Oscar and Lucinda

or a year and then return to find your hens in good condition. You will have mite and pullorum rampant, the water run out, your best layer dead from a dog, your rooster wounded by goannas-the list is not intended to be exact, merely an indication, but the point is, you cannot do it. And if you want to see Venice, Florence and the Old World, then first eat your chooks, or sell them, and then you will know you will have nothing worse to come back to than a chookyard full of rank

weed.

Lucinda did not know this. Or if she did, she managed to pretend that she did not. She was off to London to be married (although she fully intended that she would-God knows how-return. She imagined a certain type of husband who would make this possible). She thought she could leave the country for a year and entrust the Prince Rupert's Glassworks to the care of others. Note the plural. This compounded the error, for if there is anything worse than leaving your business in the care of one person, it is leaving it in the care of two and if there is anything worse than two people, it is to do what Lucinda Leplastrier did-she left her business in the care of three people, and only one of them with any practical experience of glass.

It is true that the vicar of Woollahra had some knowledge of the chemical composition of glass, but he was the last one to claim himself a manufacturer, and he shared with Wardley-Fish a dislike

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of dirt. He could not bear to have it on his hands. He did not like to be in places-even the ragged school he preached at every third Monday morning-where other people had it on their hands. When he was in the glassworks he could not concentrate.

If Dennis Hasset had imagined himself actually responsible for the well-being of the glassworks he would-for he was a conscientious man-have declared himself unfit. But he knew that Lucinda had also asked her accountant, Mr d'Abbs of d'Abbs and Fig, to keep an eye on the business. He was to bank the incomings, pay the billings and the wages. For all this he was to receive a fee. The Reverend Mr Hasset was to receive no fee. He was a friend. He was there to 'keep an eye on things.'

Lucinda had asked both of these parties to trust the opinions of her senior blower, Arthur Phelps, who not only knew something about the manufacture of glass, but, being the senior blower, was therefore the natural leader of the men in the works. There is a deeply ingrained hierarchy amongst glass workers, and the senior blowers are its aristocrats. You would only need to watch Arthur Phelps to know that this was true, to see him, with the blowing tube in his mouth, his cheeks distended like a trumpet player, move his ciagrette from his left-hand side of his mouth andwith no manual help at all-'walk' it around the tube and thence to the right corner. Mr d'Abbs was a natty little chap whose dress (a blue corduroy suit, a woollen tie, a curly walking stick, perhaps) suggested more of the aesthete than the accountant. He painted a little, and had tried his hand at verse, but he was not sensitive to Arthur Phelps's displays of skill. He did not 'see' the set-up at the works at all. Neither, no matter what his other good qualities were, did the vicar of Woollahra.

Arthur Phelps was a broad man with a plastic face, a big chest and a large belly which he liked to refer to as his bellows. He took his responsibility seriously and he felt himself abandoned by Lucinda and mucked about by the other two. He was forever being given contrary instructions and his sleep was ruined as a result. (Mr d'Abbs would not have credited that an ignorant working man, a grog-artist at that, would behave in such a way.) Arthur Phelps tossed and turned in his bed at night until his wife went to sleep with the children in the kitchen. He worried that they were making too many poison blues and insufficient beers, that their sand would 228

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run out before Mr d'Abbs's clerks paid the carter for the last load and thereby ensured the next, that the vase footings were of a style gone out of fashion, that Mr d'Abbs wanted a greater production,

Ivhilst the vicar of Woollahra, the very next day, would come pokng about with his umbrella, opening a door at the wrong moment, etting in a draught that wrecked a jug handle, and holding up jroduction while he worried at Arthur about the 'seeds,' those iny air bubbles, which had lately been appearing in their products. This seediness was offensive to Arthur, too. He was ashamed >f it. But it was produced by nothing other than the taste induced >y Mr d'Abbs. No one appreciated how hard the lads were workng, or with what will. It was not for the Natty Gent or the Bible>asher that they did it, but for Miss Lucinda. They talked about 1er fondly. And if they were as patronizing as fathers and brothers, hey were also as protective. They tried to satisfy the demands of icr advisers. They tried to work quickly, even though the corntxands were given in an ignorant manner, with no respect for craft f or the status of the craftsmen. As a result of this haste a young gob-gatherer had his lungs burnt and this, whilst always a possibility, never happens in a well-run works. He was not a silly lad, but helpful. They took up a subscription but Mr d'Abb's contribution was insufficient. It was all wrong. It was because of this that Arthur began to weep. It was from imagining what would happen to the lad, worrying when the clay would arrive for the new crucible, how the twenty gross of seedy

