replaced.'
'You've probably been asked this, but what brought you into glaciology?' Rawlins said.
'That's not the first time I've heard the question. People think glaciologists are a bit odd. We study huge, ancient, slow-moving masses of ice that take centuries to get anywhere. Hardly a job for a grown man, wouldn't you say, Bernie?'
'Maybe not, but I met a nice Eskimo girl once in the Yukon.'
'Spoken like a true glaciologist,' Thurston said. 'We have in common a love of beauty and a desire to get outdoors. Many of us were seduced into this calling by our first awe-inspiring view of an ice field.' He gestured around at the walls of the tunnel. 'So it's ironic that we spend weeks at a time under the glacier, far from the sunlight, like a bunch of moles.'
'Look what it has done to me,' LeBlanc said. 'Constant thirty-five degrees and one hundred percent humidity. I used to be tall and blond-haired, but I have shrunk and become a shaggy beast.'
'You've been a short shaggy beast for as long as I've known you,' Thurston said. 'We're down here for three-week stints, and I agree that we do seem a bit mole like But even Bernie will agree that we're lucky. Most glaciologists only observe an ice field from above. We can walk right up and tickle its belly.'
'What exactly is the nature of your experiments?' Rawlins asked.
'We're conducting a three-year study on how glaciers move and what they do to the rock they slide over. Hope you can make that sound more exciting when you write your article.'
'It won't be too hard. With all the interest in global warming, glaciology has become a hot subject.'
'So I hear. The recognition is long overdue. Glaciers are affected by climate, so they can tell us to within a few degrees what the temperature was on earth thousands of years ago. In addition, they trigger changes in the climate. Ah, here we are, Club Dormeur.'
Four small buildings that looked like trailer homes sat end to end within a bay carved from the wall.
Thurston opened a door to the nearest structure. 'All the comforts of home,' he said. 'Four bedrooms with room for eight researchers, kitchen, bath with shower. Normally, I've got a geologist and other scientists, but we're down to a skeleton crew consisting of Bernie, a young research assistant from Uppsala University and me. You can dump those supplies here. We're about a thirty-minute walk from the lab. We've got phone connections between the entrance, research tunnel and lab room. I'd better let the folks at the observatory know we're back.'
He picked up a wall phone and said a few words. His smile turned into a puzzled frown.
'Say again.' He listened intently. 'Okay. We'll be right there.'
'Is there anything wrong, professor?' LeBlanc said.
Thurston furrowed his brow. 'I just talked to my research assistant. Incredible!'
'Qu'est-ce que c'est?' LeBlanc said.
Thurston had a stunned expression on his face. 'He says he's found a man frozen in the ice.'
TWO HUNDRED FEET below the surface of Lac du Dormeur in waters cold enough to kill an unprotected human, the glowing sphere floated above the gravelly bottom of the glacial lake like a will-o'-the-wisp in a Georgia swamp. Despite the hostile environment, the man and woman seated side by side inside the transparent acrylic cabin were as relaxed as loungers on a love seat. The man was husky in build, with shoulders like twin battering rams. Exposure to sea and sun had bronzed the rugged features that were bathed in the soft orange light from the instrument panel, and bleached the pale, prematurely steely gray hair almost to the color of platinum. With his chiseled profile and intense expression, Kurt Austin had the face of a warrior carved on a Roman victory column. But the flinty hardness that lay under the burnished features was softened by an easy smile, and the piercing coral-blue eyes sparkled with good humor.
Austin was the leader of NUMA's Special Assignments Team, created by former NUMA director Admiral James Sandecker, now vice president of the United States, for undersea missions that often took
place secretly outside the realm of government oversight. A marine engineer by education and experience, Austin had come to NUMA from the CIA, where he had worked for a little-known branch that specialized in underwater intelligence gathering.
After coming over to NUMA, Austin had assembled a team of experts that included Joe Zavala, a brilliant engineer specializing in underwater vehicles; Paul Trout, a deep-ocean geologist; and Trout's wife, Gamay Morgan-Trout, a highly skilled diver who had specialized in nautical archaeology before attaining her doctorate in marine biology. Working together, they had conducted many successful probes into strange and sinister enigmas on and under the world's oceans.
Not every job that Austin undertook was filled with danger. Some, like his latest assignment, were quite pleasant and more than made up for the bumps, bruises and scars he had collected on various NUMA assignments. Although he had known his female companion only a few days, he had become thoroughly entranced by her. Skye Labelle was in her late thirties. She had olive skin and mischievous violet-blue eyes that peered out from under the brim of her woolen hat. Her hair was dark brown, bordering on black. Her mouth was too wide to be called classical, but her lips were lush and sensual. She had a good body, but it would never make the cover of Sports Illustrated. Her voice was low and cool, and when she spoke it was obvious she had a quick intelligence.
Although she was striking rather than pretty, Austin thought she was one of the most attractive women he had ever met. She reminded him of a portrait of a young raven-haired countess he had seen hanging on the wall of the Louvre. Austin had admired how the artist had cleverly caught the passion and unabashed frankness in the subject's gaze. The woman in the painting had a deviltry in her eyes, as if she wanted to throw off her regal finery and run barefoot through a meadow. He remembered wishing he could have met her in person. And now, it seemed, he had.
'Do you believe in reincarnation?' Austin said, thinking about the museum portrait.
Skye blinked in surprise. They had been talking about glacial geology.
'I don't know. Why do you ask?' She spoke American English with a slight French accent.
'No reason.' Austin paused. 'I have another, more personal question.'
She gave him a wary look. 'I think I know. You want to know about my name.'
'I've never met anyone named Skye Labelle before.'
'Some people believe I must be named after a Las Vegas stripper.'
Austin chuckled. 'It's more likely that someone in your family had a poetic turn of mind.'
'My crazy parents,' she said, with a roll of her eyes. 'My father was sent to the U.S. as a diplomat. One day he went to the Albuquerque hot air balloon festival and from that day on, he became a fanatical aeronaut. My older brother was named Thaddeus after the early balloonist Thaddeus Lowe. My American mother is an artist, and something of a free spirit, so she thought the idea of my name was wonderful. Father insists he named me after the color of my eyes, but everyone knows babies' eyes are neutral when they are first born. I don't mind. I think it's a nice name.'
'They don't get any nicer than Beautiful Sky.'
'Merci. And thank you for all this!' She gazed through the bubble and clapped her hands in childlike joy. 'This is absolutely wonderful^. I never dreamed that my studies in archaeology would take me under the water inside a big bubble.'
'It must beat polishing medieval armor in a musty museum,' Austin said.
Skye had a warm, uninhibited laugh. 'I spend very little time in
museums except when I'm organizing an exhibition. I do a lot of corporate jobs these days to support my research work.'
Austin raised an eyebrow. 'The thought of Microsoft and General Motors hiring an expert in arms and armor makes me wonder about their motives.'
'Think about it. To survive, a corporation must try to kill or wound its competition while defending itself. Figuratively speaking.'
'The original 'cutthroat competition,' ' Austin said.
'Not bad. I'll use that phrase in my next presentation.'
'How do you teach a bunch of executives to draw blood? Figuratively speaking, of course.'
'They already have the blood lust. I get them to think 'out of the box,' as they like to say. I ask them to pretend that they are supplying arms for competing forces. The old arms makers had to be metallurgists and engineers. Many were artists, like Leonardo, who designed war engines. Weapons and strategy were constantly changing and the people who supplied the armies had to adjust quickly to new conditions.'
