accident of Hamilton’s seeing Gresson; then the night in the Clearing Station; last the mishap of Archie’s plane getting lost in the fog. I had three grounds of suspicion - Gresson’s sudden illness, the Canadian’s ghost, and that horrid old woman in the dusk. And now I had one tremendous fact. The place was leased by a man called Bommaerts, and that was one of the two names I had heard whispered in that far-away cleft in the Coolin by the stranger from the sea.
A sensible man would have gone off to the contre-espionage people and told them his story. I couldn’t do this; I felt that it was my own private find and I was going to do the prospecting myself. Every moment of leisure I had I was puzzling over the thing. I rode round by the Chateau one frosty morning and examined all the entrances. The main one was the grand avenue with the locked gates. That led straight to the front of the house where the terrace was - or you might call it the back, for the main door was on the other side. Anyhow the drive came up to the edge of the terrace and then split into two, one branch going to the stables by way of the outbuildings where I had seen the old woman, the other circling round the house, skirting the moat, and joining the back road just before the bridge. If I had gone to the right instead of the left that first evening with Archie, I should have circumnavigated the place without any trouble.
Seen in the fresh morning light the house looked commonplace enough. Part of it was as old as Noah, but most was newish and jerry-built, the kind of flat-chested, thin French Chateau, all front and no depth, and full of draughts and smoky chimneys. I might have gone in and ransacked the place, but I knew I should find nothing. It was borne in on me that it was only when evening fell that that house was interesting and that I must come, like Nicodemus, by night. Besides I had a private account to settle with my conscience. I had funked the place in the foggy twilight, and it does not do to let a matter like that slide. A man’s courage is like a horse that refuses a fence; you have got to take him by the head and cram him at it again. If you don’t, he will funk worse next time. I hadn’t enough courage to be able to take chances with it, though I was afraid of many things, the thing I feared most mortally was being afraid.
I did not get a chance till Christmas Eve. The day before there had been a fall of snow, but the frost set in and the afternoon ended in a green sunset with the earth crisp and crackling like a shark’s skin. I dined early, and took with me Geordie Hamilton, who added to his many accomplishments that of driving a car. He was the only man in the B.E.F. who guessed anything of the game I was after, and I knew that he was as discreet as a tombstone. I put on my oldest trench cap, slacks, and a pair of scaife-soled boots, that I used to change into in the evening. I had a useful little electric torch, which lived in my pocket, and from which a cord led to a small bulb of light that worked with a switch and could be hung on my belt. That left my arms free in case of emergencies. Likewise I strapped on my pistol.
There was little traffic in the hamlet of Eaucourt Sainte-Anne that night. Few cars were on the road, and the M.T. detachment, judging from the din, seemed to be busy on a private spree. It was about nine o’clock when we turned into the side road, and at the entrance to it I saw a solid figure in khaki mounting guard beside two bicycles. Something in the man’s gesture, as he saluted, struck me as familiar, but I had no time to hunt for casual memories. I left the car just short of the bridge, and took the road which would bring me to the terraced front of the house.
Once I turned the corner of the Chateau and saw the long ghostly facade white in the moonlight, I felt less confident. The eeriness of the place smote me. In that still, snowy world it loomed up immense and mysterious with its rows of shuttered windows, each with that air which empty houses have of concealing some wild story. I longed to have old Peter with me, for he was the man for this kind of escapade. I had heard that he had been removed to Switzerland and I pictured him now in some mountain village where the snow lay deep. I would have given anything to have had Peter with a whole leg by my side.
I stepped on the terrace and listened. There was not a sound in the world, not even the distant rumble of a cart. The pile towered above me like a mausoleum, and I reflected that it must take some nerve to burgle an empty house. It would be good enough fun to break into a bustling dwelling and pinch the plate when the folk were at dinner, but to burgle emptiness and silence meant a fight with the terrors in a man’s soul. It was worse in my case, for I wasn’t cheered with prospects of loot. I wanted to get inside chiefly to soothe my conscience.
