The Crippled God

if the Snake’s very existence was an affront. To be ignored. Denied. Fled from.

But she would not permit any to escape. They did not have to like what they saw. They did not have to like her at all. Or Rutt or Held or Saddic or any of the bare thousand still alive. They could rail at her thoughts, at the poetry she found in the heart of suffering, as if it had no meaning to them, no value. No truth. They could do all of that; still she would not let them go.

I am as true as anything you have ever seen. A dying child, abandoned by the world. And I say this: there is nothing truer. Nothing.

Flee from me if you can. I promise I will haunt you. This is my only purpose now, the only one left to me. I am history made alive, holding on but failing. I am everything you would not think of, belly filled and thirst slaked, there in all your comforts surrounded by faces you know and love.

But hear me. Heed my warning. History has claws.

Saddic still carried his hoard. He dragged it behind him. In a sack made of clothes no longer needed by anyone. His treasure trove. His … things. What did he want with them? What meaning hid inside that sack? All those stupid bits, the shiny stones, the pieces of wood. And the way, with every dusk, when they could walk no further, he would take them all out to look at them — why did that frighten her?

Sometimes he would weep, for no reason. And make fists as if to crush all his baubles into dust, and it was then that she realized that Saddic didn’t know what they meant either. But he wouldn’t leave them behind. That sack would be the death of him.

She imagined the moment when he fell. This boy she would have liked for a brother. On to his knees, hands all entwined in the cloth sleeves, falling forward so that his face struck the ground. He’d try to get back up, but he’d fail. And the flies would swarm him until he was no longer even visible, just a seething, glittering blackness. Where Saddic had been.

They’d eat his last breath. Drink the last tears from his eyes which now just stared. Invade his open mouth to make it dry as a cave, a spider hole. And then the swarm would explode, rush away seeking more of life’s sweet water. And down would descend the butterflies. To strip away his skin, and the thing left — with its sack — would no longer be Saddic.

Saddic will be gone. Happy Saddic. Peaceful Saddic, a ghost hovering, looking down at that sack. I would have words for him, for his passing. I would stand over him, looking down at all those fluttering wings so like leaves, and I would try, one more time, to make sense of the sack, the sack that killed him.

And I would fail. Making my words few. Weak. A song of unknowing. All I have for my brother Saddic.

When that time comes, I will know it is time for me to die, too. When that time comes, I will give up.

And so she sang. A song of knowing. The most powerful song of all.

They had a day left, maybe two.

Is this what I wanted? Every journey must end. Out here there is nothing but ends. No beginnings left. Out here, I have nothing but claws.

‘Badalle.’ The word was soft, like crumpled cloth, and she felt it brush her senses.

‘Rutt.’

‘I can’t do this any more.’

‘But you are Rutt. The head of the Snake. And Held, who is the tongue.’

‘No. I can’t. I have gone blind.’

She moved up alongside him, studied his old man’s face. ‘They’re swollen,’ she said. ‘Closed up, Rutt. It’s to keep them safe. Your eyes.’

‘But I can’t see.’

‘There’s nothing to see, Rutt.’

‘I can’t lead.’

‘For this, there is no one better.’

‘Badalle-’

‘Even the stones are gone. Just walk, Rutt. The way is clear; for as far as I can see, it’s clear.’

He loosed a sob. The flies poured in and he bent over, coughing, retching. He stumbled and she caught him before he fell. Rutt righted himself, clutching Held tight. Badalle heard a soft whimper rising from them both.

No water. This is what is killing us now. Squinting, she glanced back. Saddic was nowhere in sight — had he already fallen? If he had, it would be just as well that she’d not seen it. Other faces, vaguely familiar, stared at her and Rutt, waiting for the Snake to begin moving once again. They stood hunched over, tottering. They stood with backs arched and bellies distended as if about to drop a baby. Their eyes were depthless pools where the flies gathered to drink. Sores crusted their noses, their mouths and ears. Skin on cheeks and chins had cracked open and glistened beneath ribbons of flies. Many were bald, missing teeth, their gums bleeding. And Rutt was not alone in being blind.

Our children. See what we have done to them. Our mothers and fathers left us to this, and now we leave them, too, in our turn. There is no end to the generations of the foolish. One after another after another and at some point we all started nodding thinking this is how it has to be, and so we don’t even try to change things. All we pass down to our children is the same stupid grin.

But I have claws. And I will tear away that grin. I swear it.

‘Badalle.’

She had begun singing out loud. Wordless, the tone low and then building, thickening. Until she could feel more than one voice within her, and each in turn joined her song. Filling the air. Their sound was one of horror, a terrible thing — she felt its power growing. Growing.

‘Badalle?’

I have claws. I have claws. I have claws. Show me that grin one more time. Show it, I’m begging you! Let me tear it from your face. Let me rip deep, until my talons score your teeth! Let me feel the blood and let me hear the meat splitting and let me see the look in your eyes as you meet mine let me see I have claws I have claws I have claws-

‘Badalle!’

Someone struck her, knocked her down. Stunned, she stared up into Saddic’s face, his round, wizened face. And from his eyes red tears tracked down through the dust on his leathery cheeks.

‘Don’t cry,’ she whispered. ‘It’s all right, Saddic. Don’t cry.’

Rutt knelt beside her, groped with one hand until his fingers brushed her forehead. ‘What have you done?’

His tone startled her. The cloth is torn. ‘They’re all too weak,’ she said. ‘Too weak to feel anger. So I felt it for them — for all of you-’ She stopped. Rutt’s fingertips leaked blood. She could feel crystal shards digging into her back. What?

‘You moved us,’ Saddic said. ‘It … hurt.’

She could hear wailing now. The Snake was writhing in pain. ‘I went … I went looking.’

‘For what?’ Rutt demanded. ‘For what?’

‘For claws.’

Saddic shook his head. ‘Badalle. We’re children. We don’t have claws.’

The sun dimmed then and she squinted past Saddic. But the butterflies were gone. Flies, look at all the flies.

‘We don’t have claws, Badalle.’

‘No, Saddic, you’re right. We don’t. But someone does.’

The power of the song still clung to her, fierce as a promise. Someone does. ‘I’m taking us there,’ she said, meeting Saddic’s wide eyes.

He drew back, leaving her to stare up at the sky. Flies, roiling in a massive cloud, black as the Abyss. She clambered to her feet. ‘Take my hand, Rutt. It’s time to walk.’

She crouched, staring up at the gate. Beneath it the crumbling ruin of Kettle House was like a thing crushed under a heel. Something like blood oozed out from its roots to carve runnels down the slope. She believed it was dead, but of course there was no way to know for sure.

There was no glory in failure. Kilava had learned that long, long ago. The passing of an age was