Arched bridges? Emil had asked, thinking of this place in his own country.

They were all sweating from the heat of the boiler room next door, and there were too many of them, sprawled on the floor and the table, the wind hissing over the deck above them.

The Croat described the walk from his friend’s palazzo to a canal that was overlooked, high up, by a covered bridge that connected two stone walls. The doomed, he told them. They crossedhere on the way to the prisons. They call it the Bridge of Sighs. The Arab asked why. Because the prisoner had been convicted, and this was where he saw that, at the end of that short walk across the bridge, his life would be lived behind a stone wall. Behind iron bars. He would live and die in the dark.

A bleak silence fell over the cabin. No one spoke. Each man remembered his own bridge, but Emil, still so young, only knew he was missing the power of the moment, and said nothing.

At one corner a thin man offered black-market socks-”Good price, good price.” Emil took a swig of the barmaid’s rotgut brandy, adding to Lena Crowder s morning cocktail, and shook his head. He thought of Smerdyakov, the happy butcher, piling up dead Germans for his own private gallery in a bombed-out Berlin. Was that really the kind of boy Grandfather wanted?

But a butcher, remembered Emil, was just what he was.

Cold water dripped on his ear. Above, a mother hung lines of heavy laundry between the buildings. The ground was covered by black spots. He crossed another bridge.

Jerzy Michalec, a politicos. But he was also known as Smerdyakov, the Butcher. Grandfather called it courage, but Emil wasn’t sure that courage was the right word for butchery.

There were two benches in the square, one with only a single, uneven plank, the second with all three. Emil settled on the good one and propped the bottle on his thigh. Ahead, where the walls opened onto a larger canal, a group of pensioners lounged on the bridge, eating pumpkin seeds and pointing at trash floating in the water, just like children.

There had been an editorial in The Spark last month calling for the demolition of the Canal District. The writer claimed-and not without evidence-that it was a breeding ground for crime and disease, and any attempt to repair its crumbling infrastructure of water pipes and collapsing walls would bankrupt the nation. It would be the symbolic extension of the Liberation: Wipe away the wormy, decayed past, and build up the future. The writer predicted high block apartments checkered atop the wet, fractured foundations, the swamp drained and its water managed into small brooks running water wheels to light the city. He had been to Moscow, he said, and had seen what great heights unity and resolve could achieve. Later, the rumors swept through the Capital more quickly than The Spark: The Comrade Chairman himself wanted to funnel funds into the city s coffers to put the idea into action. Under the condition, the rumor added, that it be called New Stalingrad.

The pensioners had moved on and been replaced by three prostitutes. Two heavy matriarchs and a young, pretty girl. All three looked at him, then began talking among themselves.

It was true, the Canal District was a cesspool. Here Emil had come when he was a boy, with friends, sneaking into the dark passages where they could disappear. It was here he had first sowed his dreams of leaving the country. They were planted here, and had bloomed through the Soviet window of moving pictures in the provinces. The Canal District had that effect on him, on most people, and if anything was to blame for him boarding that train headed toward the icy north, it was this swamp-born city within the city.

He took another long, burning swig.

In the Arctic, the Bulgarian refused to lose at cards.

He swallowed.

They were stuffed in the hull of the boat-ten men in a cabin built for three, choked with smoke and sweat-and when Emil showed his winning kalookie hand to the limp-cheeked Bulgarian, the shouts almost shattered the walls. The big man pushed the money over with a look of hatred.

Smerdyakov was a war hero. Grandfather called him the greatest ever, a testament to the nation. Emil had never known war. Not the war of armies and soldiering.

The Bulgarian followed him afterward, pestering with his blunt, hard hands, grabbing him by his shoulders and shaking. He followed Emil across the icy deck, using Bulgarian curses no one could understand, and swung fists. Emil left with bruises and a bloody nose. The next night was no better, nor the next, and finally Emil just bolted when he saw the Bulgarian approach. In his cot each night he fingered the curved work blade he held beneath the blankets.

The pretty whore balanced on the single board spanning the bad bench. It wobbled beneath her, and she smiled at him, amused. He nodded an invitation toward the- corner of his own bench. He knew what he was doing; any man who had grown up in the Capital knew. But all he wanted now was her physical presence, her proximity. When she settled down, the violet folds of her skirt collected behind the bend of her knee. Her lipstick and rouge were bright and fresh. But in his head he saw the Bulgarian with the baggy cheeks who attacked him that fourth night on the cold deck.

“You’re very handsome,” she said quietly, near his cheek, her breath warm.

The other hookers, the veterans with rough cheeks and black eyes, watched from the water’s edge. One stood with her hands on the small of her back, as if stretching after washing clothes.

The Bulgarian had stood like that when he caught sight of Emil. Then he leapt.

“You’d like to go somewhere, love? I know an alley.”

She was very young, he now saw, her soft red lips muddied around the edges, her eyes very big. Her accent was definitely out- of-town, and from the way she crossed her legs and moved with a stuttering motion closer to him, he could tell this was new to her. She was maybe thirteen. There was a fine coating of freckles the white powder on her cheeks did not cover.

Eat this, the Bulgarian had said, using their shared Russian, throwing a drunken fist at Emil’s teeth. A mouthful of Bulgarian knuckles.

“Where are you from?” he asked the girl.

“From here.” She spoke as though she hadn’t heard the question. “The alley’s very close. It’s very cheap.” Then, as an afterthought: “Because I like you.”

Cheater, the sagging cheeks had said. His knees held down Emil’s arms, and he bounced on Emil’s belly. The deck was cold and ice-dry against the back of his head. The fear turned his blood to sand.

“What’s your name?” he asked her.

“Livia,” she lied.

He touched her fine, child’s hair. “Do you like this? Your work.” He didn’t know what he was saying.

“I like to make money.” She smiled. He caught sight of her teeth, rounded and small, a few missing. Milk teeth. The teeth of a five-year-old in a teenager. “And this way-who doesn’t like it? It’s what people like.”

This is the way, the Bulgarian had said when he pulled a fat, purple cock out of his pants. Emil’s pinned hand had found the curved blade in his pocket.

The older hookers were leaning from foot to foot, impatient, watching every move he made. He should have called one of them over; there would have been no worries, no nagging conscience, nor that claustrophobic sense that all eyes were on him.

The thick pants slowed it, but the blade broke through. It glided into the Bulgarian’s thigh, struck a vein, and when he removed it, the warm, black fountain began to flow. He pushed the blade in again. The Bulgarian said Uhh and fell back, holding himself.

The girl smelled of rosewater; she had been prepared. This must be her first time.

Jerzy Michalec, Smerdyakov. A hero. And Emil Brod, a murderer leaning over a child.

He had squeezed out from under the baying Bulgarian, then went about it with the efficiency of his craft. His seals blade found quick ways to silence the squeals, his movements by now instinct-a seal-butcher s instincts. And only when the job was done and he leaned on the railing, gasping, his blind fever passing, did he think to push the carcass over the edge onto the ice below. He watched it drop silently beneath the wind, and felt as if he were standing on a bridge, watching everything end.

He sighed and, with closed eyes, leaned toward the girl, breathing in her fresh scent. She turned to accept a kiss, but he whispered, “I’m a policeman.”

He heard her feet move, the boards shifting as she rose. The quick jogging across cobblestones. Voices. When he opened his eyes finally, the square was empty and silent, save the sound of dirty water lapping on stone walls.

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