Jezdimir Vasiljevic, a Serbian financier of dubious repute, who proffered $5 million of his bank’s money (two-thirds to go to the winner, one-third to the loser) to entice the ex-champions back to the board. Once again, the world’s press assembled en masse, tantalized not only by the prospect of a battle between the two old foes, but by a sighting of Fischer. What would he look like after all these years?
The answer was, totally transformed from the lithe, boyish figure he had presented in Reykjavik. Now forty- nine, balding, pudgy, and with a beard mottled the same shade of gray as his suit, he had the air of a university lecturer. Fischer considered this a “World Championship” contest—absurdly, given that he had forfeited the title seventeen years earlier and Spassky was now rated only about one hundredth in the world.
The match, split between Belgrade and the picturesque island resort of Sveti Stefan in Montenegro on the Adriatic Sea, was in many ways a triumph for Fischer’s obduracy (as well as his principles), for the rules were those upon which Fischer had insisted in 1974 in the negotiations with FIDE. But his taking part in the match in the middle of the Yugoslav civil war breached UN sanctions: the U.S. Treasury Department bluntly informed him beforehand that he would be in violation of an executive order (number 12810) if the match went ahead—a serious crime carrying a heavy fine and/or a jail sentence.
He ignored the warning. In a press conference, Fischer opened his brown leather suitcase and removed a letter from the Treasury Department. He then spat at it, with precision. Asked about the then top two players in the world, Karpov and Kasparov, he described them as “the lowest dogs around.” A U.S. arrest warrant was later issued—it is still valid.
For admirers of the two champions, the rematch was an unedifying spectacle, rather like the sight of two former heavyweight boxers, well past their prime, climbing back into the ring for a last big payday. After game one, the experts were in a state of high excitement—Fischer had won it brilliantly: he looked like the Fischer of old. But it was a form he was to regain in only a couple of games. Although he won convincingly, ten games to Spassky’s five, with fifteen draws, the quality of the chess was regarded as somewhat pedestrian. An immensely profitable few weeks for the two adversaries, the episode tarnished the Reykjavik legend as a bad sequel to a movie can sully the original.
Then the nomad was off again. Zita Rajcsanyi, a nineteen-year-old Hungarian chess star, had been instrumental in drawing him into the Spassky rematch and had kept him company in Yugoslavia. But although Fischer spent several years in Budapest in the 1990s, Rajcsanyi married and disappeared from the scene. At some stage, Fischer moved to Tokyo. There are reports of his having a child. Sightings of him became as rare and often no more accurate than those of the Loch Ness monster.
Fischer has descended into an abyss of unreality, the world of Holocaust denial, persecution complexes, and conspiracy theories. In the 1980s he became fixated on the study of anti-Semitic tracts, such as the Tsarist forgery
Fischer’s mother and sister have died. His mother took to the grave an astonishing secret: Her son’s biological father was not her ex-husband, Gerhardt, but a Hungarian-born physicist, Paul Nemenyi, which whom she began an affair in 1942. Against Nemenyi’s wishes, Bobby was never told what the U.S. government must have known. For a quarter of a century, as Bobby was growing up, the FBI tracked Regina closely, suspecting her of being a communist agent. They documented every detail of her life: her political affiliations, her contacts, her movements. They investigated her telephone records and bank account details; they interviewed her neighbors and work colleagues. Dozens of special agents were involved, and scores of informers serviced them with information. Many of the FBI memos are from or to the then director of the FBI, J. Edgar Hoover. Given Bobby’s anti-Semitic and anticommunist obsessions, there is a poignant irony to the fact that his parents were communist sympathizers and that he is ethnically Jewish on both sides of his true parentage.[1]
Does he still play? With the advent of Internet chess, Fischer gossip began to circulate with ever-increasing velocity within the international chess community. On the Internet, many players—especially grandmasters—adopt a pseudonym as their “handle,” their Internet name. One reason for this practice is to prevent potential opponents from studying their games and detecting within them certain structures and patterns. There have been insistent tales of Fischer himself dabbling in cyberspace. An astoundingly successful “handle” is observed smashing opponents with consummate ease and the cyberwhispering begins: “Fischer is back.” The remarkable readiness with which these stories are embraced is akin to the eager anticipation of religious cult members awaiting a second coming. With his disappearance, the Fischer mystique has become part of chess lore, captured, for example, in the Hollywood film
He invented a clock, the Fischer clock, the principal idea of which has rapidly gained currency in the chess community. Like many of Fischer’s proposals, its aim is to strip chess of risk as far as possible so that it is the better player who ultimately wins. With the conventional clock, a situation can occur in which a player has only one minute on the clock to make, say, ten moves—in such circumstances silly slip-ups are quite common. On the Fischer clock, each time a player makes a move, he or she is given more time. For instance, the clock may be set to give the mover an extra two minutes after every move. A mad time scramble is thus avoided.
To reenergize chess and to free it from the oppressive body of theoretical knowledge built up over decades, Fischer now advocates random chess, in which the pieces on the back row are shuffled at the beginning of each game. Random chess would force players to clear their minds of preparatory work and think about each game afresh. Fischer dreams of another Spassky rematch—this time at random chess. Spassky told the authors of this book that he would agree to one, “just for fun.”
Reykjavik changed chess itself. In the immediate aftermath of the 1972 match, a sudden fascination for the game brought salad days for the chess masters. Publishers sought them out to satisfy the appetite for information: A huge array of books appeared, from those targeted at the complete beginner to those aimed at the already accomplished. There were books on openings, books on the middle game, books on endings. There were books on tactics and books on strategy, books on how to beat the
The chess phenomenon was such that grandmasters, and even international masters, could now make a decent living. The prize money shot up for competitions; cash was to be earned from giving simultaneous matches, from writing, from coaching. Edmar Mednis turned professional along with several other top players. “During the first year subsequent to the match, it was as though money were falling from heaven.”
Soon after Reykjavik, San Francisco promoter Cyrus Weiss floated the idea of a professional chess major league, in which five teams across the United States would compete against one another in a series of televised matches. At the time, this seemed far from quixotic. Chess was entering the nation’s sporting bloodstream. A decade earlier, the U.S. Chess Federation had fewer than 10,000 members. Now there were over 60,000 and the rate of growth appeared to be carrying the numbers into orbit.
A generation of youngsters was stimulated to take up the game. The rise of Britain as a chess powerhouse can be traced back to Reykjavik. Nigel Short, who one day would challenge Garry Kasparov for the title, decided then, at age seven, that he would become a professional.
The match itself inspired the (then) most expensive musical ever staged,
