interview, which was aired in its entirety, but another interview which Montalbano hadn't expected with the manager of the Publi-2000 agency of Palermo, which Zito had tracked down easily, since it was the only advertising agency in western Sicily that had an airplane available for publicity.
The manager, still visibly excited, recounted that a beautiful young woman
Montalbano relished it all. He had advised Ingrid: You must make yourself even more beautiful than usual. That way, when they see you, they won't know what's what anymore.
TeleVig went wild with the story of the mysterious beauty, calling her Nefertiti resurrected and cooking up a fanciful story intertwining the pyramids with the Crasticeddru; but it was clear they were following the lead set by Nicolto's story on their competitors news program. Even the regional RAI news gave the matter extensive coverage.
Montalbano was getting the uproar, the commotion, the resonance he had sought. His idea had turned out to be right.
...
'Montalbano? It's the commissioner. I just heard about the airplane. Congratulations. A stroke of genius.'
'The credit goes to you. It was you who told me to carry on, remember? I'm trying to flush our man out. If he doesn't turn up reasonably soon, it means hes no longer among us.'
'Good luck. Keep me posted. Oh, it was you, of course, who paid for the plane?'
'Of course. I'm counting on my promised bonus.'
...
'Inspector? This is Headmaster Burgio. My wife and I are speechless with admiration. What an idea.'
'Let's hope for the best.'
'Don't forget, Inspector: if Lillo should turn up, please let us know.'
...
On the midnight edition of the news, Nicolto devoted more time to the story and showed photos of the two corpses in the Crasticeddru, zooming in on the images in detail.
Zito isolated the body of the young man, whom he called Mario, then that of the young woman, whom he called Lisetta. Then he showed the airplane dropping rose petals and gave a close-up of the words on the strips of paper. From here he went on to weave a tale that was part mystery, part tearjerker, and decidedly not in the Free Channel style, but rather more like TeleVig fare. Why were the two young lovers killed? What sad fate led them to that end? Who was it that took pity on them and set them up in the cave? Had the beautiful woman who showed up at the advertising agency perhaps returned from the past to demand revenge on the victims behalf ? And what connection was there between this beauty and the two kids from fifty years ago? How were we to understand the word reawakened? And how did Inspector Montalbano happen to know even the name of the terra- cotta dog? How much did he know about this mystery?
'Salvo? Hi, it's Ingrid. I hope you didn't think I ran off with your money.'
'Come on! Why, was there some left?'
'Yes. The whole thing cost less than half the amount you gave me. I've got the rest with me. I'll give it back to you as soon as I return to Montelusa.'
'Where are you calling from?'
'Taormina. I met someone. I'll be back in four or five days. Did I do a good job? Did it go they way you wanted?'
'You did a fantastic job. Have fun.'
'Montalbano? It's Nicolto, did you like the reports? I think I deserve some thanks, no?'
'For what?'
'For doing exactly what you wanted.'
'But I didn't ask you to do anything.'
'That's true, not directly, at least. Except that I'm not stupid, and so I gathered that you wanted the story to get as much publicity as possible and to be presented in a way that would touch peoples hearts. I said things I will never live down for the rest of my life.'
'Well, thanks, even though, I repeat, I still don't know why you want me to thank you.'
'You know, our switchboard has been overwhelmed with phone calls. The RAI, Fininvest, Ansa, and all the national newspapers have asked for a videotape of the report. You've made quite a splash. Can I ask you a question?'
'Sure.'