what he wants and single-minded about how he’s going to achieve it.’
‘Which is it?’
She gave a small smile. ‘I don’t know, Phil. I’m not Derek Acorah.’
He laughed. ‘You’re better-looking, for a start.’
She closed her eyes, shook her head. ‘Stop it,’ she said. She looked irritated by his interruption, but a smile played round her lips. ‘Now concentrate. He must have had some contact with her. She wasn’t chosen at random. She was targeted, picked out for a purpose.’ She rubbed her hand across her mouth. It was something she did unconsciously when she was thinking. Phil smiled inwardly at the memory. It was an endearing trait, he thought. ‘But…’ She took her hand away. ‘That doesn’t necessarily mean she was intimate with him.’
‘Why not?’
‘Well, most killings like this are sexual in nature. And I don’t get a sexual feeling from this.’
Phil couldn’t stop himself smiling. ‘That’s reassuring.’
Marina blushed. ‘You know what I mean,’ she said, trying to cover her reddening face. Eventually she smiled too.
‘Right. So it’s not Brotherton, then?’
‘I don’t think so.’ She shook her head. ‘He doesn’t feel right. But… you never know. I may be wrong. It has been known.’
‘Not in my experience.’
‘Charmer.’
She looked at him once more and there was that connection again. She smiled, and as she did so, her features relaxed, tension leached from her body and her eyes became lit not just by warmth but by an inner light. It was a light Phil hadn’t seen for a long time. He moved towards her, smiling also.
‘Marina, I’ve…’
Suddenly the light was extinguished.The tension returned, like an invisible barrier had once again been erected.
‘Please, Phil,’ she said, her voice strong but not harsh. ‘Please. Don’t.’
‘But-’
‘Just don’t. Please.’
Phil felt exasperation build within him. He had to say something, whether she wanted to hear it or not. Whether she had given him permission to speak or not. ‘Listen, Marina. It’s been months now.You just-’
‘Phil, don’t. I can’t talk about it now. Please.’
‘But-’
‘No. We can’t – I can’t have this discussion now.’
‘Why not?’
‘Because…’ She pulled her coat around herself once more. Another barrier, thought Phil. Another shield. ‘I just can’t. Not at the moment.’
‘When, then?’
‘We will talk,’ she said. ‘But not yet.You’ll have to wait.’
‘For what?’
‘Until I’m ready.’
He just looked at her. She was irritating, she was a control freak, she was mouthy, she was arrogant. He sighed. She was beautiful, she was warm, she was witty, she was brilliant. He knew how he felt about her. It had never changed. He said nothing. Just nodded. He couldn’t blame her.
To take his mind off Marina, he looked once more round the flat. ‘Murder scenes always make me feel lonely,’ he said.
She looked at him, frowning, bemused.
The words surprised him. He didn’t know he had been thinking them and certainly wasn’t aware he was going to articulate them. Unsure as to why he was talking, he continued. ‘Yeah.’ He nodded, looking round. ‘Lonely. Depressing. I mean, beyond the obvious, you know.’
Marina seemed grateful for the change in subject and jumped on his words. ‘In what way?’
‘Well…’ He felt suddenly shy talking about it. But if there was anyone he could share an intimacy with, even a verbal one, it was Marina. Wherever they were at with each other. ‘It’s like… office buildings at night when the workers have left for the day. Or… theatres when the play’s finished and everyone’s gone home.’
‘When do you go to the theatre?’
He blushed. ‘You don’t know everything about me, you know.’
‘Clearly.’
‘But it is,’ he said, warming to his theme now. ‘You know in the theatre when they turn the stage lights off after a show and put the working ones on. To reset the stage and stuff. It’s really bleak. Depressing. Like the thing that gave the place life, the play, the actors, the audience, whatever, has gone. And you’re still there. And you shouldn’t be, you should have gone with them. But you are there, on your own, and you’ve got to keep going.’
She looked at him, frowning. Gave a small nod of her head. ‘I know what you mean,’ she said.
He nodded also, wondering if she did know what he meant. Wondering also whether he had still been talking about crime scenes.
‘I think I’ve seen everything for tonight,’ she said. ‘D’you mind giving me a lift home, or should I call a cab?’
‘I’ll take you home.’
He turned the lights off and they left the flat.
Dark and empty. A stage set with no actors.
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