It was at this juncture that the door opened and a man entered. With the sound from the first movement of the latch, Smith-Oldwick opened his eyes, but though he endeavored to disengage himself from the girl he realized that the newcomer had seen their rather compromising position. The girl, whose back was toward the door, seemed at first not to realize that someone had entered, but when she did she turned quickly and as her eyes fell upon the man whose terrible face was now distorted with an expression of hideous rage she turned, screaming, and fled toward the alcove. The Englishman, flushed and embarrassed, stood where she had left him. With the sudden realization of the futility of attempting an explanation, came that of the menacing appearance of the man, whom he now recognized as the official who had received them in the room below. The fellow's face, livid with insane rage and, possibly, jealousy, was twitching violently, accentuating the maniacal expression that it habitually wore.
For a moment he seemed paralyzed by anger, and then with a loud shriek that rose into an uncanny wail, he drew his curved saber and sprang toward the Englishman. To Smith-Oldwick there seemed no possible hope of escaping the keen-edged weapon in the hands of the infuriated man, and though he felt assured that it would draw down upon him an equally sudden and possibly more terrible death, he did the only thing that remained for him to do—drew his pistol and fired straight for the heart of the oncoming man. Without even so much as a groan the fellow lunged forward upon the floor at Smith-Oldwick's feet—killed instantly with a bullet through the heart. For several seconds the silence of the tomb reigned in the apartment.
The Englishman, standing over the prostrate figure of the dead man, watched the door with drawn weapon, expecting momentarily to hear the rush of feet of those whom he was sure would immediately investigate the report of the pistol. But no sounds came from below to indicate that anyone there had heard the explosion, and presently the man's attention was distracted from the door to the alcove, between the hangings of which the face of the girl appeared. The eyes were widely dilated and the lower jaw dropped in an expression of surprise and awe.
The girl's gaze was riveted upon the figure upon the floor, and presently she crept stealthily into the room and tiptoed toward the corpse. She appeared as though constantly poised for flight, and when she had come to within two or three feet of the body she stopped and, looking up at Smith-Oldwick, voiced some interrogation which he could not, of course, understand. Then she came close to the side of the dead man and kneeling upon the floor felt gingerly of the body.
Presently she shook the corpse by the shoulder, and then with a show of strength which her tenderly girlish form belied, she turned the body over on its back. If she had been in doubt before, one glance at the hideous features set in death must have convinced her that life was extinct, and with the realization there broke from her lips peal after peal of mad, maniacal laughter as with her little hands she beat upon the upturned face and breast of the dead man. It was a gruesome sight from which the Englishman involuntarily drew back-a gruesome, disgusting sight such as, he realized, might never be witnessed outside a madhouse or this frightful city.
In the midst of her frenzied rejoicing at the death of the man, and Smith-Oldwick could attribute her actions to no other cause, she suddenly desisted from her futile attacks upon the insensate flesh and, leaping to her feet, ran quickly to the door, where she shot a wooden bolt into its socket, thus securing them from interference from without. Then she returned to the center of the room and spoke rapidly to the Englishman, gesturing occasionally toward the body of the slain man. When he could not understand, she presently became provoked and in a sudden hysteria of madness she rushed forward as though to strike the Englishman. Smith-Oldwick dropped back a few steps and leveled his pistol upon her. Mad though she must have been, she evidently was not so mad but what she had connected the loud report, the diminutive weapon, and the sudden death of the man in whose house she dwelt, for she instantly desisted and quite as suddenly as it had come upon her, her homicidal mood departed.
Again the vacuous, imbecile smile took possession of her features, and her voice, dropping its harshness, resumed the soft, well-modulated tones with which she had first addressed him. Now she attempted by signs to indicate her wishes, and motioning Smith-Oldwick to follow her she went to the hangings and opening them disclosed the alcove. It was rather more than an alcove, being a fair-sized room heavy with rugs and hangings and soft, pillowed couches. Turning at the entrance she pointed to the corpse upon the floor of the outer room, and then crossing the alcove she raised some draperies which covered a couch and fell to the floor upon all sides, disclosing an opening beneath the furniture.
