. “An escapade. An exploit. I shall attract attention at once.”
Valentine sauntered through the party, then-though she could not see him to be sure, there was something about the young coroner that suggested that sauntering was his natural mode of transportation-and, as Emilia and her friend descended into the salon, he began talking in a very loud voice about propriety and treason, and his suspicions that there was not one but were in fact
Though Valentine had always enjoyed many critics, and after that evening added several more to the list, not a one of them could ever say that when Valentine Vie-Gorgon committed to something, he did not commit to it fully.
His antics left Skinner ample opportunity to slip upstairs. She had, by old habit, been keeping track of how far Emilia and Nora walked. Sixteen steps down the hall, then a right turn. The door was locked, so she knelt down and lightly rested her hand against the keyhole.
At the publicly-funded but very, very private schools where knockers were trained, the teenaged savants were kept under close guard, with strict headmasters and rigid schedules. No one was permitted out of bed or out of their rooms past seven o’clock, and all the doors were locked, with bafflingly complex mechanisms, to ensure the knockers remained there. At the same time, the masters of the schools considered it a useful skill for the effectively blind knockers to be able to navigate their way past the innumerable obstacles that they would undoubtedly face. As such, while punishments for violating curfew were severe, there was still the unspoken expectation that Skinner and her peers would try to escape and roam about the grounds-sometimes getting into trouble, more likely just reveling in the freedom that their abilities had finally bought. Using telerhythmia to pick locks was the first skill that a teenaged knocker ever learned.
Skinner began knocking rapidly against the lock’s tumbler, creating a tension on the interior pins. Then, a few telerhythmic bursts inside rattled the pins up and down until they stuck, shears opening, and the lock snapped open. She slipped inside the study quickly, clairaudiently canvassing the hall behind her to ensure that no one was coming.