smooth skin and immobile hair. Had it not been for access to her official date of birth, he would have placed her a decade younger than her sixty-six years. She had tastefully applied whatever fragrance had created the subtle sweetness he smelled whenever she leaned toward him.
The U.S. Attorney was on the verge of indicting Richard Coulton in what would have been the office’s largest Ponzi scheme if Bernie Madoff had not blown that record out of the water a couple years back. “We’ll go after his assets, but there’s no guarantee, of course, of obtaining a complete recovery. The very nature of a Ponzi scheme is that Coulton used the money you gave him to cover promises he made to clients he enlisted years earlier.”
“So are you telling me that if you had just minded your own business and left him to his own devices, he would have received investment money from some other person in order to pay me back? He promised me a thirty percent return.”
The newspapers made it sound like the swindlers who engaged in pyramid schemes were taking food from the mouths of gullible investors, but Hank had found it difficult to sympathize with some of the entitled people who were supposedly Coulton’s victims.
He walked Mrs. Ross from the conference room. As she passed him, he noticed the ease with which she walked to the elevator in her six-inch heels, the designer red soles unscratched despite her claims that Coulton had left her “with nothing.”
Back at his desk, he Googled “Highline Gallery,” “Travis Larson,” and “Alice Humphrey,” as he had been doing obsessively since he divulged everything he knew to NYPD detective Willie Danes. No new information. He had seen the boxes of documents in the war room at the precinct. He had felt the energy and momentum of that investigation.
The police had a theory. He was certain of it. They had a suspect, that much had been obvious from their conversation. But three days had passed without an arrest. Probably some prosecutor had concluded that they lacked sufficient evidence for a trial, so now they were in that familiar holding pattern. He’d heard all the metaphors before: getting their ducks in a row; holding their cards close; letting the suspect wiggle free like a fish, careful not to try to grab it too early. Waiting for the media frenzy to die down. Waiting for another piece of the puzzle to fall into place. Waiting for the suspect to make a mistake. Waiting. Waiting.
He couldn’t wait any longer. For seven months, since Ellen died, he had thought about Travis Larson every single day. Now the man was dead, and Hank-for reasons he could not identify-felt like he had seen something that would somehow prove relevant. He hated being locked on the outside, left scouring the Internet for clues like one of those housebound true-crime crazies who routinely called the bureau with so-called tips gleaned from online surfing.
He kept recalling moments from the last days of Larson’s life, replaying mental videotapes from his periods of surveillance, wondering if he had overlooked the significance of something he had witnessed.
He also had an uneasy feeling about the identification process Danes had used to get him to name Alice Humphrey as the redhead he’d seen at Larson’s apartment. Last year, a federal court had released a man named Anthony James Adams after DNA evidence cleared him of raping a nurse working the night shift at St. Vincent’s Hospital thirteen years earlier. Hank had been the FBI agent in charge. He’d shown the victim a six-pack of photos, and after a minute of careful study, she’d identified Adams as the perpetrator. It would be more than another decade before a different man, Teddy Jackson, would tell his cellmate that he raped a nurse at a New York City hospital in 1997 and got away with it when another man took the rap. More sophisticated DNA analysis, unavailable during the original investigation, led to Adams’s release.
Hank never wanted to be part of a wrongful conviction. He still woke up some nights thinking about Anthony James, and wondering what kind of life he might have had if things had been different. Hank liked to think that he had at least learned something from the experience. What he learned was that human memory was fragile. An expert in eyewitness testimony had explained to him why the nurse had erred in her identification: when Hank handed her a single piece of paper depicting the faces of six men, she had asked herself which of the six men looked the
Hank prided himself on his ability to pull up images from his past as clearly as if he were examining a color photograph, but he realized that the clarity of an image and its accuracy were two different things.
When Willie Danes asked him about the woman he’d seen at Larson’s apartment, he had handed him two photographs: one of a redhead kissing Larson, and one Hank knew to be Alice Humphrey. Hank realized now that he had simply assumed that the same woman was in both photographs. And the two images looked enough like each other and enough like the woman at Larson’s apartment that he had made the ID. But if the identification process had been perfect-if Hank had not already seen photographs of Alice Humphrey on the Internet, and if Danes had shown Hank a series of photographs of red-haired women to examine sequentially-would he have picked out Alice Humphrey as the woman from Larson’s apartment? He could never be absolutely certain, but he found himself doubting his own memory.
And that’s why he kept searching for news updates. He wanted to know the police had more evidence pointing to Alice Humphrey’s involvement in Larson’s death. He wanted to be certain he had gotten it right when he’d made the ID.
For what had to be the fifteenth time in the last three days, he entered her name in Google Images. He was trying to be certain she was the same woman from the apartment complex, but he knew he’d seen so many pictures of her by now that he had simply cut and pasted her face on those remembered images that he kept replaying in his mind’s eye.
If only he could see her in person, watch her walk down Larson’s street in that bright blue coat and sexy shoes. Watch her arms barely move as she took the stairs. See the tilt of her head when she looked into a man’s face. Maybe if he were in the same room with her, he would know.
And then he realized he might be able to get a moving image of her, right here from his cubicle.
He opened YouTube on his computer and searched for Alice Humphrey. Nothing. Searched for Highline Gallery. Nothing. Then he searched for Frank Humphrey.
He found thousands of results. Many of them were illegally uploaded-iconic scenes from his copyrighted films. There were also reels from
Hank clicked through the videos, searching for images of Humphrey with his family, until he finally found a screen capture of Humphrey, hand in hand with his daughter. It was footage of him leaving the premiere of
Alice’s eyes darted around the glare of the flashbulbs while her father delivered the obligatory words of gratitude toward his actors and producers. As they left the red carpet, Alice looked down at her feet, delivering one awkward wave to the crowd before stepping into an awaiting limousine.
He rewound the reel, examining the woman’s face, trying to re-create the appearance of the woman he’d seen with Larson. Her hair was pulled into a low ponytail at the nape of her neck, but a woman’s hairstyle could change twenty times in two years. She appeared to be about the same height and weight. The woman with Larson had struck him as younger, but he had seen her from a distance, and those big sunglasses and bangs over her eyebrows would have covered the small lines on her forehead and around her eyes, the only betrayals of Alice Humphrey’s age.
He rewound the clip again, knowing that something about the video was bothering him.
It wasn’t her face. It was the walk. Just like Mrs. Ross gliding into the elevator, every person had a distinctive gait. When Alice Humphrey followed her father on the red carpet, she looked down at her feet, watching each
