snow to the station.. A VISION OF THE WORLD
His is being written in another seaside cottage on another coast. Gin and whiskey have bitten rings in the table where I sit. The light is dim. On the wall there is a colored lithograph of a kitten wearing a flowered hat, a silk dress, and white gloves. The air is musty, but I think it is a pleasant smell?heartening and carnal, like bilge water or the land wind. The tide is high, and the sea below the bluff slams its bulkheads, its doors, and shakes its chains with such power that it makes the lamp on my table jump. I am here alone to rest up from a chain of events that began one Saturday afternoon when I was spading up my garden. A foot or two below the surface I found a small round can that might have contained shoe polish. I pried the can open with a knife. Inside I found a piece of oilcloth, and within this a note on lined paper. It read, “I, Nils Jugstrum, promise myself that if I am not a member of the Gory Brook Country Club by the time I am twenty-five years old I will hang myself.” I knew that twenty years ago the neighborhood where I live had been farmland, and I guessed that some farmer’s boy, gazing off to the green fairways of Gory Brook, had made his vow and buried it in the ground. I was moved, as I always am, by these broken lines of communication in which we express our most acute feelings. The note seemed, like some impulse of romantic love, to let me deeper into the afternoon.
The sky was blue. It seemed like music. I had just cut the grass, and the smell of it was in the air. This reminded me of those overtures and promises of love we know when we are young. At the end of a foot race you throw yourself onto the grass by the cinder track, gasping for breath, and the ardor with which you embrace the schoolhouse lawn is a promise you will follow all the days of your life. Thinking then of peaceable things, I noticed that the black ants had conquered the red ants and were taking the corpses off the field. A robin flew by, pursued by two jays. The cat was in the currant hedge, scouting a sparrow. A pair of orioles passed, pecking each other, and then I saw, a foot or so from where I stood, a copperhead working itself out of the last length of its dark winter skin. What I experienced was not fright or dread; it was shock at my unpreparedness for this branch of death. Here was lethal venom, as much a part of the earth as the running water in the brook, but I seemed to have no space for it in my considerations. I went back to the house to get the shotgun, but I had the misfortune then to meet up with the older of my two dogs, a gun-shy bitch. At the sight of the gun she began to bark and whimper, torn unmercifully by her instincts and anxieties. Her barking brought the second dog, a natural hunter, bounding down the stairs, ready to retrieve a rabbit or a bird, and, followed by two dogs, one barking in joy and the other in horror, I returned to the garden in time to see the viper disappear into a stone wall.
After this I drove into the village and bought some grass seed and then went out to the supermarket on Route 27, to get some brioches my wife had ordered. I think you may need a camera these days to record a supermarket on a Saturday afternoon. Our language is traditional, the accrual of centuries of intercourse. Except for the shapes of the pastry, there was nothing traditional to be seen at the bakery counter where I waited. We were six or seven, delayed by an old man with a long list, a scroll of groceries. Looking over his shoulder I read, eggs, hors d’oeuvres. He saw me reading his document and held it against his chest like a prudent card player. Then suddenly the piped-in music changed from a love song to a cha-cha, and the woman beside me began to move her shoulders shyly and to execute a few steps. “Would you like to dance, madam?” I asked. She was very plain, but when I held out my arms she stepped into them, and we danced for a minute or two. You could see that she loved to dance, but with a face like that she couldn’t have had many chances. She then blushed a deep red, stepped out of my arms, and went over to the glass case, where she studied the Boston cream pies. I felt that we had made a step in the right direction, and when I got my brioches and drove home I was elated. A policeman stopped me at the corner of Alewives Lane, to let a parade go by. First to come was a young girl in boots and shorts that emphasized the fineness of her thighs. She had an enormous nose, wore a busby, and pumped an aluminum baton. She was followed by another girl, with finer and more ample thighs, who marched with her pelvis so far in advance of the rest of her that her spine was strangely curved. She wore bifocals and seemed terribly bored by this forwardness of her pelvis. A band of boys, with here and there a gray-haired ringer, brought up the rear, playing “The Caissons Go Rolling Along.” They carried no banners, they had no discernible purpose or destination, and it all seemed to me terribly funny. I laughed all the way home.
But my wife was sad.
“What’s the matter, darling?” I asked.
“I just have this terrible feeling that I’m a character in a television situation comedy,” she said. “I mean, I’m nice-looking, I’m well-dressed, I have humorous and attractive children, but I have this terrible feeling that I’m in black-and-white and that I can be turned off by anybody. I just have this terrible feeling that I can be turned off.” My wife is often sad because her sadness is not a sad sadness, sorry because her sorrow is not a crushing sorrow. She grieves because her grief is not an acute grief, and when I tell her that this sorrow over the inadequacies of her sorrow may be a new hue in the spectrum of human pain, she is not consoled. Oh, I sometimes think of leaving her. I could conceivably make a life without her and the children, I could get along without the companionship of my friends, but I could not bring myself to leave my lawns and gardens, I could not part from the porch screens that I have repaired and painted, I cannot divorce myself from the serpentine brick walk I have laid between the side door and the rose garden; and so, while my chains are forged of turf and house paint, they will still bind me until I die. But I was grateful to my wife then for what she had said, for stating that the externals of her life had the quality of a dream. The uninhibited energies of the imagination had created the supermarket, the viper, and the note in the shoe-polish can. Compared to these, my wildest reveries had the literalness of double- entry bookkeeping. It pleased me to think that our external life has the quality of a dream and that in our dreams we find the virtues of conservatism. I then went into the house, where I found the cleaning woman smoking a stolen Egyptian cigarette and piecing together the torn letters in the wastebasket.
We went to Gory Brook that night for dinner. I checked the list of members, looking for Nils Jugstrum, but he wasn’t there, and I wondered if he had hanged himself. And for what? It was the usual. Gracie Masters, the only daughter of a millionaire funeral director, was dancing with Pinky Townsend. Pinky was out on fifty thousand dollars’ bail for stock market manipulation. When bail was set, he took the fifty thousand out of his wallet. I danced a set with Millie Surcliffe. The music was “Rain,”
“Moonlight on the Ganges,”
“When the Red Red Robin Comes Bob Bob Bobbin’ Along,”
“Five Foot Two, Eyes of Blue,”
“Carolina in the Morning,” and “The Sheik of Araby.” We seemed to be dancing on the grave of social coherence. But while the scene was plainly revolutionary, where was the new day, the world to come? The