To this opening she pointed and then again to the corpse, indicating plainly to the Englishman that it was her desire that the body be hidden here. But if he had been in doubt, she essayed to dispel it by grasping his sleeve and urging him in the direction of the body which the two of them then lifted and half carried and half dragged into the alcove. At first they encountered some difficulty when they endeavored to force the body of the man into the small space she had selected for it, but eventually they succeeded in doing so. Smith-Oldwick was again impressed by the fiendish brutality of the girl. In the center of the room lay a blood-stained rug which the girl quickly gathered up and draped over a piece of furniture in such a way that the stain was hidden. By rearranging the other rugs and by bringing one from the alcove she restored the room to order so no outward indication of the tragedy so recently enacted there was apparent.
These things attended to, and the hangings draped once more about the couch that they might hide the gruesome thing beneath, the girl once more threw her arms about the Englishman's neck and dragged him toward the soft and luxurious pillows above the dead man. Acutely conscious of the horror of his position, filled with loathing, disgust, and an outraged sense of decency, Smith-Oldwick was also acutely alive to the demands of self- preservation. He felt that he was warranted in buying his life at almost any price; but there was a point at which his finer nature rebelled.
It was at this juncture that a loud knock sounded upon the door of the outer room. Springing from the couch, the girl seized the man by the arm and dragged him after her to the wall close by the head of the couch. Here she drew back one of the hangings, revealing a little niche behind, into which she shoved the Englishman and dropped the hangings before him, effectually hiding him from observation from the rooms beyond.
He heard her cross the alcove to the door of the outer room, and heard the bolt withdrawn followed by the voice of a man mingled with that of the girl. The tones of both seemed rational so that he might have been listening to an ordinary conversation in some foreign tongue. Yet with the gruesome experiences of the day behind him, he could not but momentarily expect some insane outbreak from beyond the hangings.
He was aware from the sounds that the two had entered the alcove, and, prompted by a desire to know what manner of man he might next have to contend with, he slightly parted the heavy folds that hid the two from his view and looking out saw them sitting on the couch with their arms about each other, the girl with the same expressionless smile upon her face that she had vouchsafed him. He found he could so arrange the hangings that a very narrow slit between two of them permitted him to watch the actions of those in the alcove without revealing himself or increasing his liability of detection.
He saw the girl lavishing her kisses upon the newcomer, a much younger man than he whom Smith-Oldwick had dispatched. Presently the girl disengaged herself from the embrace of her lover as though struck by a sudden memory. Her brows puckered as in labored thought and then with a startled expression, she threw a glance backward toward the hidden niche where the Englishman stood, after which she whispered rapidly to her companion, occasionally jerking her head in the direction of the niche and on several occasions making a move with one hand and forefinger, which Smith-Oldwick could not mistake as other than an attempt to describe his pistol and its use.
It was evident then to him that she was betraying him, and without further loss of time he turned his back toward the hangings and commenced a rapid examination of his hiding place. In the alcove the man and the girl whispered, and then cautiously and with great stealth, the man rose and drew his curved saber. On tiptoe he approached the hangings, the girl creeping at his side. Neither spoke now, nor was there any sound in the room as the girl sprang forward and with outstretched arm and pointing finger indicated a point upon the curtain at the height of a man's breast. Then she stepped to one side, and her companion, raising his blade to a horizontal position, lunged suddenly forward and with the full weight of his body and his right arm, drove the sharp point through the hangings and into the niche behind for its full length.
Bertha Kircher, finding her struggles futile and realizing that she must conserve her strength for some chance opportunity of escape, desisted from her efforts to break from the grasp of Prince Metak as the fellow fled with her through the dimly lighted corridors of the palace. Through many chambers the prince fled, bearing his prize. It was evident to the girl that, though her captor was the king's son, he was not above capture and punishment for his deeds, as otherwise he would not have shown such evident anxiety to escape with her, as well as from the results of his act.