'poisons' would be sold. He was sitting on his stool. The second gatherer was collecting from I the glory-hole. Arthur had a draught from his beer in readiness;. for the next blow. The gatherer handed him the rod, and it was then that he began to weep. The fireman, who had just come on, ran down to Sussex Street to fetch Mr d'Abbs, but the men thought so little of Mr d'Abbs that this did nothing but confirm their already low opinion of the fireman. Arthur said nothing to Mr d'Abbs. He blew his nose and drank his last pint of glassworks beer. He took a bottle for a souvenir, and Mr d'Abbs had the good sense not to attempt to stop him. They kept the furnaces going another week, but the works had lost their heart. Dennis Hasset saw what was happening, but did not even try to arrest the process. His mind was occupied with other matters. He was arraigned before the Bishop of Sydney to explain his sermons. 229

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Dennis Hasset held the Virgin birth to be unproved and inconsistent with the perfect humanity of Christ. He rejected the miracles of the Old Testament. He doubted many of the miracles of the New. He rejected the doctrine of verbal inspiration. He did not think there was sufficient evidence to prove the physical resurrection of Christ. He accepted Darwin's theory of evolution, not merely as it applied to insects and animals (at which point Bishop Dancer drew the line) but also as it applied to humankind. He described his position as Broad Church. Bishop Dancer knew this position by the earlier label of heresy. He was a churchman of the old Tory school and had no time for Evangelicals (on the Low side) or Puseyites (on what was known as the High). He could not tolerate genuflexion or vestments, and the sight of candlesother than for the purpose of illumination-had him doing little manoeuvres with his dental plate. He was of the roast-beef-andYorkshire-pudding school of theology, and thought the vicar of Woollahra's polite and reasonable sermons to be the beginning of the rot. He would like-to use plain language-to 'do him over' for heresy. But if this new Clerical Subscription Act would now prevent this, he would take him away from his fireplace and lamps at Woollahra, and send him up to the Bellinger River, to Boat Harbour in the Parish of Never-Never, where he would find his parishioners about as sympathetic as those at Home during the Reform Bill (a time the Bishop remembered all too well-he had been pelted with turnips and had his windows broken). Boat Harbour was filled with foul-mouthed sawyers, ex-convicts to a man, and was, as far as Bishop Dancer could gather, a little hell on earth. In the face of these difficulties the Reverend Mr Hasset's faith might yet be reborn, or so, in any case, the Bishop managed to persuade himself. When Lucinda arrived at the Woollahra vicarage on the Tuesday

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before Palm Sunday, she knew none of this. She was in an emotional state for reasons of her own. She did not know if she had come to censure Dennis Hasset for what she had just found at her glassworks or if she was here to seek comfort in the face of this same catastrophe. All the way across the town-and what a tiny town it now appeared to be-she had thought of sarcastic and bitter things to say to him. But as she dismounted outside the vicarage (which was also meaner than her memory had allowed) she was suddenly fearful-perhaps it was the dullness of the red brick, the hollow shadow of the front verandathat the state in which she had found her works was the result of some personal tragedy that had befallen her friend.

She had found the Prince Rupert's Glassworks deserted, its crucible gone grey and lifeless, the metal set hard inside them. Under the glass blower's wooden throne she found a miaowing kitten with pus-filled eyes and paralysed back legs, a creature in so parlous a state that Lucinda, dressed in an ostrich-feathered hat and expensive black gloves, must take a heavy poker and, with her face twisted, her eyes closed, kill it. She felt the