As I drove up the sandy road that led to the shooting school, I saw the gates were open. As I neared the bungalow I saw the red and blue Buick convertible that belonged to Detective Tom Lepski of Paradise City's police headquarters.
* * *
I slid out of the car, my heart thumping and I looked around. There was no sign of Lepski. I walked to the bungalow. The front door stood open. I entered the sitting-room. The table was laid for a meal. I went into the kitchen. On the stove was a frying pan with slices of ham, a saucepan of peas and another saucepan of water with a cup of rice near by. I walked into our bedroom. It was as I had left it. I looked into Lucy's closet. Her clothes were there. Nothing seemed missing.
I had a feeling of utter loneliness. This was the first time I had come home and not found her waiting for me.
I left the bungalow and headed for the shooting gallery. I had an idea I would find Lepski there. I was right. As I approached, he appeared in the doorway of the lean-to.
His cold quizzing eyes met mine.
'Hi ! I was going to put in an alarm about you.'
I forced myself to meet the probing stare.
'Alarm? What do you mean?'
'I found this place deserted. I thought something was wrong.'
'Nothing's wrong. What brings you here, Mr. Lepski?'
'I was passing. I promised Mrs. Benson a recipe for a chutney my old lady used to make. Where is she?'
I was sure he had been in the house, had seen the preparations for the meal and had sniffed around as only a trained cop can sniff around.
'I've just seen her off. A friend of hers is ill. We had a panic call.'
'That's tough.' He shook his head. 'When I got here and looked around it was like another Marie Celeste.'
'Another . . . who?'
He looked a little smug.
'The ship that was found deserted: meals on the table . . . no one aboard. I'm a
'Yeah, we had this panic call. We dropped everything and ran.'
'A friend of your wife's?'
'That's right.'
He eyed me.
'Who won?'
I gaped at him.
'Come again.'
'What was the fight about?'
I had forgotten my bruises and the cut under my eye.
'Oh, nothing. I got into an argument. I guess I flip my lid from time to time.'
'Some argument.' He rubbed the back of his neck and looked away from me. 'Your telephone isn't working.' His eyes swivelled back to me.
'It isn't?' I began to fumble for a cigarette, then changed my mind. That sort of move tells a cop he's making you nervous. 'One minute it works, the next it doesn't. You know how it is when you're as far out as we are.'
'The line's been cut.'
The back of my throat was turning dry.
'Cut? I don't understand that.'
'It's been cut.'
'Some kid . . . Kids around here are hell. I'll get it fixed. I had no idea.'
'Do you usually walk out of your home leaving the front door open?'
I was getting fazed with these questions. I decided it was time to stop him.
'If it doesn't worry me, why should it worry you?'
Lepski's face hardened. He became all cop.
'Folk who are that careless make a lot of work for the police. I'm asking you : do you usually walk out of your house and leave the door open?'
'I guess so. We're miles from anyone. We often sleep with the door open.'
He regarded me, his eyes bleak.
'And the kids around here are hell?'
I didn't say anything.
'When I got here and found no one,' he went on after a long pause, 'I looked around. Did Mrs. Benson take her things with her? I looked in the closets . . . that's routine, Mr. Benson. Seemed to me nothing is missing.'