The Romans’ slaves and pack train were diverted to open grass near the Tisza River that had been reserved for their camping space, deliberately positioned downhill from Attila’s own compound. Edeco led the diplomatic contingent itself farther into the vast sea of yurts, huts, cabins, and wooden palaces that rambled on the eastern bank of the Tisza for two miles, representing a central guard of at least ten thousand warriors. Small villages of allied tribes clustered around this crude city like moons circling a planet. The curious crowd moved with the diplomats, flowing around houses like water and chanting greetings to the Hun warlords and good-natured taunts to the Romans. Children ran, dogs barked, and tethered horses whinnied and snorted at the embassy’s ponies as they passed, the ponies in turn jerking their necks up and down as if in greeting.
As the Romans and their escort approached the stockade of Attila’s compound, Ilana saw that the king’s own wives and maids had come out in proud procession under the cloud of cloth, a ceremony she had now seen several times. The tallest and fairest formed two rows, and between their up-stretched arms they carried a long runner of white linen, wide and long enough that seven girls walked beneath. All bore flowers that they cast at the ambassadorial party, filling the air with Scythian song. Maids lifted bowls of food to Edeco and his companions, and the barbarian lieutenants gravely ate while sitting on their horses—the consumption acknowledgment of Attila’s sovereignty, just as Communion was acknowledgment in Ilana’s world of the sovereignty of Christ.
The Romans were given nothing.
They waited patiently.
She noticed that the handsome young man was looking curiously at the horsehair banners before each yurt or house.
Each of these spirit banners was made from the hairs of favorite stallions. The richer the owner in horses, the thicker his banner. On the other side of each doorway were horse skulls of favorite past steeds mounted on poles as protection against evil spirits, their large teeth set in permanent grins and their eye sockets empty. Also staked near each house were hides and meat drying on racks, a cloud of flies around each. Mounted on either side of the gate of Attila’s own house were two stuffed and snarling badgers, the king’s totem. Watching the newcomer take it all in, Ilana was reminded of the powerful stink that had seemed overwhelming to her when first brought to this place: an odor of musty bodies, horses, manure, cut grass, strange spices, and a sallow fog of cooking fires. The Huns believed their odor was an emanation of their souls, and instead of a kiss or a hand-shake they often greeted each other with a sniff, like friendly dogs. It had taken Ilana a month to get used to their smell.
The Roman’s gaze eventually came to rest on her and she saw him pause with interest for a moment, a reaction from men she’d enjoyed before. He registered her beauty as if startled, and she liked to think she still looked Roman, not barbarian. Then his inspection moved on to other people but once or twice returned in her direction, trying to pretend his gaze was casual but nonetheless determined to seek her out.
For the first time since her capture, Ilana felt a glimmer of hope.
And so I, Jonas, came to Attila’s palace. It was modest by Roman standards but still more magnificent than I’d expected. I wasn’t sure if I’d find the king of the Huns in a tent, hut, or golden palace, but his principal and least temporary headquarters was somewhat between: made of wood but of superior craftsmanship. The Huns, I realized, were caught halfway between their migratory origins and a settled existence, and their city displayed this awkward transition.
Yurts, wagons, log cabins, and wattle-and-daub houses all served as homes, scattered haphazardly.
I had already noticed the fondness of Hun warriors for gold jewelry, elaborately styled bridles and harness, fine saddles, and weapons inlaid with silver and jewels. Their boot buckles were apt to be of silver and their waistbands of silk. Now I saw that the women were even more elaborately decorated. Their necklaces and intricate belts were draped over embroidered dresses that came in a hundred colors, meaning I watched goat girls chase their flocks in gowns threaded with silver. Their hair was braided and fenced with circlets of gold on their brows. Gold clasps designed like ci-cadas held the garments of the queens and princesses at each shoulder, and belt ends looped and dangled to their ankles, the entire length sparkling with metal and jewels. Some of their necklaces fanned from neck to breast as intricately and thickly as a sheath of mail.
