“A cab wouldn’t stop anyway. Remember? Give me your raincoat. I’m freezing.”
Smithback wrapped it around her. He paused, grinning. “You look kind of . . . sexy.”
“Stow it.” She began walking toward the subway.
Smithback skipped after her. At the entrance to the subway, he stopped. “How about a date, lady?” he leered. “Hey lady, please!” He imitated the guard’s last, despairing entreaties.
She looked at him. His hair was sticking out in all directions, his face had become even filthier, and he smelled of mold and dust. He couldn’t have looked more ridiculous.
She had to smile. “It’s going to cost you big-time. I’m high-class.”
He grinned. “Diamonds. Pearls. Greenbacks. Nights dancing in the desert under the coyote moon. Anything you want, baby.”
She took his hand. “Now, that’s my kind of john.”SEVEN
NORA LOCKED THE door to her office, placed the packet on a chair, and cleared her desk of papers and tottering stacks of publications. It was just past eight in the morning, and the Museum seemed to be still asleep. Nevertheless, she glanced at the window set into her office door, and then—with a guilty impulse she did not quite understand—walked over to it and pulled down the blind. Then she carefully covered the desktop with white acid- free paper, taped it to the corners, laid another sheet on top, and placed a series of sample bags, stoppered test tubes, tweezers, and picks along one edge. Unlocking a drawer of her desk, she laid out the articles she had taken from the site: coins, comb, hair, string, vertebra. Lastly, she laid the dress atop the paper. She handled it gently, almost gingerly, as if to make up for the abuse it had endured over the last twenty-four hours.
Smithback had been beside himself with frustration the night before, when she had refused to slit open the dress immediately and see what, if anything, was written on the paper hidden inside. She could see him in her mind’s eye: still in his hobo outfit, drawn up to a height of indignation only a journalist with a need to know could feel. But she’d been unmoved. With the site destroyed, she was determined to squeeze every bit of information out of the dress that she could. And she was going to do it right.
She took a step back from the desk. In the bright light of the office, she could examine the dress in great detail. It was long, quite simple, made of coarse green wool. It looked nineteenth-century, with a high collaret-style neckline; a trim bodice, falling in long pleats. The bodice and pleats were lined with white cotton, now yellowed.
Nora slid her hand down the pleats and, right below the waistline, felt the crinkle of paper.
The dress was heavily stained. It was impossible to tell, without a chemical analysis, what the stains were— some looked like blood and body fluids, while others could be grease, coal dust, perhaps wax. The hemline was rubbed and torn, and there were some tears in the fabric itself, the larger ones carefully sewn up. She examined the stains and tears with her loup. The repairs had been done with several colored threads, none green. A poor girl’s effort, using whatever was at hand.
There was no sign of insect or rodent damage; the dress had been securely walled up in its alcove. She switched lenses on the loup and looked more closely. She could see a significant amount of dirt, including black grains that looked like coal dust. She took a few of these and placed them in a small glassine envelope with the tweezers. She removed other particles of grit, dirt, hair, and threads, and placed them in additional bags. There were other specs, even smaller than the grit; she lugged over a portable stereozoom microscope, laid it on the table, and brought it into focus.
Immediately, dozens of lice leapt into view, dead and dry, clinging to the crudely woven fabric, intermingled with smaller mites and several giant fleas. She jerked her head back involuntarily. Then, smiling at herself, she took a closer, more studied look. The dress was a rich landscape of foreign biology, along with an array of substances that could occupy a forensic chemist for weeks. She wondered how useful such an analysis would be, considered the cost, and temporarily shelved the idea. She brought the forceps forward to take more samples.
Suddenly, the silence in her office seemed all too absolute; there was a crawling sensation at the base of her neck. She swiveled, gasped; Special Agent Pendergast was standing behind her, hands behind his back.
“Jesus!” she said, leaping out of the chair. “You scared the hell out of me!”
Pendergast bowed slightly. “My apologies.”
“I thought I locked that door.”
“You did.”
“Are you a magician, Agent Pendergast? Or did you simply pick my lock?”
“A little of both, perhaps. But these old Museum locks are so crude, one can hardly call it ‘picking.’ I am well known here, which requires me to be discreet.”
“Do you think you could call ahead next time?”
He turned to the dress. “You didn’t have this yesterday afternoon.”
“No. I didn’t.”
He nodded. “Very resourceful of you, Dr. Kelly.”
“I went back last night—”
“No details of any questionable activities, please. However, my congratulations.”
She could see he was pleased.
He held out his hand. “Proceed.”
Nora turned back to her work. After a while, Pendergast spoke. “There were many articles of clothing in the tunnel. Why this dress?”
Without a word, Nora carefully turned up the pleats of the dress, exposing a crudely sewn patch in the cotton lining. Immediately, Pendergast moved closer.
