ceiling sloped down from the right to the left. At the left it descended toward the doors of the kitchen and storerooms; at the right it rose to the height of two full stories. One of these was occupied by a series of heavy posts on which hung saddles and bridles and riding equipment of all kinds, and the posts supported a balcony onto which opened several doors—of sleeping rooms, no doubt. As for the wall behind the posts, it, too, was pierced with several openings, but Terry could not guess at the contents of the rooms. But he was amazed by the size of the structure as it was revealed to him from within. The main room was like some baronial hall of the old days of war and plunder. A role, indeed, into which it was not difficult to fit the burly Pollard and the dignity of his beard.
Four men were around the piano, and a girl sat at the keys, splashing out syncopated music while the men roared the chorus of the song. But at the sound of the closing of the door all five turned toward the newcomers, the girl looking over her shoulder and keeping the soft burden of the song still running.
CHAPTER 23
So turned, Terry could not see her clearly. He caught a glimmer of red bronze hair, dark in shadow and brilliant in high lights, and a sheen of greenish eyes. Otherwise, he only noted the casual manner in which she acknowledged the introduction, unsmiling, indifferent, as Pollard said: “Here's my daughter Kate. This is Terry—a new hand.”
It seemed to Terry that as he said this the rancher made a gesture as of warning, though this, no doubt, could be attributed to his wish to silently explain away the idiosyncrasy of Terry in using his first name only. He was presented in turn to the four men, and thought them the oddest collection he had ever laid eyes on.
Slim Dugan was tall, but not so tall as he looked, owing to his very small head and narrow shoulders. His hair was straw color, excessively silky, and thin as the hair of a year-old child. There were other points of interest in Slim Dugan; his feet, for instance, were small as the feet of a girl, accentuated by the long, narrow riding boots, and his hands seemed to be pulled out to a great and unnecessary length. They made up for it by their narrowness.
His exact opposite was Marty Cardiff, chunky, fat, it seemed, until one noted the roll and bulge of the muscles at the shoulders. His head was settled into his fat shoulders somewhat in the manner of Denver's, Terry thought.
Oregon Charlie looked the part of an Indian, with his broad nose and high cheekbones, flat face, slanted dark eyes; but his skin was a dead and peculiar white. He was a down-headed man, and one could rarely imagine him opening his lips to speak; he merely grunted as he shook hands with the stranger.
To finish the picture, there was a man as huge as Joe Pollard himself, and as powerful, to judge by appearances. His face was burned to a jovial red; his hair was red also, and there was red hair on the backs of his freckled hands.
All these men met Terry with cordial nods, but there was a carelessness about their demeanor which seemed strange to Terry. In his experience, the men of the mountains were a timid or a blustering lot before newcomers, uneasy, and anxious to establish their place. But these men acted as if meeting unknown men were a part of their common, daily experience. They were as much at their ease as social lions.
Pollard was explaining the presence of Terry.
“He's come up to clean out the varmints,” he said to the others. “They been getting pretty thick on the range, you know.”
“You came in just wrong,” complained Kate, while the men turned four pairs of grave eyes upon Terry and seemed to be judging him. “I got Oregon singing at last, and he was doing fine. Got a real voice, Charlie has. Regular branded baritone, I'll tell a man.”
“Strike up agin for us, Charlie,” said Pollard good-naturedly. “You don't never make much more noise'n a grizzly.”
But Charlie looked down at his hands and a faint spot of red appeared in his cheek. Obviously he was much embarrassed. And when he looked up, it was to fix a glance of cold suspicion upon Terry, as though warning him not to take this talk of social acquirements as an index to his real character.
“Get us some coffee, Kate,” said Pollard. “Turned off cold coming up the hill.”
She did not rise. She had turned around to her music again, and now she acknowledged the order by lifting her head and sending a shrill whistle through the room. Her father started violently.
“Damn it, Kate, don't do that!”
“The only thing that'll bring Johnny on the run,” she responded carelessly.
And, indeed, the door on the left of the room flew open a moment later, and a wide-eyed Chinaman appeared with a long pigtail jerking about his head as he halted and looked about in alarm.
“Coffee for the boss and the new hand,” said Kate, without turning her head, as soon as she heard the door open. “Pronto, Johnny.”
Johnny snarled an indistinct something and withdrew muttering.
“You'll have Johnny quitting the job,” complained Pollard, frowning. “You can't scare the poor devil out of his skin like that every time you want coffee. Besides, why didn't you get up and get it for us yourself?”
Still she did not turn; but, covering a yawn, replied: “Rather sit here and play.”
Her father swelled a moment in rage, but he subsided again without audible protest. Only he sent a scowl at Terry as though daring him to take notice of this insolence. As for the other men, they had scattered to various parts of the room and remained there, idly, while the boss and the new hand drank the scalding coffee of Johnny. All this time Pollard remained deep in thought. His meditations exploded as he banged the empty cup back on the table.
“Kate, this stuff has got to stop. Understand?”
The soft jingling of the piano continued without pause.
“Stop that damned noise!”
The music paused. Terry felt the long striking muscles leap into hard ridges along his arms, but glancing at
