transformed into a heaviness, an urge toward sleep, or if not sleep outright a relaxation of intention and control. She blinked again. She should close the book at once and leave. The room had become so hot. A drop of sweat fell from her forehead onto the glass, the surface clouding darkly where it landed, then swirling, the dark blot expanding across the page. Miss Temple gazed into it with sudden dread—an indigo knot opening like an orchid or blood blossoming from a wound…it was perhaps the most beautiful thing she had ever seen, though she was filled with fear at what would happen when the dark unfurling had covered the entirety of the page. But then it was done, the last bit of shimmering blue blotted out and she could no longer see through to the lower pages…only into the depths of the indigo stain. Miss Temple heard a gasping sound—dimly aware that it came from her own mouth—and was swallowed.
The images writhed around her mind and then with a rush passed through it, the singular point, both terrifying and delicious, being that she did not seem to be present at all, for just as with Mrs. Marchmoor and the card, her awareness was subsumed within the immediacies of whichever sensation had entrapped her. It felt to Miss Temple that she had plunged into the experience of several lifetimes piled up in delirious succession, so wholly persuasive and in such number that they threatened the very idea of Celeste Temple as any stable entity…she was at a masked ball in Venice drinking spiced wine in winter, the smell of the canal water and the dank stone and the hot tallow candles, the hands groping her from behind in the dark and her own delighted poise while she somehow maintained a conversation with the masked churchman in front of her, as if nothing untoward was happening…creeping slowly through a narrow brick passage, lined with tiny alcoves, holding a shuttered lantern, counting the alcoves to either side and then at the seventh on her right stepping to the far wall and slipping aside a small iron disk on a nail and pressing her eye to the hole beneath it, looking into the great bedchamber as two figures strained against each other, a young muscular man, his naked thighs pale as milk, bent over a side table and an older man behind him, face reddened, frothing like a bull…she was riding a horse, her legs gripping the animal with strength and skill, one hand on the reins and another waving a wickedly curved saber, charging across an arid African plain at a flying wedge of horsemen in white turbans, faces dark, she was screaming with fear and pleasure, the red-coated men to either side of her screaming as well, the two lines racing at each other fast as a cracking whip, lowering her body over the neck of her surging mount, saber extended, squeezing the horse between her knees and then one split second of slamming impact—the Arab’s blade lancing past her shoulder and her tip digging into his neck, a quick jet of blood and the hideous wrench on her arm as the horses pulled past, the saber yanked free, another Arab in front of her, screaming with exhilaration at the kill…an ecstatic waterfall the size of two cathedrals, she stood among squat red-skinned Indians with their bows and arrows, black hair cut like a medieval king’s…mountains of floating ice, the smell of fish and salt, a fur collar tickling her face, behind her voices speaking of skins and ivory and buried metals, in her large gloved hand an unsettling carved figure, squat with a leering mouth and one great eye…a dark marble chamber gleaming with gold, small pots and jars and combs and weapons, all golden, and then the casket itself, little more than the body of the boy-king close-shrouded in a thick hammered sheet of gold and knotted with jewels, then her own hand snapping open a clasp knife and bending down to pry out a singularly fetching emerald…an artist’s studio, naked on a divan, reclining shamelessly, looking up into an open skylight, the pearl-grey clouds above her, a man with his skin painted blue between her legs, playfully holding her bare feet in his hands, raising one to his shoulders and then turning, as she also turned, to ask the artist himself about the pose, a figure behind an enormous canvas she could not see as she could not see his face, just his strong hands holding the palette and brush, but before she could hear his answer her attention was drawn pleasantly back to her posing partner who had reached down to luxuriously drag two fingers, just barely making contact, across the length of her shaven labia…a stinking sweltering room crowded with dark, slick bodies in clanking chains, striding back and forth, her boots against the planking of a ship, making notes in a ledger…a banquet amongst tall, pale, bearded uniformed men and their elegant ladies, dripping with jewels, the great silver trays of tiny glasses rimmed with gold leaf, each one with a clear, fiery, licorice-tinged cordial, tossing down glass after glass, a curtain of violins behind the polite conversation, crystal dishes of black roe in ice, platters of black bread and orange fish, a nod to a functionary wearing a blue sash who casually passed her a black leather volume with one page folded down, she would read it later and smiled, wondering which of the assembled guests it would instruct her to betray…crouched before a campfire