was to pass up information about the Cabal he would never be afforded again…he would go more quickly. He peered into the room and suddenly froze—there were two men in black coats helping an elderly man in red onto a sofa. The churchman’s face was obscured—could it be the Bishop of Baax-Saornes? Uncle to the Duke of Staelmaere and the Queen, he was the most powerful cleric in the land, an advisor to government, a curb to corruption,…and here having the spittle wiped from his chin by malevolent lackeys. One of the men wrapped a parcel in cloth—assuredly another book—while the other took the Bishop’s pulse. Then both turned to a knock at a door Chang could not see and rapidly walked from the room.
Without a further thought for the ruined Bishop—what could he do for him anyway?—Chang turned to the opposite hole. Another man slumped over a book—how many of these hellish objects had been made?—his red face and twitching eyes pressed down into the glowing surface. It was without question Henry Xonck, his customary aura of power and command quite fully absent…indeed, it seemed to Chang that the man’s normal attributes had been drained away…drained into the book? The thought was absurd, and yet he recalled the glass cards—the manner in which they became imprinted with memories. If the books managed the same trick on a larger scale…suddenly Chang wondered if the memories were simply imprinted from the victim’s mind…or actually removed. How much of Henry Xonck’s memories—indeed his very soul—had here been stripped away?
The following spy holes revealed more of the same, and even though Chang didn’t recognize every slumped figure, those he did were enough to reveal a naked assault on the powerful figures of the land: the Minister of Finance, the Minister of War, a celebrated actress, a Duchess, an Admiral, a high court judge, the publisher of the Times, the president of the Imperial Bank, the widowed Baroness who ran the most important, opinion-setting salon in the city, and finally, tempting him to postpone his search even further and intervene, Madelaine Kraft. Each one discovered in the throes of a fitful, nearly narcotic state of possession, utterly absent of mind and unresponsive of body—their only point of attention being the book that had been set before their eyes. In several cases Chang saw masked figures—men and women—monitoring a stricken victim, sometimes collecting the book and starting to wake them, sometimes allowing more time to steep in those blue glowing depths. Chang recognized none of these functionaries. He was certain that but a few days ago their tasks would have been performed by the likes of Mrs. Marchmoor or Roger Bascombe—and a few days before that by the Contessa or Xonck themselves. Now their organization had grown—had absorbed so many new adherents—that they were all freed for more important matters. It was another spur to Chang that something else was happening in the house, perhaps as cover for the subjugation of these particular, spectacularly placed figures, but important enough to draw the Cabal’s leaders. He rushed ahead into the dark.
He ignored the remaining spy holes, driving on to the end of the passageway and hoping that when he got there he would find a door. Instead, he found a painting. His stick struck something with a light exploratory touch that was not stone and his hand reached gingerly forward to find the heavy carved frame. It seemed similar in size to the portrait of Robert Vandaariff that had masked the door to the tier of cells, though the passage was so dark that he’d no idea what it actually portrayed. Not that Chang wasted any time on the matter—he was on his knees groping for a catch or lever that might open the hidden door. But why was the painting on the inside? Did that mean the door rotated fully on each usage and someone had already come through? That was unlikely—a simple concealed hinge, opening and closing normally, would be far easier to use and to hide. But then what was on the canvas that it should remain unseen in the dark?
He sat back on his haunches and sighed. Injuries, fatigue, thirst…Chang felt like a ruin. He could keep on fighting—that was instinctive—but actual cleverness felt beyond him. He shut his eyes and took a deep breath, exhaling slowly, thinking about the other side of the door—the catch would be concealed…perhaps it was not around the frame, but part of it. He ran his fingers along the inside border of the ornately (overly, really) carved frame, concentrating first on the area where a normal doorknob might be…when he found the curved depression, he realized the only trick was the knob being on the left side rather than the right—the kind of silly misdirection that could have easily flummoxed him for another half hour. He dug his fingers around the odd-shaped knob and turned it. The well-oiled lock opened silently and Chang felt the weight of the door shift in his hands. He pushed it open and stepped through.
