metal, of wood, and of ivory, completed his barbaric costume. But it was not these things that riveted the girl's attention, but rather the divine face and form of the youth.
At first Jane felt that she had never looked upon a more beautiful countenance. An oval face was surmounted by a wealth of golden hair; below a high, full forehead shone luminous dark eyes that glowed with the fires of keen intelligence. A perfect nose and a short upper lip completed the picture of divine beauty that was marred and warped and ruined by a weak, cruel mouth.
Until she noticed that mouth, hope had leaped high in Jane's breast that here she and Annette might find a benevolent protector rather than the cruel savage they had expected Kavandavanda to be.
The man's eyes were fixed upon her in a steady stare. He, too, was appraising; but what his reaction, his expression did not reveal.
'Kneel!' he commanded suddenly, in imperious tones.
'Why should I kneel?' demanded Jane. 'Why should I kneel to you?'
'I am Kavandavanda.'
'That is no reason why an English woman should kneel to you.'
Two of the fat, black slaves started toward her, looking questioningly at Kavandavanda.
'You refuse to kneel?' asked the youth.
'Most certainly.'
The slaves were still advancing toward her, but they kept one eye on Kavandavanda. He waved them back. A strange expression twisted his lips. Whether it was from amusement or anger, Jane could not guess.
'It pleases me to discuss the matter,' said the youth; then he commanded Ogdli and Annette to rise. 'You brought in both of these prizes, Ogdli?' he asked.
'No,' replied Ogdli. 'Ydeni brought this one.' He gestured toward Annette. 'I brought the other.'
'You did well. We have never had one like her—she contains the seeds of beauty as well as youth.' Then he turned his eyes upon Jane once more. 'Who are you?' he demanded, 'and what were you doing in the country of the Kavuru?'
'I am Jane Clayton, Lady Greystoke. I was flying from London to Nairobi when our ship was forced down. My companions and I were trying to make our way to the coast when this girl and myself were captured by your warriors. I ask that you release us and give us guides to the nearest friendly village.'
A crooked smile twisted the lips of Kavandavanda. 'So you came in one of those devil birds,' he said. 'Two others came yesterday. Their dead bodies lie beside their devil bird outside the city gates. My people are afraid of the devil bird; they will not go near it. Tell me, will it harm them?'
The girl thought quickly before she replied. Perhaps she might turn their superstitious fear to her advantage. 'They had better keep away from it,' she advised. 'More devil birds will come, and if they find that you have harmed me or my companion they will destroy your village and your people. Send us away in safety, and I will tell them not to bother you.'
'They will not know that you are here,' replied the youth. 'No one knows what happens in the village of the Kavuru or the temple of Kavandavanda .'
'You will not set us free?'
'No. No stranger who enters the gates of the village ever passes out again—and you, least of all. I have had many girls brought to me, but none like you.'
'You have plenty of girls here. What do you want of me?'
His eyes half closed as he regarded her. 'I do not know,' he said in a voice scarce raised above a whisper. 'I thought that I knew, but now I am not sure.' Suddenly he turned his eyes upon Ogdli. 'Take them to the room of the three snakes,' he commanded, 'and guard them there. They cannot escape, but see that they do not try. I don't want anything to happen to this one. Medek will show you the way,' he nodded toward one of the fat blacks standing near the dais.
'What was all the talk about, madame?' asked Annette, as they were being led through the temple by Medek.
Jane told her, briefly.
'The room of the three snakes!' repeated Annette. 'Do you suppose there are snakes in the room?' She shuddered. 'I am afraid of snakes.'
'Look above the doors of the rooms we pass,' suggested Jane. 'I think you will find the answer to your question there. There is a doorway with a boar's head above it. We just passed one with two human skulls over the lintel; and there, on the other side of the corridor, ahead, is one with three leopards' heads. It is evidently their way of designating rooms, just as we number them in our hotels. I imagine it has no other significance.'
Medek led them up a flight of rude stairs and along a corridor on the second floor of the temple and ushered them into a room above the doorway of which were mounted the heads of three snakes. Ogdli entered the room with them. It was a low ceiled room with windows overlooking the courtyard that surrounded the temple.
Annette looked quickly around the apartment. 'I don't see any snakes, madame,' she said, with evident relief.
'Nor much of anything else, Annette. The Kavuru don't waste much thought on furniture.'
'There are two benches, madame, but no table and not a bed.'
'There's the bed over in the corner,' said Jane.
'That's just a pile of filthy skins,' objected the French girl.
'Nevertheless, it's all the bed we'll get, Annette.'
'What are you talking about?' demanded Ogdli. 'Don't think that you can escape. You haven't a chance; so there's no sense in planning anything of the sort.'
'We weren't,' Jane assured him. 'We can't escape unless you'll help us. I was so glad when Kavandavanda said that you were to guard us. You know, you are the only friend we have, Ogdli.'
'Did you see how Kavandavanda looked at you?' the man demanded, suddenly.
'Why no, not particularly,' replied Jane.
'Well, I did; and I've never seen him look that way at a captive before. Neither did I ever know him to permit a person to stand before him without first kneeling. I believe that you have bewitched him, too. Did you like him, woman?'
'Not as well as I like you, Ogdli,' whispered the girl.
'He can't do it!' exclaimed the man. 'He's got to obey the law the same as the rest of us.'
'Do what?' demanded Jane.
'If he tries it, I'll—' A noise in the corridor silenced him, and just in time. The door was swung open by a slave, and as he stood aside the figure of Kavandavanda was revealed behind him.
As he entered the room Ogdli dropped to his knees. Annette followed his example, but Jane remained erect.
'So you won't kneel, eh?' demanded Kavandavanda. 'Well, perhaps that is the reason I like you—one of the reasons. You two may arise. Get out into the corridor, all of you except this one who calls herself Jane. I wish to speak with her alone.'
Ogdli looked Kavandavanda straight in the eyes. 'Yes,' he said; 'yes, high priest of the priests of Kavuru, I go; but I shall be near.'
Kavandavanda flushed momentarily in what seemed anger, but he said nothing as the others passed out into the corridor. When they had gone and the door had been closed, he turned to Jane. 'Sit down,' he said, motioning toward one of the benches; and when she had, he came and sat beside her. For a long time he looked at her before he spoke, his eyes the eyes of a dreamer of dreams. 'You are very beautiful,' he said, at last. 'I have never seen a creature more beautiful. It seems a pity, then; it seems a pity.'
'What seems a pity?' demanded the girl.
'Never mind,' he snapped, brusquely. 'I must have been thinking aloud.' Again, for a space, he was silent, sunk in thought; and then: 'What difference will it make. I may as well tell you. It is seldom that I have an opportunity to talk with anyone intelligent enough to understand; and you will understand—you will appreciate the great service you are to render—if I am strong. But when I look at you, when I look deep into those lovely eyes, I feel weak. No, no! I must not fail; I must not fail the world that is waiting for me.'
'I do not understand what you are talking about,' said the girl.
'No, not now; but you will. Look at me closely. How old do you think I am?'
