“I can if I want.”

“I will stop your allowance.”

“I can get a job.”

“What kind of a job? You can’t type, you can’t take shorthand, you don’t know the first thing about any sort of business procedure, you can’t even run a switchboard.”

“I can get a job as a filing clerk.”

“Oh my God!” I roared. “Oh my God! After the sailing lessons and the skiing lessons, after the get-togethers and the cotillion, after the year in Florence and the long summers at the sea?after all this it turns out that what you really want is to be a spinster filing clerk with a low civil-service rating, whose principal excitement is to go once or twice a year to a fourth-rate Chinese restaurant with a dozen other spinster filing clerks and get tipsy on two sweet Manhattans.”

I fell back into my chair and poured myself some more whiskey. There was a sharp pain in my heart, as if that lumpy organ had weathered every abuse, only to be crippled by misery. The pain was piercing, and I thought I would die?not at that moment, in the canvas chair, but a few days later, perhaps in Bullet Park, or in some comfortable hospital bed. The idea did not alarm me; it was a consolation. I would die, and with those areas of tension that I represented finally removed, my only, only daughter would at last take up her life. My sudden disappearance from the scene would sober her with sorrow and misgiving. My death would mature her. She would go back to Smith, join the glee club, edit the newspaper, befriend girls of her own class, and marry some intelligent and visionary young man, who seemed, at the moment, to be wearing spectacles, and raise three or four sturdy children. She would be sorry. That was it, and overnight sorrow would show her the inutility of living in a slum with a stray.

“Go home, Daddy,” she said. She was crying. “Go home, Daddy, and leave us alone! Please go home, Daddy!”

“I’ve always tried to understand you,” I said. “You used to put four or five records on the player at Bullet Park, and as soon as the music began you’d walk out of the house. I never understood why you did this, but one night I went out of the house to see if I could find you, and, walking down the lawn, with the music coming from all the open windows, I thought I did understand. I mean, I thought you put the records on and left the house because you liked to hear the music pouring out of the windows. I mean, I thought you liked at the end of your walk to come back to a house where music was playing. I was right, wasn’t I? I understand that much?”

“Go home, Daddy,” she said. “Please go home.”

“And it isn’t only you, Flora,” I said. “I need you. I need you terribly.”

“Go home, Daddy,” she said, and so I did.

I had some supper in town and came home at around ten. I could hear Cora drawing a bath upstairs, and I took a shower in the bathroom off the kitchen. When I went upstairs, Cora was sitting at her dressing table, brushing her hair. Now, I have neglected to say that Cora is beautiful, and that I love her. She has ash-blond hair, dark brows, full lips, and eyes that are so astonishingly large, volatile, and engaging, so strikingly set, that I sometimes think she might take them off and put them between the pages of a book; leave them on a table. The white is a light blue and the blue itself is of unusual depth. She is a graceful woman, not tall. She smokes continuously and has for most of her life, but she handles her cigarettes with a charming clumsiness, as if this entrenched habit were something she had just picked up. Her arms, legs, front, everything is beautifully proportioned. I love her, and, loving her, I know that love is not a reasonable process. I had not expected or wanted to fall in love when I first saw her at a wedding in the country. Cora was one of the attendants. The wedding was in a garden. A five-piece orchestra in tuxedos was half hidden in the rhododendrons. From the tent on the hill you could hear the caterer’s men icing wine in wash buckets. She was the second to come, and was wearing one of those outlandish costumes that are designed for bridal parties, as if holy matrimony had staked out some unique and mysterious place for itself in sumptuary history. Her dress was blue, as I remember, with things hanging off it, and she wore over her pale hair a broad-brimmed hat that had no crown at all. She wobbled over the lawn in her high-heeled shoes, staring shyly and miserably into a bunch of blue flowers, and when she had reached her position she raised her face and smiled shyly at the guests, and I saw for the first time the complexity and enormousness of her eyes; felt for the first time that she might take them off and put them into a pocket. “Who is she?” I asked aloud. “Who is she?”

“Sh-h-h,” someone said. I was enthralled. My heart and my spirit leaped. I saw absolutely nothing of the rest of the wedding, and when the ceremony was over I raced up the lawn and introduced myself to her. I was not content with anything until she agreed to marry me, a year later. Now my heart and my spirit leaped as I watched her comb her hair. A few days ago I had thought that she had retreated into the water of a goldfish bowl. I had suspected her of attempted murder. How could I embrace decently and with the full ardor of my body and mind someone I suspected of murder? Was I embracing despair, was this an obscene passion, had I at that wedding so many years ago seen not beauty at all, but cruelty in her large eyes? I had made her, in my imagination, a goldfish, a murderess, and now when I took her in my arms she was a swan, a flight of stairs, a fountain, the unpatrolled, unguarded boundaries to paradise.

But I awoke at three, feeling terribly sad, and feeling rebelliously that I didn’t want to study sadness, madness, melancholy, and despair. I wanted to study triumphs, the rediscoveries of love, all that I know in the world to be decent, radiant, and clear. Then the word “love,” the impulse to love, welled up in me somewhere above my middle. Love seemed to flow from me in all directions, abundant as water?love for Cora, love for Flora, love for all my friends and neighbors, love for Penumbra. This tremendous flow of vitality could not be contained within its spelling, and I seemed to seize a laundry marker and write “luve” on the wall. I wrote “luve” on the staircase, “luve” on the pantry, “luve” on the oven, the washing machine, and the coffeepot, and when Cora came down in the morning (I would be nowhere around) everywhere she looked she would read “luve,” “luve,” “luve.” Then I saw a green meadow and a sparkling stream. On the ridge there were thatched-roof cottages and a square church tower, so I knew it must be England. I climbed up from the meadow to the streets of the village, looking for the cottage where Cora and Flora would be waiting for me. There seemed to have been some mistake. No one knew their

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