been a sniper. I had a feeling I wouldn't get far with her if she knew that. Sniping is cold- blooded murder. It's a necessary job and I had got used to it, but it is something I never want to, talk about. When I got my discharge, I had to look around for a new career. Shooting is my business. I have no other talents. When I saw the ad. that this school of shooting was in the market, I felt it was for me.
'Let's get married, Lucy,' I said to her. 'We can make a go of this school together. With your business training and my shooting, we can't miss . . . How about it?'
I saw the hesitation in her blue eyes, She was the kind of girl who dithered, not sure whether to go forward or to go back. I knew she loved me, but to her, marriage was a big step and she had to be pushed. I put pressure on her and turned on all my persuasive charm. Finally, after more dithering, she agreed.
So we got married and we bought the school. The first month was the sort of paradise I thought only came in dreams. I liked playing the boss-husband. Although she wasn't much of a cook and she would rather read historical romances than clean the bungalow, she was terrific in bed and she seemed to like being bossed around. Then, when the money didn't come in, when we had only these six old deadbeats paving us, between them, $103 a week and wasting my ammunition, I began to worry.
'It takes time . . . I must he patient,' I kept telling myself.
At the end of the fourth month, the position looked so bad, I decided Lucy had to accept some of the responsibility and I called this board meeting.
'We have to create a better image, honey,' I said. 'Then, somehow, we must advertise. The trouble is we are fifteen miles from Paradise City . . . that's fifteen miles too far. If people don't know we are here, why should they come to us?'
She nodded.
'Yes.'
'So I'll buy some paint and we'll smarten the place up. What do you say?'
She smiled.
'Yes . . . let's do it. It'll be fun.'
So on this bright late summer afternoon with a stiff breeze fanning the sand, the sea lapping the beach, the sun hot, the shadows growing long, we were both at work, slapping on paint.
I was working on the shooting gallery while Lucy worked on the bungalow. We had been at it since 05.00 with a break for coffee and another break for a ham sandwich. I was dipping my brush into the paint pot when I saw this black Cadillac come bumping up the dirt road that led to the gallery.
I put down the brush, hurriedly wiped my hands and stood up. I saw Lucy was going through the same motions. She too was looking hopefully at the big car as it came slowly up the drive, scattering sand and pebbles.
I could see two men in the back and the driver. All wore black, all had black slouch hats and they looked like three crows, sitting hunched up and motionless until the car pulled up within ten yards of the bungalow.
I started across the sand as a short, squat man got out of the car and paused to look around. The other passenger and the driver remained in the car.
Thinking back, I can see now that there was something menacing and vulture-like in the way this squat man stood, but that's thinking back. As I approached him, all I hoped for was this could be a profitable client. Why else, I asked myself, would he be here?
The squat man was looking at Lucy who was regarding him roundeyed, too shy to welcome him; then he looked towards me. His fat, swarthy face lit up with a smile that showed gold- capped teeth. He moved towards me, extending a small, fat hand.
'Mr. Benson?'
'That's me.' I shook hands. His skin was dry and felt like the back of a lizard. There was power in his fingers, but the grip was friendly without being challenging.
'Augusto Savanto.'
'Glad to meet you, Mr. Savanto.' Thinking back, this was the understatement of the year.
Augusto Savanto was around sixty years of age. I guessed he was Latin-American. His face was full and slightly pock-marked. He wore a straggly moustache that hid his top lip. He had flat, snake's eyes : genial, darting, suspicious and possibly cruel.
'I've heard about you, Mr. Benson. They tell me you are a fine shot.'
I glanced beyond him at the Caddy. The driver looked like a chimpanzee. He was small, very dark with a completely flat face, deep set tiny eyes and hairy strong hands that rested on the driving wheel. I looked at the man in the passenger's seat. He was young, slim, swarthy and he wore big sun goggles, a black tight suit and a startlingly white shirt. He sat motionless, staring straight ahead, not looking at me.
'Well, I guess I shoot,' I said. 'What can I do for you, Mr. Savanto?'
'You teach shooting?'
'That's what I'm here for.'
'Is it difficult to teach someone to shoot well?'
I had been asked this question before and I gave him the cautious, stock answer.
'It depends what you call well and it depends on the pupil.'
Savanto took off his hat to reveal thin, greasy hair and a bald spot on the crown of his head. He stared into the hat as if expecting to find something hidden in it, waved it in the air, then replaced it on his head.
'How well do you shoot, Mr. Benson?'
