Princesse was on her way to keep an appointment with Catherine, a painter from Guadeloupe. A row of houses in Ville Rose was occupied by a group of foreigners. Princesse had met a few of them through the teachers at her school. The students in her class were rewarded for good grades by being introduced to the French-speaking artists and writers who lived in the ginger-bread houses perched on the hills that overlooked Ville Rose's white sand beaches.

Catherine was reading on the beach when Princesse called down to her from the hill.

'Madame,' Princesse said, calling upon her phonetics lessons in order to sound less native and more French.

Catherine put down her book and threw a thigh-length robe over her bathing suit as she ran up to the house. There, she kissed Princesse on both cheeks as though they were meeting at a party.

Catherine was only twenty-seven years old but looked much older. She sunbathed endlessly, but her skin stayed the same copper-tinged shade, even as it became more and more dried out. Of any black person that Princesse knew, Catherine spent the most time in the sun without changing color.

Catherine already had her canvas and paint set up on the veranda of her house. She liked to paint outdoors in the sun.

'Relax, cherie,' she assured Princesse. 'Just take your own time to become comfortable. Heaven and earth will be here long after we're gone. We're in no rush.'

Princesse slowly removed the checkered blouse of her school uniform, followed by a spotless white under-shirt she wore to keep her blouse from getting stained with sweat. She had breasts like mushrooms, big ones that just hadn't spread yet.

Catherine began to sketch as Princesse took off her skirt. It was always hardest getting Princesse to remove her panties, but once Catherine either turned around or pretended to close her eyes, they were gone in a flash.

'Now we work,' Catherine said to Princesse as the girl reclined on a white sheet that Catherine had laid out for her on the floor of the veranda. Princesse liked to sit beneath the rail of the veranda, hidden from the view of any passersby.

One day Catherine hoped to get Princesse to roam naked on the beach attempting to make love to the crest of an ocean wave, but for now it was enough for her to make Princesse comfortable with her nudity while safely hidden from the sight of onlookers.

'It's not so bad,' Catherine said, making quick pencil strokes on the sketch pad in her hand to delineate Princesse's naked breasts. 'Relax. Pretend that you're in your bed alone and very comfortable.'

It was hard for Princesse to pretend with ease as the sun beamed into her private parts.

'Remember what I've told you,' Catherine said. 'I will never use your name and no one who lives in this village will ever see these paintings.'

Princesse relaxed in the glow of this promise.

'One day your grandchildren will walk into galleries in France,' Catherine said, 'and there they'll admire your beautiful body.'

There was nothing so beautiful about her body, Princesse thought. She had a body like all the others who lived here except she was willing to be naked. But after she was dead and buried, she wouldn't care who saw her body. It would be up to Catherine and God to decide that. As long as Catherine never showed anyone in Ville Rose the portraits, she would be content.

Catherine never displayed any intention of sharing her work with Princesse. After she felt that she had painted enough of them, Catherine would pack up her canvases and bring them to either Paris or to Guadeloupe for safekeeping.

Catherine stopped sketching for a second to get her-self a glass of iced rum. She offered some to Princesse, who shook her head, no. The village would surely smell the rum on her breath when she returned home and would conjecture quickly as to where she had gotten it.

'I used to pose for classes when I was in France.' Catherine leaned back on the rail of the veranda and slowly sipped. 'I posed for art students in Paris. That's how I made my living for a while.'

'How was it?' Princesse asked, her eyes closed against the glare of the sun as it bounced off the glass of clear white rum in Catherine's hand.

'It was very difficult for me,' Catherine answered, 'just as it is for you. The human form in all its complexity is not the easiest thing to re-create. It is hard to catch a likeness of a person unless the artist knows the person very well. That's why, once you find some-one whose likeness you've mastered, it's hard to let them go.'

Catherine picked up the pad once more. Princesse lay back and said nothing. A wandering fly parked it-self on her nose. She smacked it away. A streak of coconut pomade melting in Princesse's hair fell onto the white sheet stretched out on the veranda floor beneath her. The grease made a stain on the mat like the spots her period often made in the back of her dresses.

'No two faces are ever the same,' Catherine said, her wrist moving quickly back and forth across the pad. The pencil made a slight sweeping noise as though it were grating down the finer, more resistant surfaces of the white page. 'The eyes are the most striking and astonishing aspects of the face.'

'What about the mouth?' Princesse asked.

'That is very crucial too, my dear, because the lips determine the expression of the face.'

Princesse pulled her lips together in an exaggerated pout.

'You mean like that?' she asked, giggling.

'Exactly,' Catherine said.

Catherine flipped the cover of her pad when she was done.

'You can go now, Princesse,' she said.

Princesse dressed quickly. Catherine squeezed two gourdes between her palms, kissing her twice on the cheek.

Princesse rushed down the steps leading away from the beach house. She kept walking until she reached the hard dirt road that stretched back to the village.

It was nightfall. In a cloud of dust, an old jeep clattered down the road.

Someone was playing a drum in the fight yard. The calls of conch shells and hollow cow horns were at-tempting to catch up to the insistent rhythm.

A man wept as he buried his rooster, which had died in one of the fights that afternoon. 'Ayibobo,' the man said, chanting to the stars as he dropped the bird into a small hole that he had dug along the side of the road. One of the stars answered by plunging down from the sky, landing in a fiery ball behind a hill.

'You could have eaten that rooster!' the old drunk hollered at him. 'I'm going to come and get that bird tonight and eat it with my wife on Sunday. What a waste!

'I am giving it back to my father!' hollered back the distressed man. 'He gave me this bird last year.'

'Your father is dead, you fool!' cried the old drunk.

'I am giving this bird back to him.'

The old man was still sitting by the fence cradling his leaf-crammed bottle of rum.

'My great luck, twice in a day, I get to see you,' he said to Princesse as she walked by.

'Twice in a day,' Princesse agreed, the wind blowing through her skirt.

The human body is an extremely complex form. So Princesse was learning. A good painting would not only capture the old man's features but also his moods and personality. This could be done with a lot of fancy brush strokes or with one single flirting line, all depending on the skill of the artist. Each time she went to Catherine's, Princesse would learn something different.

The next day, Catherine had her sit fully clothed on a rock on the beach as she painted her on canvas. Princesse watched her own skin grow visibly darker as she sat near the open sea, the waves spraying a foam of white sand onto her toes.

'In the beginning God said, 'Let there be light.'' Catherine's brush attacked the canvas as she spoke, quickly mixing burnished colors to catch the harsh afternoon light. 'Without light, there is nothing. We might as well be

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