'It might be interesting.'
'Think you could do Tarzan?'
'I might.'
'Dangerous part. I wouldn't want any of it in mine.'
'I think I'll go over.' He turned toward the street.
'Say, old man,' said Reece, 'could you let me have ten until Saturday?'
The casting director sized Clayton up. 'You look all right to me; I'll take you up to Mr. Goldeen; he's production manager. Had any experience?'
'As Tarzan?'
The casting director laughed. 'I mean in pictures.'
'No.'
'Well, you might be all right at that. You don't have to be a Barrymore to play Tarzan. Come on, we'll go up to Mr. Goldeen's office.'
They had to wait a few minutes in the outer office, and then a secretary ushered them in.
'Hello, Ben!' the casting director greeted Goldeen. 'I think I've got just the man for you. This is Mr. Clayton, Mr. Goldeen.'
'For what?'
'For Tarzan.'
'Oh, m-m-m.'
Goldeen's eyes surveyed Clayton critically for an instant; then the production manager made a gesture with his palm as though waving them away. He shook his head. 'Not the type,' he snapped. 'Not the type, at all.'
As Clayton followed the casting director from the room the
'I'll tell you what,' said the casting director; 'there may be a minor part in it for you; I'll keep you in mind. If anything turns up, I'll give you a ring. Good-bye!'
Later in the day as Clayton was looking through an after-noon paper he saw a banner spread across the top of the theatrical page: cyril wayne to Do tarzan. famous adagio dancer signed by prominent pictures for stellar role in forthcoming production.
A week passed. Clayton was preparing to leave California and return home. The telephone in his room rang. It was the casting director at Prominent Pictures. 'Got a bit for you in the Tarzan picture,' he announced. 'Be at the studio at seven-thirty tomorrow morning.'
Clayton thought a moment. 'All right,' he said; 'seven-thirty.'
He felt that it might be an interesting experience that would round out his stay in Hollywood.
'Say, you,' shouted the assistant director, 'what's
'Clayton.'
'Oh, you're the guy that takes the part of the white hunter that Tarzan rescues from the lion.'
Cyril Wayne, garbed in a loin cloth, his body covered with brown make-up, was eyeing Clayton and whispering to the director, who now also turned and looked.
'Geeze!' exclaimed the director. 'He'll steal the picture. What dumb-egg ever cast him?'
'Can't you fake it?' asked Wayne.
'Sure, just a flash of him. We won't show his face at all. Let's get busy and rehearse the scene. Here, you, come over here. What's your name?'
'Clayton.'
'Listen, Clayton. You're supposed to be comin' straight toward the camera through this jungle in the first shot. You're scared stiff; you keep lookin' behind you. You're about all in, too; you stagger like you was about ready to fall down. You see, you're lost in the jungle. There's a lion stalkin' you. We'll cut the lion shots in. Then in the last scene the lion is right behind you—and the lion's really in this scene with you, but you needn't be scared; he won't hurt you. He's perfectly tame and gentle. You scream. You draw your knife. Your knees shake. Tarzan hears you and comes swinging through the trees. Say, is that double here that's goin' to swing through the trees for Cyril?' he interrupted himself to address his assistant. Assured that the double was on the set, he continued, 'The lion charges; Tarzan swings down between you and the lion. We get a close up of you there; keep your back to the camera. Then Tarzan leaps on the lion and kills it. Say, Eddie, has that lion tamer that's doublin' for Cyril in the kill got his make-up on even? He looked lousy in the rushes yesterday.'
'Everything's all O.K., Chief,' replied the assistant.
'All ready then—everybody!' yelled the director. 'Get in there, Clayton, and remember there's a lion behind you and you're scared stiff.'
The rehearsal was satisfactory and the first shots pleased the director; then came the big scene in which Wayne and Clayton and the lion appeared. The lion was large and handsome. Clayton admired him. The trainer cautioned them all that if anything went wrong they were to stand perfectly still, and under no circumstances was any one to touch Leo.
The cameras were grinding; Clayton staggered and half fell. He looked fearfully behind him and uttered a scream of terror. Cyril Wayne dropped from the branch of a low tree just as the lion emerged from the jungle behind Clayton. And then something went wrong.
The lion voiced an ugly roar and crouched. Wayne, sensing danger and losing his head, bolted past Clayton; the lion charged. Leo would have passed Clayton, who had remained perfectly still, and pursued the fleeing Wayne ; but then something else happened.
Clayton, realizing more than any of the others the danger that menaced the actor, sprang for the beast and leaped upon its back. A powerful arm encircled the lion's neck. The beast wheeled and struck at the man-thing clinging to it, but the terrible talons missed their mark. Clayton locked his legs beneath the sunken belly of the carnivore. The lion threw itself to the ground and lashed about in a frenzy of rage.
With his hideous growls mingled equally bestial growls from the throat of the man. The lion regained its feet and reared upon its hind legs. The knife that they had given Clayton flashed in the air. Once, twice, three times it was driven deep into the side of the frenzied beast; then Leo slumped to the ground, shuddered convulsively and lay still.
Clayton leaped erect; he placed one foot upon his kill and raised his face to the heavens; then he checked himself and that same slow smile touched his lips.
An excited man rushed onto the set. It was Benny Goldeen, the production manager.
'My God!' he cried. 'You've killed our best lion. He was worth ten thousand dollars if he was worth a cent. You're fired!'
The clerk at The Roosevelt looked up. 'Leaving us, Mr. Clayton?' he asked politely. 'I hope you have enjoyed Hollywood.'
'Very much indeed,' replied Clayton; 'but I wonder if you could give me some information?'
'Certainly; what is it?'
'What is the shortest route to Africa?'
THE END