Wooden structures showed similar craftsmanship, the timber hauled from long distances and the logs and boards carefully dressed and carved. Attila’s palace was finer yet: the planks of its stockade as straight and close fitting as a floor; its guard towers boasting complex balustrades; and the grand home itself as intricate as a jewel box, every board polished to a warm red sheen. Porticos gave shelter on its sides; outbuildings lined the stockade walls; stepping-stones provided pathways across the mud; and ovens, storerooms, cellars, and wells made the complex self-sufficient against attack. Window grilles, rafter ends, and eaves bore carvings of horses, birds, and dragons.
“German craftsmanship, done by captives,” Rusticius said quietly. “The Huns themselves disdain construction labor. They can’t even make bread.”
This palace was one of a half dozen such compounds Attila had scattered along the rivers of the Hunuguri plain, Bigilas told us, but this house was reputedly the most impressive. Circling the great hall was a small forest of staffs bearing horsehair banners representing the Hun clans.
Again, each staff was topped by the skulls of royalty’s no-blest and best-loved horses.
More disquieting were poles that bore human skulls.
“What are those?” I whispered.
“Vanquished enemies,” said Bigilas.
Each was mounted on a spear tip with the flesh allowed to rot away naturally. By now, most of the heads had been eaten by the crows down to bone, topped only by a few shreds of flesh and strands of hair that fluttered in the wind.
Just as odd were the curiously misshapen heads of some of the Huns. I noticed it first among the bareheaded children and thought that perhaps they were simply imbeciles, malformed at birth. Their foreheads seemed twice normal height, sweeping backward from their faces, so that their heads came to a kind of rounded peak. Politeness forbade me to comment, but then I saw the same feature on some of the male warriors and even on their women. Add this deformity to their swarthy complexion; dark hair; ritual scars; and small, squinting eyes, and the result was a terrifying visage.
“What has happened to these poor people?” I asked Rusticius.
“Poor? They wear more gold than I will ever see.”
“I mean their heads. They look like the kinds of babies best left on a slope.”
He laughed. “It’s a sign of beauty among these monsters!
Some of them flatten their heads deliberately when the bone is soft at birth. They lash a board and tighten the thongs while the baby howls. They think such deformity attractive.”
We finally dismounted just steps from the palace porch and Edeco, Onegesh, and Skilla led our little party of Romans into the rectangular great hall of Attila’s palace. This reception area was modest by imperial standards, just large enough to hold perhaps a hundred people, and had a wooden floor strewn with carpets and a timbered ceiling that peaked about thirty feet high. This, apparently, was Attila’s throne room. Tapestries and captured legionary standards decorated the walls, and small grilled windows let in a modest amount of light. Armed guards stood in the corners and Hun nobles sat cross-legged on the carpets of both sides, the men short, swarthy, and apelike. My childhood idea of barbarians—tall and graceful black Nubians or strapping blond Germans—
had been corrupted. These men seemed more like gnomes, squeezed down into compact balls of hard muscle. If anything, this density made them more menacing. They watched us with narrow eyes, their noses broad and flat and their mouths tight and expressionless. Each had a sword by his side and bow and arrows laid against the wall behind him. They seemed as cocked as the trigger of a crossbow.
In the shadows at the far end of the room, on an elevated platform, was a single man, sitting in a plain wooden chair, without weapon, crown, or decoration. A curtain of tapestries hung behind him. This was the king of the Huns? The most powerful man in the world seemed a disappointment.
Attila was more plainly dressed than anyone, his torso erect and his feet firmly planted. Like all Huns he was short legged and long waisted, his head unusually large for the length of his body, and so motionless that he might have been carved from wood. He was, as reputation suggested, a somewhat ugly man: flat nose, eyes so deep set that they seemed to peer from caves, and the ritual cheek scarring that marked so many Huns. Had Attila cut himself after murder-ing his brother?
The king’s wispy mustache drooped in what I had come to think of as the Hunnish frown, and his beard was scrag-gly and flecked with gray. Yet his gaze was focused and penetrating; his brow large; and his cheekbones and