I hadn’t much doubt I would find a way, for three years of war and the frequent presence of untidy headquarters’ staffs have loosened the joints of most Picardy houses. There’s generally a window that doesn’t latch or a door that doesn’t bar. But I tried window after window on the terrace without result. The heavy green sun- shutters were down over each, and when I broke the hinges of one there was a long bar within to hold it firm. I was beginning to think of shinning up a rain-pipe and trying the second floor, when a shutter I had laid hold on swung back in my hand. It had been left unfastened, and, kicking the snow from my boots, I entered a room.
A gleam of moonlight followed me and I saw I was in a big salon with a polished wood floor and dark lumps of furniture swathed in sheets. I clicked the bulb at my belt, and the little circle of light showed a place which had not been dwelt in for years. At the far end was another door, and as I tiptoed towards it something caught my eye on the parquet. It was a piece of fresh snow like that which clumps on the heel of a boot. I had not brought it there. Some other visitor had passed this way, and not long before me.
Very gently I opened the door and slipped in. In front of me was a pile of furniture which made a kind of screen, and behind that I halted and listened. There was somebody in the room. I heard the sound of human breathing and soft movements; the man, whoever he was, was at the far end from me, and though there was a dim glow of Moon through a broken shutter I could see nothing of what he was after. I was beginning to enjoy myself now. I knew of his presence and he did not know of mine, and that is the sport of stalking.
An unwary movement of my hand caused the screen to creak. Instantly the movements ceased and there was utter silence. I held my breath, and after a second or two the tiny sounds began again. I had a feeling, though my eyes could not assure me, that the man before me was at work, and was using a very small shaded torch. There was just the faintest moving shimmer on the wall beyond, though that might come from the crack of moonlight. Apparently he was reassured, for his movements became more distinct. There was a jar as if a table had been pushed back. Once more there was silence, and I heard only the intake of breath. I have very quick ears, and to me it sounded as if the man was rattled. The breathing was quick and anxious.
Suddenly it changed and became the ghost of a whistle - the kind of sound one makes with the lips and teeth without ever letting the tune break out clear. We all do it when we are preoccupied with something - shaving, or writing letters, or reading the newspaper. But I did not think my man was preoccupied. He was whistling to quiet fluttering nerves.
Then I caught the air. It was ‘Cherry Ripe’.
In a moment, from being hugely at my ease, I became the nervous one. I had been playing peep-bo with the unseen, and the tables were turned. My heart beat against my ribs like a hammer. I shuffled my feet, and again there fell the tense silence.
‘Mary,’ I said - and the word seemed to explode like a bomb in the stillness -‘Mary! It’s me - Dick Hannay.’
There was no answer but a sob and the sound of a timid step.
I took four paces into the darkness and caught in my arms a trembling girl …
Often in the last months I had pictured the kind of scene which would be the culminating point of my life. When our work was over and war had been forgotten, somewhere - perhaps in a green Cotswold meadow or in a room of an old manor - I would talk with Mary. By that time we should know each other well and I would have lost my shyness. I would try to tell her that I loved her, but whenever I thought of what I should say my heart sank, for I knew I would make a fool of myself. You can’t live my kind of life for forty years wholly among men and be of any use at pretty speeches to women. I knew I should stutter and blunder, and I used despairingly to invent impossible situations where I might make my love plain to her without words by some piece of melodramatic sacrifice.
But the kind Fates had saved me the trouble. Without a syllable save Christian names stammered in that eerie darkness we had come to complete understanding. The fairies had been at work unseen, and the thoughts of each of us had been moving towards the other, till love had germinated like a seed in the dark. As I held her in my arms I stroked her hair and murmured things which seemed to spring out of some ancestral memory. Certainly my tongue had never used them before, nor my mind imagined them … By and by she slipped her arms round my neck and with a half sob strained towards me. She was still trembling.
‘Dick,’ she said, and to hear that name on her lips was the sweetest thing I had ever known. ‘Dick, is it really you? Tell me I’m not dreaming.’
‘It’s me, sure enough, Mary dear. And now I have found you I will never let you go again. But, my precious