ringed with stones, the black shadow of a castle dark against the moonlit sky, its high walls rising up from sheer red stone cliffs, feeding piece after piece of parchment to the flames, watching the pages blacken and curl and the red wax seals bubble into nothing…a stone courtyard in the hot evening, surrounded by fragrant blooming jasmine and the sounds of birds, on her back on a silken pallet, others around her unconcerned, drinking and speaking and glancing mockingly at the muscled shirtless turbaned guards, her legs apart and her fingers entwined in the long braided hair of the adolescent girl bent over her pelvis, lips and tongue flicking with a measured dreamy insistence, the rise of sensation gathering across her body, an exquisite wave preparing to break, rising, rising, her fingers gripping harder, the knowing chuckle of the girl who chose at that moment to pull back, the tip of her tongue alone slipping across the fervid, yearning flesh and then plunging forward again, the wave that had dipped surging up, higher, fuller, promising to break like the bloom of a thousand blue orchids over and within every inch of her body…
At this very exquisite moment, in the distant reaches of her mind Miss Temple was aware that she had become lost, and with some difficulty located in her memory—or the memories of so many others—a thin voice against the ecstatic roar, the words of Mrs. Marchmoor to Miss Vandaariff about the card, about concentrating on a moment to relive it, to take control of the sensation, of the experience itself. The girl’s nimble tongue sparked another spasm of pleasure within her loins and Miss Temple—through the eyes of whoever had given her experience to this book—looked down and with excruciating effort focused her mind on the feeling of the girl’s hair between her hands, her fingers pushing against the braids, studded with beads, and then the beads alone, the color…they were blue, of course they were blue…blue glass…she made herself stare into it, deeply, gasping again, thrusting her hips despite herself but somehow pushing her attention past the sweetly searching tongue, driving all other thoughts and sensations from her mind until she saw and felt nothing save the surface of glass and then, in that clear moment, with the force of her entire being, she willed herself elsewhere, pulling free.
Miss Temple gasped again and opened her eyes, surprised to see that her head was against the floor, pressed into the pile of fabric to the side of the book. She felt weak, her skin hot and damp, and pushed herself to her hands and knees, looking behind her. The Contessa’s suite of rooms was silent. How long had she been looking at the book? She could not begin to recall all of the stories she had seen—been a part of. Had it taken hours, lifetimes?—or was it like a dream, where hours could transpire within minutes? She rolled back on her heels and felt the unsteadiness of her legs and, to her discomfort, the slickness between them. What had happened to her? What thoughts were now embedded in her mind—what memories—of ravaging and being ravaged, of blood and salt, male and female? With a dull irony, Miss Temple wondered if she had become the most thoroughly debauched virgin in all of history.
Forcing her drained body to move, Miss Temple carefully wrapped the damask shawl around the book and tied it. She looked around her for her green bag. She did not see it. Had it not been wrapped around her hand? It had been, she was sure…but it was gone.
She stood, taking up the wrapped book, and turned her attention to the still half-open door. As quietly as possible she peered through the gap into the parlor. For a moment she was unsure whether she had truly left the book, so strange was the sight before her, so wholly composed, as if she gazed into a Pompeian grotto recreated in the modern world. Mrs. Marchmoor sat reclining on the slope of a divan, her beige dress unbuttoned and pushed to her hips and her corset removed, upper body naked save for the triple row of pearls that tightly spanned her throat. Miss Temple could not help but look at her left breast, heavy and pale, the fingers of the woman’s left hand idly teasing the nipple, for her right was quite blocked by Miss Vandaariff’s head. Miss Vandaariff, no longer wearing the mask, blonde hair undone down the length of her back, lay fully on the divan next to Mrs. Marchmoor, eyes closed, legs curled, one hand closed in a soft fist in her lap, the other softly supporting the second breast, from which she nursed dreamily, for comfort, like a satiated milk-drunk babe.
Across from them, in an armchair, a cheroot in one hand and his pearl-tipped ebony stick in the other, once more in his fur, sat the Comte d’Orkancz. Behind him, standing in a half-circle, were four men: an older man with his arm in a sling, a short, stout man with a red complexion and livid scars around his eyes, and then two men in uniforms that, from her contact with Doctor Svenson, she knew must be from Macklenburg. One was a severe, hard-looking man with very short hair, a weathered, drawn face, and bloodshot eyes. The other she knew—from the card, she realized, she knew him most intimately—was Karl-Horst von Maasmarck. Her first corporeal impression of the Prince was less than favorable—he was tall, pale, thin, depleted, and epicene, lacking