He knew it was Vandaariff’s study immediately, for the man himself sat before him at an enormous desk, scratching earnestly away at a long page of parchment with an old-fashioned feathered quill. Lord Robert did not look up. Chang took another step, still holding the door open with his shoulder, his eyes darting around at the room. The carpets were red and black and the long room was sub-divided into functional areas by the furniture: a long meeting table lined with high-backed chairs, a knot of larger, more upholstered armchairs and sofas, an assistant’s desk, a row of tall locked cabinets for papers, and then the great man’s desk, as large as the meeting table and covered with documents, rolled-up maps, and a litter of glasses and mugs—all driven to the edge of his present work like flotsam on a beach.
No one else was in the room.
Still, Lord Vandaariff did not acknowledge Chang’s presence, his face gravely focused on his writing. Chang remembered his main errand, a secret way to the great chamber. He couldn’t see it. On the far wall beyond the table was the main entrance, but it seemed like the only one.
As he stepped forward something caught Chang’s attention at the corner of his eye…it was the painting behind him—he hadn’t looked at it in the light. He glanced again at Vandaariff—who gave Chang no attention at all—and opened the door wide. Another canvas by Oskar Veilandt, but no similar sort of image…instead its front was like the back of the Annunciation fragments and other paintings—what at first glance seemed mere cross-hatched lines was in truth a densely wrought web of symbols and diagrams. The overall shape of the formulae, Chang saw more with instinct than with understanding, was a horseshoe…mathematical equations made in the shape of Harschmort House. It was also, he realized with a certain self-consciousness, wondering if the insight was merely the product of his own low mind, perversely anatomical—the curving U of the house and the peculiarly shaped cylindrical figure, longer than he had imagined, of the great chamber clearly inserted within it… whatever else Veilandt’s alchemy intended, it was quite clear that its roots lay as much in sexual congress as any elemental transmutation—or was the point that these were the same? Chang did not know what this had to do with the ceremony in the chamber, or with Vandaariff. And yet…he tried to remember when Vandaariff had purchased and re-fitted Harschmort Prison—at most a year or two previously. Hadn’t the gallery agent told them Veilandt had been dead five years? That was impossible—the alchemical painting on the door was definitely the same man’s work. Could it be that Veilandt hadn’t died at all? Could it be that he was here—perhaps willingly, but given the degree to which Vandaariff and d’Orkancz were exploiting his every discovery it seemed suddenly more likely he was a prisoner, or even worse, fallen victim to his own alchemy, his mind drained into a glass book for others to consume.
And yet—even within his exhaustion and despair Chang could not prevent himself from indulging this tendril of hope—if Veilandt were alive he could be found! Where else might they learn how to resist or overturn the effects of the glass? With a stab into his heart Chang realized this was even a chance to save Angelique. At once his heart was torn—his determination to save Celeste, this last prayer to preserve Angelique—it was impossible. Veilandt could be anywhere—shackled in a cage or drooling in a forgotten corner…or, if he retained his sanity and his mind, where he could best aid the Cabal…with the Comte d’Orkancz at the base of the great tower.
Chang looked again at the painting. It was a map of Harschmort…as it was equally an alchemical formula of dazzling complexity…and also distinctly pornographic. Focusing on the map (for he had no knowledge of alchemy and no time for the lurid), he located to the best of his ability the spot where, within the house, he presently stood. Was there any obvious path depicted to the great chamber and the panopticon column tower within it?
The room itself was signified—he’d had enough Greek to name them—by an alpha and then just above it, as if it were its multiplying power, a tiny omega…and from the omega ran one clear scoring line of paint down to the nest of symbols representing the chamber. Chang looked up from the canvas, feeling foolishly literal. If the room was the alpha—where in it might he find the omega? To his best estimate it lay just beyond Vandaariff’s desk… where the wall was covered by a heavy hanging curtain.
Chang crossed quickly to the spot, watching Vandaariff closely. The man still did not stir from his writing—he must have covered half a long page in the time Chang had been there. This was perhaps the most powerful man in the nation—even on the continent—and Chang could not resist his curiosity. He stepped closer to the desk—by all rights his reeking clothes alone should have shattered a saint’s concentration—to
