The Dark Volume

like bread and meat, and a flat silver square… his cigarette case.

Next to it lay the purple stone, a pencil stub, coins, his handkerchief… and something he did not recognize, reflecting light in a different way than the case. Where was the man who had taken them?

Svenson crept carefully forward, toward the fire, and snatched up his things, hesitating at the new object, which took him utterly aback. It was a blue glass card, exactly like the one he had found in the Prince's flower vase—the first glimpse of his charge's entanglement with the Cabal. The Doctor had later found another, on the body of Arthur Trapping, but both those other cards were long lost. What was another card now doing amongst his things?

Someone had slipped a blue glass card into his pocket without his knowing—but when? And who… for who could have such a thing? The cards were created by the Comte—enticing tokens to seduce potential adherents, each inscribed with the events of a few lurid moments … each as much a trap as a first exquisite taste of opium.

Svenson frowned. He had not had the purple stone in his pocket either. He had given it back to Eloise on the train…

He was an idiot—it was a message! She had tried to communicate with him! If only he had examined his pockets at the cottage! What if the blue card explained exactly what he ought to have done? What if the Contessa had forced Eloise— What if he had doubted her wrongly? What if it was not too late?

He grazed the cool surface of the glass with one fingertip, and at once felt an icy pressure at his mind. He licked his lips—

THE DOCTOR spun at a noise on the other side of the fire. He stuffed the card into his tunic and snatched up a piece of unburnt wood. The sound came from behind an alder tree. He advanced cautiously. A pair of legs, half-visible in the underbrush… the black-capped barge-master, the kerchief round his neck soaked with blood and already a dark locus for flies. Svenson took a clasp knife from the man's belt, snapping it open. He shifted the piece of wood into his other hand, feeling a little foolish, as if he were aping a true, battling man of action.

Another noise, now near the fire. While Svenson had been examining the body, the killer had quite silently circled around.

Svenson forced himself to walk—no longer caring for silence— directly toward the fire. A twig tugged insolently across his ear. Some one was there.

On the blanket, one hand picking at the food in the checkered handkerchief, the other tucked out of sight to her side, knelt the Contessa di Lacquer-Sforza. She met his arrival with a mocking smirk.

“Doctor Svenson. I confess, you are no one I expected in this particular wood—apart, one supposes, from symmetry—and yet having seen you approach so earnestly…”

Her dress was of poor-quality silk, dyed deep maroon. Her black boots were smeared with mud, and above the left one he could see her white calf. She swept her hand across the blanket, as if to welcome him, indicating the exact spot where the blue card had been set, and spoke again, careful as any cobra.

“Will you not sit? Such old acquaintances like ourselves must have so very much to talk about—we should scarcely notice if it were the end of the world.”

Seven. Cinders

AS A GIRL Miss Temple had once, after insisting upon it for a steady hour, tagging along at his side as he surveyed the fields from the raised high road, been given a puff from the pipe of Mr. Groft, the overseer of her father's plantation. She had immediately become sick— realizing the puff was not likely to be repeated, the young Miss Temple had made it a mighty one—dropping to her knees as the overseer spat oaths above her, for if her father found out he would be sacked. She had stumbled back to her rooms with a splitting pain behind her eyes and a reeking taste that would not leave her mouth no matter how she scrubbed it with lemon slices. Mr. Groft indeed was sacked, but that was the following month and had involved improprieties with house girls, three of whom had been promptly sold (including a sweet fat thing, always kind but whose name Miss Temple had since forgotten), for her father's authority brooked no challenge whatsoever.

It was some years later, preparatory to her voyage to the continent, when Miss Temple, goaded by that same iron cagework of rule, found herself in her father's study. Despite her imminent departure he had ridden to the far side of the island to inspect a new planting and was not expected to return before she sailed, simplifying everything for them both. She had wandered through the house and along the paths of the garden and the open balconies, smelling the sweet, musky fields. She knew she might never return. But in the study, sitting in her father's large leather chair—the horsehair stuffing clumped and flat and kept this way precisely because her father believed a lack of ease sharpened the mind—Miss Temple was suddenly restless, and looked to the closed study door, wondering if she ought to lock it even before she formed any sense of what she was going to do.

One of her hands had idly traced a path, finger by finger, up the inside of her thigh. Despite a fullness of tension in her flesh, not yet demanding but palpable, she pulled her hand away, for she did not choose—since it seemed that she had wandered now pointedly to the heart of her father's domain—to so expend her desires. Instead, she opened the cedar box of cigars, wrinkling her nose. With a shocking and scandalous presumption she took one out and bit off the end, just as she had seen her father do on hundreds of occasions—and she knew, had she been male, this would have been a common occurrence, even such a thing as to bring two men together. She picked the bitter flakes from her mouth and wiped them onto the cracked leather of the chair, then leaned to the candle on the desk top. She puffed four times before the thing took fire, gagged, spat out the smoke, and puffed twice more, swallowing the smoke with a cough. Her eyes watered. After another puff she erupted with a hacking that would not stop. The awful taste was back in her mouth. But she continued to inhale, determined, until there was an inch of tightly coiled grey ash at the end. Miss Temple wiped her lips on her sleeve, feeling dizzy.

It was enough, her edge of restlessness blunted by disgust—with both the tobacco and her own desire. She set the smoking cigar on the metal ashtray and collected her candle, walking unsteadily from the room—uncaring whether a servant would clear it away before her father returned or if he would find the evidence of her invasion himself… a last fittingly oblique communication between them.

THE FOULNESS of these old memories was but a childish shadow to what she had so foolishly just opened herself. Miss Temple lay on her back beyond the gardens of Harschmort, panting hard, staring up without registering the slightest detail of cloud or sky, insensible to any cries that might have echoed beyond the hedgerows, to gunshots, and to time. She reached up slowly, as if the air had become gelatinous with dread, and touched her dripping mouth. Her fingers were wet with saliva and a clotted string of black bile. With a concentrated effort she turned her head and saw, gleaming where it had fallen, the blue glass book. She swallowed, her throat raw from retching, and sank back again, feeling the stalks of tall grass poking at her hair, her will sapped, with all the sickness in her mind rising again like a flooding mire.

Since looking into the glass book in the Contessa's rooms, Miss Temple had been determined that its insistent, delirious memories not overwhelm her, knowing such an initial surrender could easily stretch into a span of days. But Miss Temple's disapproval of a world so defined was primarily fearful, for such surrender frightened her very much. Miss Temple did not consider herself as priggish—she did not tremble at her own natural appetites—yet she knew some pleasures were different. When she imagined them inside her mind, she imagined her mind stained.

But the second book changed all of this. It had colored Miss Temple's thoughts to the same extreme degree as the first—or recolored them, overlaying every vivid impulse ash grey. The Contessa's book had been compiled from countless lives, while the book on the grass contained the memories of a single man—but his memories had been harvested at the very moment of death, infecting each instant of his captured experience with a toxic, corrupting, nauseating dread. It was not unlike the pageants one saw carved on medieval churches— lines of people, from princesses to peasants to popes, trailing hand in hand after Death, the trappings of their lives exposed as vanity. Scenes of lust—and what scenes they were!—became disgusting charades of rotting meat, sumptuous banquets became fashioned whole from human filth, every strain of sweet, sweet music became re-strung to the coarse calling of blood-fed crows. Miss Temple had never imagined such despair, such utter hopelessness, such