claustrophobia. The main entrance gates looked as if they were never closed, but they were nonetheless gates. The ‘20 mph’ speed signs and the ‘CRIMEALERT INOPERATION’ notices on lampposts gave Jude the feeling of being under surveillance.
This was reinforced by the contents of a display board which she stopped to read. Behind glass, under a neatly painted wooden sign reading ‘Shorelands Estate’, was a list of regulations for residents. Since these included orders as to how visibly washing could be hung out to dry and times at which lawn-mowing was permitted, Jude felt relieved that Shorelands was a part of Fathering way out of her price range.
Though of massive proportions and, in most cases, with much-sought-after sea-backing locations, none of the houses appealed to her either. The estate was far too upmarket to go for uniformity. Each house was very positively different from all the others, and each failed to appeal to Jude in a different way. Every conceivable architectural style was represented, but in a manner that seemed more parody than homage. Whether with Tudor beams, tall Elizabethan clusters of chimneys, geometric Georgian windows, Alpine chalet gables, thatched roofs or the turrets of French chateaux, all the houses seemed firmly rooted in the time of their construction, the unglamorous 1950s.
The architectural style echoed in the Turnbulls’ home was Spanish. The wrought-iron gates in the high white-painted walls might have led into the vineyards of some well-heeled Andalusian grandee, were it not for the coy metal name-plate with a squirrel motif which revealed that the house was called Brigadoon. And the authentic Spanishness of the frontage, with its heavily embossed door, terracotta pots in niches and gratuitous curlicues of wrought iron, was also let down by two quaint Victorian lampposts and by the metal expanse of the double garage’s up-and-over door.
The house into which Jude was admitted had been recently ‘improved’ by an expensive interior designer. No attempt had been made to continue the Spanish theme inside. The carpets toned with the walls; the walls were suitably complemented by the discreet pastel patterns of the curtains. Each item of furniture knew its place. The strain of all this tastefulness was almost tangible. To Jude the interior of Brigadoon had the homely charm of an intensive care unit.
But her impression of the decor was only fleeting. As ever, she was much more interested in people than in things, and immediately focused on the woman who had opened the door to her with a brisk, “Ah, hello, you must be the new owner of Woodside Cottage. I’m Barbara Turnbull. I’m sorry, I didn’t know your name, so I hope you didn’t mind my just addressing the card to ‘The New Resident’. But you said on the phone you’re called ‘Jude’.”
“That’s right.”
“Jude…er…?” the hostess fished.
“Just Jude’s fine.”
Barbara Turnbull was in her fifties and was one of those women who’d spread sideways. She walked with a slight swaying motion, but carefully, as if afraid her bulk might knock things over. Her hair, dyed a copper-beech colour, had been recently cut short. She wore a broad green skirt and little matching waistcoat over a blouse with an ivy design. Her stout legs ended in improbably small, flat blue shoes with decorative buckles. There were a lot of rings on her hands. Uniform beige make-up covered her face, and her lips were highlighted by lipstick of an only slightly darker beige.
“I’m afraid the house is a complete tip,” she said, as she hung up Jude’s coat and led her through the hall. Barbara Turribull’s remark was completely at odds with the evidence. The house looked as if individual motes of dust were removed with tweezers every hour on the hour. “My cleaning lady, Maggie, couldn’t come in this morning. Just called five minutes before she was due to arrive to say she’d got some problem with her son. Honestly, people are so inconsiderate.”
“Her son couldn’t help being ill, could he?” Jude suggested.
“That’s not the point. Maggie should have had some contingency plan ready for that eventuality. Anyway, I’m not sure he was ill. Some other problem, I wouldn’t be surprised. He’s very neurotic, from all accounts. Maggie seems to have no control over that boy of hers. Psychological problems…But then…
“Now, hello, everyone,” said Barbara loudly. “This is ‘Jude’, who’s recently moved in to Woodside Cottage in the High Street. I’ll just tell you who everyone is.”
“Don’t bother.” Jude knew she’d never remember a whole catalogue of anonymous names. She’d do much better talking to the other guests individually, matching names with personalities. “I’ll work it out as we – ”
Too late. Barbara Tumbull was determined to go through the full list. There were about a dozen, all women, with an average age of well over sixty. Jude got the impression that few of them had ever had jobs beyond looking after husbands and children. They were dressed as though their lives had become one long stationary cruise. Most of the faces looked deterrent, one or two more approachable. All of them wore too much make-up.
“…and this is my mother, Winnie.” Barbara Turnbull’s guided tour finished on the smallest and oldest person present. “Winnie Norton. Now, ‘Jude’, why don’t you sit and have a chat to Mummy while I get you some coffee. How do you like it?”
“Just black, please.”
“Any sweetener?”
“No, thanks.”
“Right you are, ‘Jude’. Just black it is.”
“So how do you like Fethering?” asked Winnie Norton. Her hair, a blue that was picked up by the veins on the back of her hands, had been engineered into a rigid structure like spun sugar. The eyes were black and unashamedly curious. From the Yorkshire terrier on her lap peered another pair of black and unashamedly curious eyes. They took in Jude, not liking what they saw, and a low growl rumbled from the tiny silken body.
Winnie Norton wore a tweed suit whose dominant colour was turquoise. There were even more rings on her hands than on her daughter’s, but they hung loosely on the thin talons.
“Seems fine from what I’ve seen of it so far,” Jude replied.
“Did you know the area before you moved here?”
“Not well.”
“Well, you’ll find Fethering’s very welcoming,” said Winnie Norton. The dog, unwilling to endorse this view, yapped petulantly. “Quiet, Churchill.” She tapped his nose gently before going on, “Yes, very welcoming…to the right sort of person.”
“Ah.”
“Of course, in the old days, before the war, only the right sort of person moved here, but since they developed that Downside Estate…well, something of an element’s crept in.” The little black eyes scrutinized Jude, trying to gauge the risk of her being an ‘element’.
The smaller set of black eyes on her lap had already made up their mind. Jude was definitely an ‘element’. He yapped ferociously, baring his vicious little teeth.
“Now do be quiet, Churchill,” said his mistress mildly. “We have to be on our best behaviour for a coffee morning, don’t we?”
The yapping subsided into a malignant rumbling.
“Have you lived here long, Mrs Norton?” asked Jude.
“All my life in the area, yes.”
“But not all that time here at Shorelands?”
“Oh, I don’t live on the estate. No, when I sold the big house after my husband died, I bought one of those new flats near the Yacht Club. Spray Lodge – do you know where I mean?”
“Sorry. Still getting my bearings.”
“It’s a very nice block. The residents do have a degree of control over who moves in.”
“Ah.”
“Well, you have to these days, don’t you?” Winnie Norton chuckled. “All kinds of people have got the money to move into somewhere like Fethering now.”
“Yes.” Jude realized that, if she didn’t quickly move the subject in another direction, she’d come to blows with the old lady. “Do you have any grandchildren, Mrs Norton?”
“No. Barbara and Rory didn’t want children.”
