The Final Solution: A Story of Detection

down from the train, the old man reached over with a crooked trembling arm and tugged the oilcloth hood from the cage, revealing with a conjuror's flourish the scarlet tail, the powerful black bill, the bottomless black eyes, the legs of red.

The boy smiled.

Mr. Panicker ruffled his hair, a little stiffly. Then he turned to face his wife.

'Well done, Mr. Panicker,' she said, and she offered him her hand.

The boy took the cage from Mr. Panicker, and lowered it to the platform. He worked the wire latch, opened the cage door, and thrust in his hand and arm. Bruno stepped nimbly on, and then as the boy drew him out, inched his way up the dark blue sleeve to the shoulder, where, in an echo conscious or accidental of the vicar's awkward gesture of a moment before, he worked his bill tenderly through the dark curls above the boy's right ear.

Mrs. Panicker watched for a moment, her own smile at the sight of bird and boy reunited both ironic and wistful, as one might contemplate the salt and pepper shakers or fa­vorite pair of socks that alone survived the burning of one's house to the ground. Then she turned to the inspector.

'So is he rich, then?' she said.

'He very well might be,' Inspector Bellows said. 'But so far as we-or, I might add, as Mr. Kalb-has been able to determine, those endless digits of the bird's do not in fact represent numbered Swiss bank accounts. Even though Kalb had his brother working overtime in Zurich trying to track them down.' Mrs. Panicker nodded. She had sus­pected as much. She went over to stand with her husband, the boy, and Bruno.

'Hello,' the parrot said.

'Hello, yourself,' she said to the parrot.

'I doubt very much,' the old man said, 'if we shall ever learn what significance, if any, those numbers may hold.'

It was not, heaven knew, a familiar or comfortable admis­sion for the old man to make. The application of creative in­telligence to a problem, the finding of a solution at once dogged, elegant, and wild, this had always seemed to him to be the essential business of human beings-the discovery of sense and causality amid the false leads, the noise, the trackless brambles of life. And yet he had always been haunted-had he not?-by the knowledge that there were men, lunatic cryptog­raphers, mad detectives, who squandered their brilliance and sanity in decoding and interpreting the messages in cloud for­mations, in the letters of the Bible recombined, in the spots on butterflies' wings. One might, perhaps, conclude from the ex­istence of such men that meaning dwelled solely in the mind of the analyst. That it was the insoluble problems-the false leads and the cold cases-that reflected the true nature of things. That all the apparent significance and pattern had no more intrinsic sense than the chatter of an African gray parrot. One might so conclude; really, he thought, one might.

At that moment the ground rumbled faintly, and in the distance, growing nearer, there was the cry of iron wheels against iron rails. A train was passing through the station, a freight, a military transport, its cars painted dull gray-green, carrying shells and hams and coffins to stock the busy de­pots of the European war. The boy looked up as it tottered past, slowing but not coming to a stop. He watched the cars, his eyes flicking from left to right as if reading them go by.

'Sieben zwei eins vier drei,' the boy whispered, with the slightest hint of a lisp. 'Sieben acht vier vier funf.'

Then the parrot, startled perhaps by the clamor of the passing train, flew up into the rafters of the station roof, where, in flawless mockery of the voice of a woman whom none of them would ever meet or see again, it began, very sweetly, to sing.