'Oh, come on, Aunt Caroline. We're not likely to be cheered up by Handel's Largo,' Barbara protested. 'There's some Italian opera here, if we must have classical music. Come on, Dr Carelli, this ought to be your province. Come and help us choose.'
Carelli joined Barbara and Miss Amory around the gramophone, and all three of them began to sort through the pile of records. Richard now seemed engrossed in his magazine.
Lucia rose, moved slowly and apparently aimlessly across to the center table and glanced at the tin box. Then, taking care to establish that the others were not observing her, she took a tube from the box and read the label. ''Hyoscine hydrobromide.'' Opening the tube, Lucia poured nearly all of the tablets into the palm of her hand. As she did so, the door to Sir Claud's study opened, and Sir Claud's secretary, Edward Raynor, appeared in the doorway.
Unknown to Lucia, Raynor watched her as she put the tube back into the tin box before moving over to the coffee-table.
At that moment Sir Claud's voice was heard to call from the study. His words were indistinct, but Raynor, turning to answer him, said, 'Yes, of course, Sir Claud. I'll bring you your coffee now.'
The secretary was about to enter the library when Sir Claud's voice arrested him. 'And what about that letter to Marshall 's?'
'It went off by the afternoon post, Sir Claud,' replied the secretary.
'But Raynor, I told you – oh, come back here, man,' Sir Claud boomed from his study.
'I'm sorry, sir,' Raynor was heard to say as he retreated from the doorway to rejoin Sir Claud Amory in his study. Lucia, who had turned to watch him at the sound of his voice, seemed not to realize that the secretary had been observing her movements. Turning, so that her back was to Richard, she dropped the tablets she had been holding into one of the coffee-cups on the coffee-table, and moved to the center of the settee.
The gramophone suddenly burst into life with a quick foxtrot. Richard Amory put down the magazine he had been reading, finished his coffee quickly, placed the cup on the center table, and moved across to his wife. 'I'll take you at your word. I've decided. We'll go away together.'
Lucia looked up at him in surprise. 'Richard,' she said faintly, 'do you really mean it? We can get away from here? But I thought you said – what about? – where will the money come from?'
'There are always ways of acquiring money,' said Richard grimly.
There was alarm in Lucia's voice as she asked, 'What do you mean?'
'I mean,' said her husband, 'that when a man cares about a woman as I care about you, he'll do anything. Anything!'
'It does not flatter me to hear you say that,' Lucia responded. 'It only tells me that you still do not trust me – that you think you must buy my love with -'
She broke off and looked around as the door to the study opened and Edward Raynor returned. Raynor walked over to the coffee-table and picked up a cup of coffee, as Lucia changed her position on the settee, moving down to one end of it. Richard had wandered moodily across to the fireplace and was staring into the unlit grate.
Barbara, beginning a tentative foxtrot alone, looked at her cousin Richard as though considering whether to invite him to dance. But, apparently put off by his stony countenance, she turned to Raynor. 'Care to dance, Mr Raynor?' she asked.
'I'd love to, Miss Amory,' the secretary replied. 'Just a moment, while I take Sir Claud his coffee.'
Lucia suddenly rose from the settee. 'Mr Raynor,' she said hurriedly, 'that isn't Sir Claud's coffee. You've taken the wrong cup.'
'Have I?' said Raynor. 'I'm so sorry.' Lucia picked up another cup from the coffee-table and held it out to Raynor. They exchanged cups. 'That,' said Lucia, as she handed the cup to Raynor, 'is Sir Claud's coffee.' She smiled enigmatically to herself, placed the cup Raynor had given her on the coffee-table and returned to the settee.
Turning his back to Lucia, the secretary took some tablets from his pocket and dropped them into the cup he was holding. As he was walking with it towards the study door, Barbara intercepted him. 'Do come and dance with me, Mr Raynor,' she pleaded, with one of her most engaging smiles. 'I'd force Dr Carelli to, except that I can tell he's simply dying to dance with Lucia.'
As Raynor hovered indecisively, Richard Amory approached.
'You may as well give in to her, Raynor,' he advised. 'Everyone does, eventually. Here, give the coffee to me. I'll take it to my father.'
Reluctantly Raynor allowed the coffee-cup to be taken from him. Turning away, Richard paused momentarily and then went through into Sir Claud's study. Barbara and Edward Raynor, having first turned over the gramophone record on the machine, were now slowly waltzing in each other's arms. Dr Carelli watched them for a moment or two with an indulgent smile, before approaching Lucia who, wearing a look of utter dejection, was still seated on the settee.
Carelli addressed her. 'It was most kind of Miss Amory to allow me to join you for the weekend,' he said.
Lucia looked up at him. For a few seconds she did not speak, but then said, finally, 'She is the kindest of people.'
'And this is such a charming house,' continued Carelli, moving behind the settee. 'You must show me over it sometime. I am extremely interested in the domestic architecture of this period.'
While he was speaking, Richard Amory had returned from the study. Ignoring his wife and Carelli, he went across to the box of drugs on the center table, and began to tidy its contents.
'Miss Amory can tell you much more about this house than I can,' Lucia told Dr Carelli. 'I know very little of these things.'
Looking around first, to confirm that Richard Amory was busying himself with the drugs, that Edward Raynor and Barbara Amory were still waltzing at the far end of the room, and that Caroline Amory appeared to be dozing, Carelli moved to the front of the settee and sat next to Lucia. In low, urgent tones, he muttered, 'Have you done what I asked?'
Her voice even lower, almost a whisper, Lucia said desperately, 'Have you no pity?'
'Have you done what I told you to?' Carelli asked more insistently.
'I – I -' Lucia began, but then, faltering, rose, turned abruptly and walked swiftly to the door which led into the hall. Turning the handle, she discovered that the door would not open.
'There's something wrong with this door,' she exclaimed, turning to face the others. 'I can't get it open.'
'What's that?' called Barbara, still waltzing with Raynor.
'I can't get this door open,' Lucia repeated.
Barbara and Raynor stopped dancing and went across to Lucia at the door. Richard Amory moved to the gramophone to switch it off before joining them. They took it in turns to attempt to get the door open, but without success, observed by Miss Amory, who was awake but still seated, and by Dr Carelli, who stood by the bookcase.
Unnoticed by any of the company, Sir Claud emerged from his study, coffee-cup in hand, and stood for a moment or two observing the group clustered around the door to the hall.
'What an extraordinary thing,' Raynor exclaimed, abandoning his attempt to open the door, and turning to face the others. 'It seems to have got stuck somehow.'
Sir Claud's voice rang across the room, startling them all. 'Oh, no, it's not stuck. It's locked. Locked from the outside.'
His sister rose and approached Sir Claud. She was about to speak, but he forestalled her. 'It was locked by my orders, Caroline,' he told her.
With all eyes upon him, Sir Claud walked across to the coffee-table, took a lump of sugar from the bowl, and dropped it into his cup. 'I have something to say to you all,' he announced to the assembled company. 'Richard, would you be so kind as to ring for Tredwell?'
His son looked as though he were about to make some reply. However, after a pause he went to the fireplace and pressed a bell in the wall nearby.
'I suggest that you all sit down,' Sir Claud continued, with a gesture towards the chairs.
