nukes — hopefully — were precluded.
“Contacts on acoustic intercept,” Milgrom called out. “Masters One through Three have gone active!”
“Sonar on speakers,” Jeffrey ordered. The control room was suddenly filled with quadraphonic sound, eerie echoes of enemy pings and the frightening mechanical screams of electric torpedo engine sounds.
“They’ve got superior position and better immediate firepower,” Jeffrey said to Bell. “Masters Two and Three can shoot a dozen torpedoes at
“Concur.”
“We fight the fight their way, we’ve had it. We need to change the rules, make this a battle of maneuver.”
“Bearing rate on
“Fire Control, signal to
Bell typed madly and had the message sent.
“Sonar, speakers off. Go active. Melee ping.”
The noise, even with the speakers off, was almost unbearable. Jeffrey told Milgrom to turn the speakers back on — he craved sensory data. Seconds later he could hear each echo come back off the German subs, and the quadraphonic surround sound gave him a three-dimensional feel of the battle.
The tactical plot was refreshed, with new positions and courses and speeds — including icons for over a dozen torpedoes dashing this way and that.
“Fire Control, snap shots, tubes one and two, on bearing to Master One,
Bell acknowledged and relayed commands. Torelli’s team quickly programmed the torpedoes, flooded and equalized the pressure in the tubes, and opened the outer doors. The force of water pent up behind big, stiff elastomer membranes quietly shoved the fish out of the tubes. As they came free of the ship, their closed-cycle liquid-fueled engines started.
Snap shots lacked a proper fire-control solution to lead a moving target; they were done to save time in a combat emergency. But the homing sonars and software on the fiber-optic wire-guided Mark 48 Improved ADCAPs were very good.
“Tubes one and two fired electrically,” Torelli reported, his voice dead flat, as always in combat. By making himself sound almost bored, he kept his people calm and focused.
“Both units operating normally,” Milgrom confirmed by using passive sonar.
Jeffrey’s opening shots in this battle were well on their way. But to win would demand subtle strategy, not just brute strength.
“Decoy in tube seven, set speed to fifty-three knots, snap shot on bearing to Master One,
Jeffrey watched on the tactical plot and listened on the speakers as
“Fire Control, signal
The
Jeffrey was taking a gamble, but out-positioned and outgunned, he had no choice. There was an awkward moment while he wondered what Parcelli would say in response to his latest orders. Jeffrey was trying to make it look like
This way
Five hundred yards of separation was less than three ship lengths, from
“Fire Control, snap shots, tubes three and four, last known bearing to Master Two. Have both units begin active search after running for two thousand yards. Shoot!”
Bell relayed the commands; Torelli and his weapons-systems technicians were kept very busy.
“Fire Control, snap shots, tubes five and six, last known bearing to Master Three. Have both units begin active search after running for two thousand yards. Shoot!”
The noise of torpedo engines was very loud now. The weapons, both friendly and enemy, began to ping more and more in search of targets. Silvery
Jeffrey glanced again at the tactical plot. The 214 was moving northeast from her ambush location at twenty knots, fleeing a clutch of inbound fish. She fired a series of noisemakers, which gave off bubbles and made loud gurgling sounds — but the ADCAPs weren’t fooled. One of Torelli’s weapons techs controlled the fifty-knot decoy to keep following in their wake. Jeffrey prayed the other U-boats still bought his trick, that the decoy was
They did. Grouped together as if to present a united front, the pair of 212s moved boldly toward