HW: Now that you’re in the business, do you find as much time to read as before? Do you avoid fiction for fear of unconsciously copying someone’s stories?
BC: I read more now than ever. You have to. I’ve never avoided fiction for fear of unconsciously copying someone else’s stories. You can’t help but be influenced by the work of others. No one is unique. As Cormac McCarthy said, “The sad truth is that books are made of other books.”
HW: I happen to know you’ve written an essay about Jack Ketchum’s Off Season for the upcoming International Thrillers Writers project
BC: It was the hardest thing I’d written all year. I felt like I was in college again working on a term paper. That being said, it was a great joy to delve into the life and work of Jack Ketchum. I had great editors on that project. (HW: Full disclosure time: the editors for that worthy project are the esteemed David Morrell and yours truly. End of plug.)
HW: Tell us a little about future projects. You have a short story slated to appear in the ITW anthology,
BC: Yep, it’s called “Remaking” and also happens to be set in a beautiful Colorado town called Ouray. It’s premised on a question: What would you do if you were in a coffee shop, saw a man sitting with a young boy, and suspected the boy wasn’t supposed to be with him, that maybe he’d been kidnapped. I’m over the moon and humbled to be included in such a stellar collection of writers. Joe Konrath and I have just released a free short story as an eBook with the help of our publishers. It’s kind of groundbreaking, both in how Joe and I collaborated, and how our publishers came together to make it available everywhere. It’s called “Serial”, and is probably the most twisted thing either of us have ever written. The
HW: Are you working on a new novel at the moment?
BC: I am.
HW: Where are you in that process?
BC: About a hundred pages in.
HW: Can you talk a little about the new book, or would that jinx things?
BC: I’m pretty sure I would deeply regret talking about it at this point. I find if I talk too much about works- in-progress, it takes the wind out of my sails.
HW: Any book recommendations?
BC: Joe Konrath just published a novel under the name Jack Kilborn. It’s called
HW: Work uniform?
BC: A white tee-shirt and pajama bottoms with snowflakes on them. I know, it’s awful.
HW: Misconceptions about people who graduated from UNC?
BC: That if by some rip in the space-time continuum, Al-Qaeda managed to get a Division I college basketball team together, and if that team somehow made it to the NCAA tournament, and then survived March Madness, and, now here’s a real stretch, were facing Duke in the championship game on Monday night, that UNC fans would put aside their petty rivalry and root for Duke over the terrorists.
DESERT PLACES
DESCRIPTION: Andrew Z. Thomas is a successful writer of suspense thrillers, living the dream at his lake house in the piedmont of North Carolina. One afternoon in late spring, he receives a bizarre letter that eventually threatens his career, his sanity, and the lives of everyone he loves. A murderer is designing his future, and for the life of him, Andrew can’t get away.
Harrowing...terrific...a whacked out combination of Stephen King and Cormac McCarthy.
PAT CONROY
[C]arried by rich, image-filled prose. Crouch will handcuff you, blindfold you, throw you in the trunk of a car, and drag you kicking and screaming through a story so intense, so emotionally packed, that you will walk away stunned.
WINSTON-SALEM JOURNAL
On a lovely May evening, I sat on my deck, watching the sun descend upon Lake Norman. So far, it had been a perfect day. I’d risen at 5:00 a.m. as I always do, put on a pot of French roast, and prepared my usual breakfast of scrambled eggs and a bowl of fresh pineapple. By six o’clock, I was writing, and I didn’t stop until noon. I fried two white crappies I’d caught the night before, and the moment I sat down for lunch, my agent called. Cynthia fields my messages when I’m close to finishing a book, and she had several for me, the only one of real importance being that the movie deal for my latest novel, Blue Murder, had closed. It was good news of course, but two other movies had been made from my books, so I was used to it by now.
I worked in my study for the remainder of the afternoon and quit at 6:30. My final edits of the new as yet untitled manuscript would be finished tomorrow. I was tired, but my new thriller, The Scorcher, would be on bookshelves within the week. I savored the exhaustion that followed a full day of work. My hands sore from typing, eyes dry and strained, I shut down the computer and rolled back from the desk in my swivel chair.
I went outside and walked up the long gravel drive toward the mailbox. It was the first time I’d been out all day, and the sharp sunlight burned my eyes as it squeezed through the tall rows of loblollies that bordered both sides of the drive. It was so quiet here. Fifteen miles south, Charlotte was still gridlocked in rush-hour traffic, and I was grateful not to be a part of that madness. As the tiny rocks crunched beneath my feet, I pictured my best
