of sparkling flame.

'Jesus,' Robbie said in awe, then the two of them ran on towards the beech trees at the high eastern side of the pastureland.

Thomas began to laugh as he stumbled up the path to the trees. 'I'll go to hell for that,'

he said, stopping among the beeches and making the sign of the cross.

'For burning a church?' Robbie was grinning, his eyes reflecting the brightness of the fires. 'You should see what we did to the Black Canons at Hexham! Christ, half Scotland will be in hell for that one.'

They watched the fire for a few moments, then turned into the darkness of the woods. Dawn was not far off. There was a lightness in the east where a wan grey, pale as death, edged the sky. 'We have to go deeper into the forest,' Thomas said, 'we have to hide.'

Because the hunt for the saboteurs was about to start and in the first light, as the smoke still made a great pall above Evecques, the Count of Coutances sent twenty horsemen and a pack of hounds to find the men who had destroyed his store of powder, but the day was cold, the ground hard with frost and the quarry's small scent faded early. Next day, in his petulance, the Count ordered his forces to make an attack. They had been readying gabions – great basketwork tubes woven from willow that were filled with earth and stones – and the plan was to fill the moat with the gabions and then swarm over the resultant bridge to assault the gate-house. The gateway lacked its drawbridge which had been taken down early in the siege to leave an open and inviting archway which was blocked by nothing more than a low stone barricade.

The Count's advisers told him there were not enough gabions, that the moat was deeper than he thought, that the time was not propitious, that Venus was in the ascendant and Mars in the decline, and that he should, in brief, wait until the stars smiled on him and the garrison was hungrier and more desperate, but the Count had lost face and he ordered the assault anyway and his men did their best. They were protected so long as they held the gabions, for the earth-filled baskets were proof against any crossbow bolt, but once the gabions were thrown into the moat the attackers were exposed to Sir Guillaume's six crossbowmen who were sheltering behind the low stone wall that had been built across the manor's entrance arch where the drawbridge had once been. The Count had crossbowmen of his own and they were protected by pavises, full-length shields carried by a second man to protect the archer while he laboriously wound the cord of the crossbow, but the men throwing the gabions had no protection once their burdens were thrown and eight of them died before the rest realized that the moat really was too deep and that there were not nearly enough gabions. Two paviseholders and a crossbowman were badly wounded before the Count accepted he was wasting his time and called the attackers back. Then he cursed Sir Guillaume on the fourteen hump-backed devils of St Candace before getting drunk.

Thomas and Robbie survived. On the day after they had burned the Count's powder Thomas shot a deer, and next day Robbie discovered a rotting hare in a gap in a hedge and when he pulled the body out discovered a snare that must have been set by one of Sir Guillaume's tenants who had either been killed or chased off by the Count's men. Robbie washed the snare in a stream and set it in another hedge and next morning found a hare choking in the tightening noose.

They dared not sleep in the same place two nights running, but there was plenty of shelter in the deserted and burned-out farms. They spent most of the next weeks in the country south of Evecque where the valleys were deeper, the hills steeper and the woods thicker. Here there were plenty of hiding places and it was in that tangled landscape that they made the Count's nightmare worse. Tales began to be told in the besiegers' encampment of a tall man in black on a pale horse and whenever the man on the pale horse appeared, someone would die. The death would be caused by a long arrow, an English arrow, yet the man on the horse had no bow, only a staff topped by a deer's skull, and everyone knew what creature rode the pale horse and what a skull on a pole denoted. The men who had seen the apparition told their womenfolk in the Count's encampment and the womenfolk cried to the Count's chaplain and the Count said they were dreaming, but the corpses were real enough. Four brothers, come from distant Lyons to earn money by serving in the siege, packed their belongings and went. Others threatened to follow. Death stalked Evecque.

