the two children of Padraic Kelly had decided to leave the body where it lay. It was in the redrock country he loved so well, overlooking one of the most beautiful and isolated canyons of the Escalante. No other gravesite could provide more dignity, or more peace.
She felt Skip’s arm around her shoulder again, and she turned at last to face the shelter.
In the dim light of the interior, she could make out her father’s saddle and saddlebags carefully lined up along the back wall of the rockshelter, the leather cracked and faded with age. Beside them was the turquoise skull, beautiful yet vaguely sinister, even here, far from the evil pall of the Rain Kiva. Beneath a thin layer of sand lay her father’s bones. In places the wind had blown the sand away, revealing bits of rotten cloth, the dull ivory of bone, the curve of the cranium; she could see that he had died looking down into the valley below.
Nora stared for a long time. Nobody spoke. Then, slowly, she reached into her pocket. Her fingers closed over a small notebook: her father’s journal, taken from the body by the witch she had shot and restored to her by Beiyoodzin. She opened it and removed a faded envelope she had placed between the pages: the letter that had started it all.
The letter had been addressed to her mother, written just before he had entered the city. But the last entry in Padraic Kelly’s journal had been addressed to his children, written after his discovery of the city, in this very rockshelter while he lay dying. And now, in the presence of both her father and Skip, Nora began to read his last words.
She stepped forward, stopping at the foot of the grave. The cross was still there, two twisted pieces of cedar lashed with a rawhide thong. She felt Smithback’s hand come forward to grasp her own, and she returned the pressure gratefully. After the horror of the last days at Quivira, and even in his own sickness and pain, the writer had been a kind, quiet, and steady presence. He had accompanied her to Peter Holroyd’s memorial in Los Angeles, where she had left his own battered copy of
In time, she knew, they would return to Quivira. A handpicked team from the Institute, armed with respirators and environmental suits, would make careful video documentaries of the site. Sloane’s discovery—the micaceous pottery of transcendent beauty and value—would be carefully studied and documented back at the Institute, under the direction of Goddard himself. And perhaps, in time, Smithback would even write an account of the expedition—or, at least, the part of the expedition that would not bring unendurable pain to Goddard.
She sighed deeply. Quivira would wait for her. There was no chance of its location ever being divulged, or becoming public knowledge—the poisonous dust would make sure of that. Almost all those who knew of its location—with the exception of the Nankoweap—were now dead. Those who lived, she knew, would keep its secret.
Nora watched as Beiyoodzin leaned over the skeleton, untied the little buckskin bag, and bowed his head. Pinching out some yellow cornmeal and pollen, he sprinkled it on the body and began a soft, rhythmical chant, beautiful in its simple monotony. The others bowed their heads.
When the chant was done, Beiyoodzin looked at Nora. His eyes were shining, his creased face smiling. “I thank you,” he said, “for letting me put this to rest. I thank you for myself, and for my people.”
It was Skip’s turn. He took the letter from Nora, turning it over and over in his hands. Then he knelt down, gently smoothed the sand away, and placed it into the pocket of his father’s shirt. He remained kneeling for a moment. Then he slowly stood up and returned to Nora’s side.
Nora took a deep breath, steadied her hands. Then she turned to the final entry in her father’s journal and began to read.
Nora fell silent and closed her eyes. For a moment, the entire canyon seemed to drop into reverential silence. Then she looked up, shut the notebook, and carefully placed it on the ground beside her father. She turned and gave Smithback a tearful smile.
Then the four of them made their way down the faint path, to the waiting horses and home.
Authors’ Note
The archaeology of this story is speculative in places. However, it is grounded in fact. The history of the Anasazi, the mystery of the Chaco collapse and the abandonment of the Colorado Plateau, the long-sought evidence of a Mesoamerican connection, the use of radar to locate prehistoric roads—as well as the cannibalistic and witchcraft practices described herein—are based on actual research findings. In addition, one of the authors, Douglas Preston, has traveled and lived among southwestern Indian peoples, as recounted in his nonfiction work
The authors made use of information from a number of other publications, the most important of which include: Clyde Kluckhohn,