PENDERGAST'S NECK, HAYWARD stumbled through the sucking mud, slipping constantly, at times almost dragging him into the muck with her. With every step, pain shot through her leg as if a red-hot rod of iron had been embedded from shin to thigh, and she had to stifle a cry. She was keenly aware that the shooter was still out there, in the dark. The very quietness of the swamp unsettled her, made her fear he was waiting. Despite the stifling heat of the night and the tepid swamp water, she felt shivery and light-headed, as if all this were happening to someone else.
'You must get up, Captain,' came Pendergast's soothing voice. She realized that she had fallen yet again.
The curious emphasis on her title roused her somewhat and she struggled to her feet, managed a step or two, and then felt herself crumpling again. Pendergast continued to half hold, half drag her along, his arms like steel cables, his voice soft and soothing. But then the mud grew deeper, sucking at her legs almost like quicksand, and with the effort of staggering she felt herself merely sinking forward into the mire.
He steadied her and with a great effort she managed to free one leg, but the wounded leg was now deep in the muck and throbbed unbearably at every effort to move it. She fell back into the swamp, sinking almost to her thighs. 'I can't,' she said, gasping with pain. 'I just can't do it.' The night whirled crazily about, her head buzzed painfully, and she could feel him holding her upright.
Pendergast glanced around quietly, carefully. 'All right,' he whispered. He was silent for a moment, and then she heard him softly tearing something up--his suit jacket. The dark swamp, the trees, the moon were all turning around, and around... Mosquitoes swarmed her, in her nostrils and her ears, roaring like lions. She sank back into the watery muck, wishing with all her might that the clinging mud was her bed back home, and that she was safe and warm in Manhattan, Vinnie breathing quietly beside her...
She came to as Pendergast was tying some sort of crudely contrived harness around her upper arms. She struggled for a moment, confused, but he put his hand on hers to reassure her. 'I'm going to pull you along. Just stay relaxed.'
She nodded, comprehension slowly dawning.
He slung the two strips of the harness over his shoulders and began to pull. At first, she didn't move. Then the swamp slowly released its sucking embrace and she found herself sliding forward over the water-covered muck, half bobbing, half slipping. The trees loomed overhead, black and silver in the moonlight, their interlocking branches and leaves above forming a speckled pattern of dark and light. Weakly, Hayward wondered where the shooter was hiding; why they had heard no further shots. Five minutes might have passed, or thirty; she lost all sense of time.
Suddenly Pendergast paused.
'What is it?' Hayward groaned.
'I see a light through the trees.'
72
PENDERGAST LEANED OVER HAYWARD, EXAMINING her closely. She was in shock. Given the sloppy, mud-drenched state of her person, it was difficult to tell how much blood she had lost. The moonlight slanted across her face, ghostly white where it wasn't smeared with dirt. Gently, he pulled her up to a sitting position, loosened the harness, and propped her back against a tree trunk, camouflaging her position with a few fern leaves. Rinsing a rag in the murky water, he tried to clean some of the mud from her wound, pulling off numerous leeches in the process.
'How are you doing, Captain?'
Hayward swallowed, her mouth working. Her eyes blinked, unable to focus. He felt her pulse; shallow and rapid. Bending over to her ear, he whispered, 'I have to leave you. Just for a while.'
For a moment, her eyes widened in fear. Then she nodded and managed to speak, her voice hoarse. 'I understand.'
'Whoever is living at Spanish Island knows we're here; they undoubtedly heard the shots. Indeed, the remaining shooter may well have come from Spanish Island and is awaiting us there--hence the silence. I must approach with great care. Let me see your weapon.'
He took the handgun--a .32--examined the magazine, then slapped it back in place and pressed it into her hands. 'You've got four rounds left. If I don't come back... you may need them.' He placed the flashlight in her lap. 'Don't use it unless you have to. Watch for the gleam of eyes in the moonlight. Look at the distance between them. More than two inches, it's either a gator or our shooter. Do you understand?'
Again she nodded, clasping the gun.
'This is a good blind. You won't be seen until you want to be seen. But listen to me carefully, now: you
'You'd better get going,' she murmured.
Pendergast peered into the darkness. A faint yellow glow was just barely visible through the ranks of tree trunks. He took out a knife and, reaching up, scored a large X on opposite sides of the biggest tree trunk. Leaving Hayward, he set off southward, approaching the distant lights in a tightening, spiral-like trajectory.
He moved slowly, extracting his feet from the muck with care so as to make as little noise as possible. There was no sign of activity, no sounds from the distant light that flickered and disappeared among the dark trunks. As he tightened the spiral, the trees thinned and a dull yellow rectangle came into view: a curtained window, floating in the blackness, amid a cluster of vague buildings with pitched roofs.
In another ten minutes, he had maneuvered close enough to have a clear view of the old hunting camp on Spanish Island.
It was a vast, rambling place, built just above the waterline on creosote pilings: at least a dozen large, shingled buildings wedged in among a massive stand of ancient bald cypresses heavily draped in curtains of Spanish moss. It lay right on the edge of a small slackwater bayou. The camp was built on marginally higher ground, surrounded by a screen of ferns, bushes, and tall grass. The heavy fringe of vegetation, combined with the almost impenetrable skeins of hanging moss, gave the place a hidden, cocooned feeling.
Pendergast moved laterally, still circling the place, checking for guards and getting a feel for the layout. At one end, a large wooden platform led to a pier with a floating dock projecting into the bayou. Tied to it was an unusual boat, which Pendergast recognized as a small, Vietnam-era brownwater navy utility boat. It was a hybrid species of swampcraft with a draft of only three inches and a quiet, underwater jet drive--ideal for creeping around a swamp. Although some of the outbuildings were in ruins, their roofs sagging inward, the central camp was in good condition and clearly inhabited. A large outbuilding was also in impeccable shape. Heavy curtains were drawn over the
