confirmation of what they already suspected, that the British were much more interested in doing a deal with Nazi Germany than in doing a deal with them. 'And so to war,' he murmured to himself.
He had enough for a short commentary piece, he thought, something they could use alongside the agency reports if the story took off. He sequestered a corner table at the Adlon Bar to write it out, then headed back to the post office to wire it off. By then it was almost four o'clock. He turned the Hanomag for home.
The studio car was on time, but Effi was not. Russell treated himself and the harassed-looking driver to a small measure of the Bourbon he had brought back from America, and was gratified by the appreciative smile he received in return. 'That's good,' the young man said, just as Effi emerged looking suitably ravishing. Her dark hair fell past her face in sweeping waves, her brown eyes glowed, the clinging red dress was beautifully set off by a lace scarf in deepest violet. She had found a shade of lipstick which perfectly matched the dress.
The young driver let out an involuntary sigh of appreciation. For reasons best known to itself, Russell's mind conjured up the image of Effi in her Gestapo cell, rising from the floor in desperate monochrome. It seemed weeks ago, but it wasn't.
The Universum was at Ku'damm 153, only a few minutes away. A hundred metres short of the cinema they joined a slow-moving queue of cars waiting to unload their celebrity passengers. On the other side of the road a few hundred watchers were held behind temporary barriers by a handful of schutzpolizei.
The long-departed Bauhaus architect Eric Mendelssohn had designed the building, which was one of Russell's favourite Berlin landmarks. On the outside, it looked as if someone had sliced the superstructure off an ocean liner, swung the bridge round ninety degrees, and dropped the whole lot beside the Ku'damm. UNIVERSUM was spelt out in huge, solid letters along the semi-circular prow; a fifty-foot poster above the doors advertised the film currently showing. This particular poster - which featured a futuristic Prussian Army galloping madly along beneath the title
They climbed from the car, Effi drawing appreciative murmurs from the crowd. Russell could imagine the asides: what on earth does she see in him?
Once inside, they were hurried to their seats. The auditorium was virtually full, but three rows in the centre had been reserved for the celebrity guests. The actors and actresses chatted among themselves, apparently oblivious to the unconcealed interest of everyone else.
The Reichsminister for Propaganda arrived about ten minutes later. His wife was expensively dressed but, in Russell's admittedly biased opinion, looked somewhat frumpy. The rest of Goebbels' retinue seemed to have been chosen on grounds of size - the seven dwarves came to mind, though they all seemed too pleased with themselves to be Grumpy. Goebbels acknowledged the rest of the audience with a cavalier wave of the hand, then sat looking round at the sweeping, modernistic lines of the auditorium. There was an almost bemused look on his face, as if he was wondering how a Jew could have designed something so gorgeous.
The film let the cinema down, of course. It was standard Third Reich ho-kum, with the usual tried and trusted ingredients - a misunderstood genius whose iron will saves his people, male underlings who find their true purpose by abandoning mere reason, women who reach beyond kitchen, church and children at their peril. The setting - a much-used one in recent years - was the Prussian War of Liberation against Napoleon.
Christina Bergner, sitting three seats along from Russell, played the tragic heroine. As Countess Marianne, the wife of an imprisoned Prussian general, she goes to plead her husband's case with the French occupation commander and, somewhat predictably, falls in love with him. Effi plays her friend, her confidante and - when the Countess finally sacrifices love, life and everything else for the Fatherland - her teary exculpator. She looked rather good in eighteenth century costume, Russell thought.
She looked good in the red dress too. Goebbels seemed to hold her hand for rather too long as he greeted the cast in the huge foyer. Russell, stationed in the background with the other escorts, found himself praying that Effi would restrain herself, but he needn't have worried. She smiled prettily throughout, and only he seemed to notice how tightly she was holding herself.
'He tried to proposition me,' she hissed a few minutes later. 'With his wife a metre away,' she added angrily.
'I shouldn't take it personally,' Russell said. 'I don't think he can help himself. What did he actually say?'
'Oh, how much prettier I was in modern clothes. How he'd admired my performance in
'I don't suppose he knows you've been a recent guest of the Gestapo.'
'Maybe not, but I wouldn't bet on it. I think he expects me to jump at his offer. As if he knows I could do with the protection.'
They moved outside, where some of the Party luminaries were still waiting for their own transport. As they stood there, Russell noticed a woman standing a few metres away. She was fairly tall, about his height, with elaborately coiffured brown hair framing a rather stark face. Her companion, a high-ranking SS officer in uniform, was talking to one of Effi's male co-stars, and she was looking around with the air of someone who could hardly believe where she was. Their glances met for a moment, and her face was suddenly familiar. Where had he seen her before? And then he remembered - it had been at the Wiesners' flat, on the night he had gone to tell Eva that her husband was dead. This woman had answered the door. Curly hair she'd had then. What was her name? He turned to look at her again, and found she was looking straight at him. Before he could say or do anything she gave him an almost imperceptible shake of the head.
He turned away. Sarah Grostein was her name. A Jew, he'd assumed at their first meeting, though she didn't look like one. What the hell was a friend of the Wiesners', Jewish or not, doing on the arms of an SS Gruppenfuhrer? It was an interesting question, but not, he suspected, one that he'd ever know the answer to.
Once they were home he told Effi what had happened, expecting her to share his surprise.
'I'm beginning to think that Berlin is full of people leading double lives,' was all she said.
Delightfully languorous Saturday mornings, Russell reminded himself on waking, were one of the perks freelancers received in exchange for their miserable income. Hired hacks, on the other hand, had to keep up with the news, which these days barely slowed on Sundays, let alone Saturdays. He got up, took a bath and brought a sleepy Effi a cup of coffee in bed. She was seeing Zarah for lunch - her sister was eager to hear about the premiere - and thought it better to save a joint outing with Paul for the following weekend. Russell headed downtown to see how the German government was dealing with the Hudson story.
It wasn't, was the short answer. In Britain the
Russell had something to eat at the Zoo Station buffet and drove out to Grunewald to pick up Paul. Ilse asked after Effi , and was obviously curious to know why she had been released. Russell told his ex-wife that it had all been a mistake, that the Gestapo had advised them against mentioning either the release or the original arrest. He thought he could trust Ilse, but he was determined not to compromise her in any way. Paul's safety - not to mention her own - might depend on it.
Over the last couple of years his son had often chosen the Funkturm for their Saturday outings, and on this particular occasion he almost insisted. Revisiting Berlin's version of the Eiffel Tower, Russell came to realize as the afternoon wore on, was an integral part of Paul's coming home. The splendid Funkturm represented a Germany the boy could be proud of, a Germany, moreover, which he could share with his English father. Standing on the viewing platform, staring out in the direction of his beloved Hertha's Gesundbrunnen stadium, was a way for Paul to hold his world together.
His son was all over the place, Russell realized. Though quick to defend his country against any slight, he was still revelling in the wonders of the very different world across the Atlantic. As Paul looked out across Berlin, Russell
