The surprise on Fosco's face deepened. 'But this-this is outrageous!' He lowered the cigar, looking from D'Agosta to Esposito and back again. 'Sergeant, is this true? Do you make such accusations?'

'Let's go,' said D'Agosta impatiently. Although he kept his tone level, he seethed inwardly at the masterful acting. The count truly looked like a man struggling with shock and disbelief.

'Well. If that is the case, who am I to protest?' Fosco examined the cigar, snipped off the end with a tiny silver clipper, lit it. 'But you may put away that warrant, Officer. I give you and your men free run of the castle. Every door is open to you. Search where you will. Please allow me to assist you in any way I can.'

Esposito turned briskly to some of the carabinieri, speaking in Italian. The men saluted, fanned out, disappeared.

Esposito turned back to D'Agosta. 'Sergeant, perhaps you could take us to the room where you were incarcerated for the night. Count, you will accompany us.'

'I would insist upon it. The Focus are an ancient and noble family, and we value our honor above all else. These charges must be addressed, and settled, immediately.' He glanced back at D'Agosta with just a trace of indignation.

D'Agosta led the way down the gallery, through the drawing room, and into the long procession of elegant chambers. The count followed, walking in his peculiar light-footed way, pointing out various works of art and sights of interest for the colonnello , who ignored him. The remaining two carabinieri brought up the rear.

Then came a point where D'Agosta lost his way. He looked around, stepped forward, stopped again. There had been a door in this stuccoed wall-hadn't there?

'Sergeant?' Esposito said.

'Perhaps I could be of assistance?' Fosco volunteered.

D'Agosta glanced through one doorway, backtracked, looked through another. It had been less than twenty- four hours; he couldn't have forgotten. Could he? He advanced, touched the stucco, but it was old, crumbling, anything but fresh.

'The sergeant said the apartment where he was held prisoner was in the tower itself,' the colonnello told Fosco.

The count cast a puzzled gaze on the colonnello , turned to D'Agosta. 'There is only one apartment in the tower, but it is not this way.'

'Take us to it.'

The count led them quickly through a series of passages and low, dark stone rooms, barren of furnishings.

'This is the oldest part of the castle,' Fosco said. 'Dating back to the ninth century. It's rather cold and depressing. There are no modern amenities like electricity or plumbing. I never come here myself.'

Within a minute, they had reached the heavy iron door of the keep. Fosco opened it with difficulty, the lock rusty. The door creaked open, Fosco brushing away cobwebs. He led the way up the staircase beyond, the echo of feet filling the stony spaces. Reaching the landing, D'Agosta paused before the door of their apartment. It was ajar.

'Is this it?' Esposito asked.

D'Agosta nodded.

Esposito beckoned to his men, who came forward, opened the door, and stepped inside. Esposito followed, D'Agosta on his heels.

The snug apartment where he'd spent the night before last was gone. The rugs, bookshelves, and furniture were nowhere to be seen. Lights, plumbing fixtures-everything that had been retrofitted into the space was now gone. Instead, he gazed into a chill, dark vault filled with decaying lumber, broken stone carvings, moldering stacks of heavy draperies. A massive iron chandelier, twisted and rusting, lay on the floor. Everything was coated in a thick mantle of dust. It looked like a storage area for the cast-off detritus of past centuries.

'Sergeant-are you sure this is the room?'

D'Agosta's astonishment gave way to puzzlement, then anger. 'Yes, but it wasn't like this. It wasn't like this at all. There were bedrooms, a bathroom-'

The room fell silent.

So that's the game, D'Agosta thought. 'The count has used the twelve hours it took to get the warrant to fix things. To disguise everything.'

Esposito ran his finger over the dust on an old, wormy table, rubbed it between thumb and finger, then looked at D'Agosta rather intently. He turned to the count. 'Are there any other apartments in the tower?'

'As you can see, this occupies the entire upper floor.'

Esposito looked back at D'Agosta. 'All right. What next?'

'We went down to dinner.' D'Agosta was careful to keep his voice calm. 'In the main dining room. Fosco said we'd never leave the castle alive. There was an exchange of gunfire. I killed his manservant.'

The count's eyebrows shot up again. 'Pinketts?'

Within five minutes, they were stepping into the cheery dining salotto . But it was as D'Agosta had begun to fear: there were no bloodstains, no sign of any struggle. The remains of a single breakfast lay on the table.

'You'll excuse me, I hope,' Fosco said, gesturing toward the half-eaten meal. 'You caught me breakfasting. As I said, I was not expecting visitors. And I gave the staff a few days off.'

Esposito was strolling around the room, hands clasped behind his back, examining the walls, searching for chips or holes that would indicate bullet marks. He asked, 'Sergeant, how many rounds were exchanged?'

D'Agosta thought a moment. 'Four. Three went into Pinketts. The other should be somewhere on the wall above the fireplace. If it hasn't been plastered over.'

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