The Count's chaplain said folk were touched by the moon and he rode into the dangerous south country, loudly chanting prayers and scattering holy water, and when the chaplain survived unscathed the Count told his men they had been fools, that there was no Death riding a pale horse, and next day two men died only this time they were in the east. The tales grew in the telling. The horseman was now accompanied by giant hounds whose eves glowed, and the horseman did not even need to appear to explain any misfortune. If a horse tripped, if a man broke a bone, if a woman spilled food, if a crossbow string snapped, then it was blamed on the mysterious man who rode the pale horse. The confidence of the besiegers plunged. There were mutterings of doom and six men-at-arms went south to seek employment in Gascony. Those who remained grumbled that they did the devil's work and nothing the Count of Coutances did seemed to restore his men's spirits. He tried cutting back trees to stop the mysterious archer shooting into the camp, but there were too many trees and not enough axes, and the arrows still came. He sent to the Bishop of Caen who wrote a blessing on a piece of vellum and sent it back, but that had no effect on the black-cloaked rider whose appearance presaged death, and so the Count, who fervently believed he did God's work and feared to fail in case he incurred God's wrath, now appealed to God for help.

He wrote to Paris.

Louis Bessieres, Cardinal Archbishop of Livorno, a city he had only seen once when he travelled to Rome (on his return, he had made a detour so he would not be forced to see Livorno a second time), walked slowly down the Quai des Orfevres on the Ile de la Cite in Paris. Two servants went ahead of him, using staves to clear the way for the Cardinal who appeared not to be paying attention to the lean, hollow-cheeked priest who spoke to him so urgently. The Cardinal, instead, exam-ined the wares on offer in the goldsmiths'

shops lining the quai that was named for their trade: Goldsmith's Quay. He admired a necklace of rubies and even con-sidered buying it, but then discovered a flaw in one of the stones. 'So sad,' he murmured, then moved to the next shop. 'Exquisite!' he exclaimed of a salt cellar made in silver and emblazoned with four panels on which pictures of country life were enamelled in blue, red, yellow and black. A man ploughed on one panel and broadcast seed on the next, a woman cut the harvest on the third while on the last panel the two sat at table admiring a glowing loaf of bread. 'Quite exquisite,' the Cardinal enthused, 'don't you think it beautiful?'

Bernard de Taillebourg scarcely gave the salt cellar a glance. 'The devil is at work against us, your eminence,' he said angrily.

'The devil is always at work against us, Bernard,' the Cardinal said reprovingly, 'that is the devil's job. There would be something desperately amiss in the world if the devil were not at work against us.' He caressed the salt cellar, running his fingers over the delicate curves of the panels, then decided the shape of the base was not quite right. Something crude there, he thought, a clumsiness in the design and, with a smile for the shopkeeper, he put it back on the table and strolled on. The sun shone; there was even some warmth in the winter air and a sparkle on the Seine. A legless man with wooden blocks on his stumps swung on short crutches across the road and held out a dirty hand towards the Cardinal whose servants rushed at the man with their staves. 'No, no!' the Cardinal called and felt in his purse for some coins. 'God's blessing on you, my son,' he said. Cardinal Bessieres liked giving alms, he liked the melting gratitude on the faces of the poor, and he especially liked their look of relief when he called off his servants a heartbeat before they used their staves. Sometimes the Cardinal paused just a fraction too long and he liked that too. But today was a warm, sunlit day stolen from a grey winter and so he was in a kindly mood.

Once past the Sabot d'Or, a tavern for scriveners, he turned away from the river into the tangle of alleys that twisted about the labyrinthine buildings of the royal palace. Parliament, such as it was, met here, and the lawyers scuttled the dark passages like rats, yet here and there, piercing the gloom, gorgeous buildings reared up to the sun. The Cardinal loved these alleys and had a fancy that shops magically disappeared overnight to be replaced by others. Had that laundry always been there? And why had he never noticed the bakery? And surely there had been a lute-makers' business beside the public privy? A furrier hung bear coats from a rack and the Cardinal paused to feel the pelts. De Taillebourg still yapped at him, but he scarcely listened. Just past the furrier's was an archway guarded by men in blue and gold livery. They wore polished breast-plates, plumed helmets and carried pikes with brightly polished blades. Few folk got past them, but the guards hastily stepped back and bowed as the Cardinal passed. He gave them a benevolent wave suggestive of a bless-ing, then followed a damp passage into a courtyard. This was all royal land now and the courtiers offered the Cardinal respectful bows for he was more than a cardinal, he was also Papal Legate to the throne of France. He was God's ambassador and Bessieres looked the part for he was a tall man, strongly built and burly enough to overawe most men without his scarlet robes. He was good- looking and knew it, and vain, which he pretended he did not know, and he was ambitious, which he hid from the

Вы читаете The Grail Quest 2 - Vagabond
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