And then she heard something singing along with it.
At first she thought it was Naomi, unlikely as that was; it was a low hum of sound, elegant and just at the edge of her hearing. Then she thought it was the truck’s radio, or maybe a CD playing, but turning the dial didn’t bring up the sound.
She should have known it was the draug, but something kept her from remembering that. Instead, she found herself gradually turning the wheel toward the sound, hunting for it, trying to understand what that song was, a song she knew and loved and could
As she was gliding into a slow right-hand drift toward the infected part of town, a drift that would take them on a wide turn into a main street, Naomi suddenly reached out and grabbed the wheel in a bone white hand, wrenching it back the other way. Holding it there.
Claire stomped on the brakes, suddenly and violently aware, and glared at her. From the back of the pickup she heard a metallic clang as Shane’s back hit the cab of the truck, and then an outraged, “Hey!
“I must adjust frequencies,” Naomi said, and twisted knobs on the device she’d taken out of her pocket again; suddenly the faint singing faded into a blessed white-noise silence. “You need to be careful, Claire. If you hear them, then they hear you—sense you, at any rate. Magnus has a taste of you now. He’s curious about your return. You don’t want to be in his hands again.”
Magnus. The head of the draug—their master, as Claire understood it. They all looked identical, but there was something about Magnus that was just more … there. A kind of density that pulled everyone around him into the dark.
“The point is
Claire was a little bit ashamed to think that it wasn’t, but she only said, “One or two.”
“You remember Odysseus, lashed to the mast of his ship, screaming to be released while his men rowed on, with wax blocking their ears?”
She did. It had been one of the stories her dad liked, one he’d read to her and they’d discussed when she was still just a girl. All of the great Greek myths, especially the ones about Odysseus. She’d always liked him. He was clever and dangerous, and he didn’t have any special godlike powers, either. Just his mind, and his will.
Listening to the sirens’ singing had been his own test.
“Odysseus was rarely a fool,” Naomi said, “but he was a fool then. That was the draug, singing to him, though the Greeks had a different name for them. He wanted to hear their song, and he did; he was lucky to avoid madness.”
Shane slid the back window open and stuck his head in. “Ladies, I’m sure this a fascinating conversation about shoes or whatever, but could we maybe not sit out here like a big old piece of bait? And by
He was right; this probably wasn’t the best time to be holding a review of the classics. Claire cleared her throat and put the truck back into gear to ease it straight down the road, in the direction Naomi pointed.
It was odd to realize, looking at her, that Naomi wasn’t much older than Claire herself; she must have been frozen at the age of eighteen or nineteen. Of course, at the time
Naomi suddenly pointed to the right. The street name sign flashed briefly in the truck’s headlights but Claire didn’t really see it; everything in Morganville looked strange to her, shrouded by the falling rain and the lack of lights, and life. This was a residential street, and it looked completely deserted. Not even a candle flickering in a window, much less anyone in view outside.
Naomi’s hand clenched into a fist, and Claire drifted the truck to the curb and stopped—gently this time, careful of throwing Shane around in the back. He opened the back window again and watched as the vampire pointed straight at one of the houses in the middle of the block. It was just like a hundred other houses in Morganville—plain wooden frame, built probably in the 1940s, small by modern standards. Its pale paint (no telling what color it had originally been, since the sun faded everything to a uniform gray) peeled liberally from the boards, and some of the trim was rotted and falling off. There was a rusted bicycle lying in the weed-tangled yard and a metal swing set that listed so far to the right any child that sat on it would probably be killed in the collapse.
Typical.
The name on the mailbox, written in messy black paint, was SUMMERS, but there was nothing in the box itself when Shane snapped it open. He shrugged and closed it, then unshipped the flexible hose of the flamethrower from behind him.
Claire mouthed,
The front door—plain wood, warped from wind and weather—was tightly closed. Naomi studied it for a moment, then kicked, and the entire door
Even Shane looked respectfully impressed … until she stopped at the threshold. She made a sign shooing them inside, and Claire finally understood that there was still some kind of barrier in place on the house itself. Someone—someone human—was still in residence here, and without an invitation Naomi was barred from entry. The rules of ownership were complicated in Morganville—ancestral houses and bloodlines, current occupants, whether vampires lived inside, all factored in, but clearly this was a human house, with a human barrier that kept vampires out, period.
Great. Well, at least she’d opened the door.
Shane must have figured it out, too, because he nodded to Claire, winked, and stepped through the doorway, walking on the unsteady fallen door itself. There was a faint dust of plaster in the air, and Claire sneezed, but she didn’t figure they were being particularly stealthy, what with the door blowing in and all. Shane was holding his shotgun easily, pointed at an angle toward the floor, so she imitated him. The wisdom of that became apparent when she tripped; she realized, with a cold start, that if she’d had the shotgun pointed up, near her face, she might have killed herself if she’d hit the trigger.
Shane checked the open room on the left, and she took the room on the right. Whoever had lived here, they hadn’t been more concerned with the inside of the house than the outside; it needed work, badly. The ceiling was sagging as if there’d been a bad leak that was dissolving the plaster. In fact, she could see water drops running down the wall from the light fixture, which wouldn’t have been safe if the power had been on. Even on its best days, though, this house would have earned a failing score on any of those how-clean-is-your-home reality shows; it smelled of mold and rotten food, and it felt icy cold. The furniture had the off-kilter look of a nightmare, and where there were children’s toys, they too had the look of something a serial-killing tot would drag around.
This did not look like a place where one would find Theo Goldman. Not at all.
She and Shane searched the whole house, even the attic, which revealed a bucket-sized hole in the roof through which water continued to drip. No wonder the place was falling apart. But no sign of anyone, human or vampire.
“This place needs housekeeping,” Shane said. “With my flamethrower.” It was a sign of just how bad things were that
She looked up to smile at him, and although she heard nothing, she saw the sudden dawning of shock and alarm in his face, and had just enough time to gasp and try to turn around before a heavy, sweaty, muscular arm went around her neck and jerked her off balance. Shane instantly put the shotgun up to a firing position, but then realized what he was doing and put it down again. He set it carefully on the table and held up both hands in an