Direct-Action System. A robotic infantry armed with M-two-forty-nine light machine guns. Not something I’m comfortable with, and I know how you feel about that.”

“I’m not sure that there are words for how I feel about it,” I reply.

“Three SWORDS units so far in Iraq, but they haven’t fired their weapons yet. Nobody’s sure how to get a robot to have that kind of judgment. Artificial EQ. A rather daunting prospect but I’m sure not impossible.”

“Robots should be used for peacekeeping, surveillance, as pack mules.”

“That’s you but not everyone.”

“They should not make decisions about life and death,” I go on. “It would be like autopilot deciding whether we should fly through these clouds rolling toward us.”

“Autopilot could if my helicopter had moisture and temperature sensors. Throw in force transducers and it will land all by itself as light as a feather. Enough sensors and you don’t need me anymore. Climb in and push a button like the Jetsons. Sounds crazy, but the crazier, the better. Just ask DARPA. You got any idea how much money DARPA invests in the Cambridge area?”

Lucy lowers the collective, losing altitude and bleeding off speed as another ghostly patch of clouds rolls toward us in the dark.

“Besides what it’s invested in the CFC?” she then says.

Her demeanor is different, even her face is different, and she’s no longer trying to hide what has come over her. I know this mood. I know it all too well. It is an old mood I haven’t seen in a while, but I know it like I know the symptoms of a disease that has been in remission.

“Computers, robotics, synthetic biology, nanotechnology, the more off the wall, the better,” she continues. “Because there’s no such thing as mad scientists anymore. I’m not sure there’s any such thing as science fiction. Come up with the most extreme invention you can imagine, and it’s probably being implemented somewhere. It’s probably old news.”

“You’re suggesting this man who died in Norton’s Woods is connected to DARPA.”

“Somehow he is, in some capacity. Don’t know how directly or indirectly,” Lucy answers. “MORT isn’t being used anymore, not by the military, not for any purpose, but was Star Wars stuff about eight or nine years ago when DARPA stepped up funding for military and intelligence-gathering applications of robotics, bio and computer engineering. And forensics and other applications germane to our war dead, to what happens in combat, in theater.”

It was DARPA that funded the research and development of the RadPath technology we use in virtual autopsies at Dover and now at the CFC. DARPA funded my four-month fellowship that turned into six.

“A substantial percentage of research grants are going to Cambridge area labs, to Harvard and MIT,” Lucy says. “Remember when everything became about the war?”

It’s getting harder to remember a time when that wasn’t true. War has become our national industry, like automotives and steel and the railroads once were. That’s the dangerous world we live in. I don’t believe it can change.

“The brilliant idea that robots like MORT could be utilized in theater to recover casualties so troops didn’t risk their lives for a fallen comrade?” Lucy reminds me.

Not a brilliant idea but an unfortunate one. A supremely stupid one, I thought at the time and still do. Briggs and I weren’t on the same side about it. He’ll never give me credit for saving him from a PR misstep that could have injured him badly.

“The idea was aggressively researched for a while and then got tabled,” Lucy adds.

It got tabled because using robots for such a purpose supposes they can decide a fallen soldier, a human being, is fatally injured or dead.

“DoD got a lot of shit for it, at least internally, because it seemed cold-blooded and inhumane,” she says.

Deservedly. No one should die in the grippers of something mechanical dragging them off the battlefield or out of a crashed vehicle or from the rubble of a building that has collapsed.

“What I’m getting at is the early generations of this technology have been buried by DoD, relegated to a classified scrap yard or salvaged for pieces and parts,” Lucy says. “Yet your guy in the cooler has one in his apartment. Where’d he get it? He’s got a connection. He has drafting paper on the coffee table. He’s an inventor, an engineer, something like that, and somehow involved in classified projects that require a high level of security clearance, but he’s a civilian.”

“How can you be so sure he’s a civilian?”

“Believe me, I’m sure. He’s not experienced or trained, and he sure as hell isn’t military intel or a government agent or he wouldn’t walk around listening to music turned up loud and armed with an expensive pistol that has the serial number ground off—in other words, he probably bought it on the street. He’d have something that would never be traced to him or anyone, something you use once and toss….”

“We don’t know who the gun is traced to?” I want to make sure.

“Not that I know of, not yet, which is ridiculous. This guy isn’t undercover. Hell, no. I think what he is is scared,” Lucy says as if she knows it for a fact. “Was,” she adds. “He was. And someone had him under surveillance—my belief, anyway—and now he’s dead. In my opinion, it’s not a coincidence. I suggest you exercise extreme caution when talking to Marino.”

“Sometimes he has terrible judgment, but he’s not trying to do me in.”

“He’s also not medical intel like you are, and his understanding only goes so far as not discussing cases with his buddies at the bowling alley and not talking to reporters. He thinks it’s perfectly fine to confide in people like Briggs, because he’s got no sense when it comes to military brass.” Lucy’s demeanor is as uneasy and somber as I’ve seen her since I can’t remember when. “In a case like this one, you talk to me, you talk to Benton.”

“Have you told Benton what you just told me?”

“I’ll let you explain about MORT, because he’s not likely to understand what it is. He wasn’t around when you went through all that with the Pentagon. You tell him, and then all of us can talk. You, him, me, and that’s it, at least for now, because you don’t know who is what, and you damn well better have your facts straight and know who’s us and who’s them.”

“If I can’t trust Marino with a case like this, or any case, for that matter, why do I have him?” Defensiveness sharpens my tone, because Marino was her idea, too.

She encouraged me to hire him as CFC’s chief of operational investigations, and she talked him into it, too, although it wasn’t exactly a hard sell. He’d never admit it, but he doesn’t want to be anywhere I’m not, and when he realized I was going to be in Cambridge, he suddenly got disenchanted with the NYPD. He lost interest in Assistant DA Jaime Berger, whose office he was assigned to. He got into a feud with his landlord in the Bronx. He started complaining about New York taxes, even though he’d been paying them for several years. He said it was intolerable having no place to ride a motorcycle and no place to park a truck, even though he owned neither at the time. He said he had to move.

“It’s not about trust. It’s about acknowledging limitations.” It’s an uncharacteristically charitable thing for Lucy to say. Usually, people are simply bad or useless and deserve whatever punishment she decides.

She eases up on the collective and makes subtle adjustments with the cyclic, increasing our speed and making sure we don’t climb into the clouds. The night around us is impenetrably dark, and there are stretches where I can’t see lights on the ground, suggesting we are flying over trees. I enter the frequency for McGuire so we can monitor its airspace while keeping an eye on the Traffic Collision Avoidance System, the TCAS. It is showing no other aircraft anywhere. We might be the only ones flying tonight.

“I don’t have the luxury to allow for limitations,” I tell my niece. “Meaning I probably made a mistake hiring Marino. I probably made a bigger one hiring Fielding.”

“Not probably, and not the first time. Jack walked out on you in Watertown and went to Chicago, and you should have left him there.”

“In all fairness, we lost our funding in Watertown. He knew the office was probably going to close, and it did.”

“That’s not why he left.”

I don’t respond, because she’s right. It isn’t why. Fielding wanted to move to Chicago because his wife had been offered a job there. Two years later, he asked if he could come back. He said he missed working for me. He said he missed his family. Lucy, Marino, Benton, and me. One big, happy family.

Вы читаете Port Mortuary (2010)
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